Free Jazz Black Power

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Free Jazz/Black Power

Author : Philippe Carles,Jean-Louis Comolli
Publisher : Univ. Press of Mississippi
Page : 256 pages
File Size : 47,5 Mb
Release : 2015-01-01
Category : Music
ISBN : 9781626743397

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Free Jazz/Black Power by Philippe Carles,Jean-Louis Comolli Pdf

In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a music that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases it changed the way musicians thought about and played jazz. Free Jazz / Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and also realigned that zeitgeist.

Free Jazz/Black Power

Author : Philippe Charles,Jean-Louis Comolli
Publisher : Unknown
Page : 380 pages
File Size : 54,7 Mb
Release : 1973
Category : Electronic
ISBN : OCLC:500143786

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Free Jazz/Black Power by Philippe Charles,Jean-Louis Comolli Pdf

A Power Stronger Than Itself

Author : George E. Lewis
Publisher : University of Chicago Press
Page : 726 pages
File Size : 44,7 Mb
Release : 2008-09-15
Category : Social Science
ISBN : 9780226477039

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A Power Stronger Than Itself by George E. Lewis Pdf

Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall’s kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.

Free Jazz

Author : Jeff Schwartz
Publisher : Routledge
Page : 465 pages
File Size : 48,7 Mb
Release : 2018-05-23
Category : Music
ISBN : 9781315311753

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Free Jazz by Jeff Schwartz Pdf

Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.

Jazz Research and Performance Materials

Author : Eddie S. Meadows
Publisher : Psychology Press
Page : 854 pages
File Size : 52,8 Mb
Release : 1995
Category : Music
ISBN : 0815303734

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Jazz Research and Performance Materials by Eddie S. Meadows Pdf

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Free jazz, black power

Author : Philippe Carles,Jean-Louis Comolli
Publisher : Unknown
Page : 253 pages
File Size : 50,7 Mb
Release : 1980
Category : African Americans
ISBN : 398003870X

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Free jazz, black power by Philippe Carles,Jean-Louis Comolli Pdf

Black Power Music!

Author : Reiland Rabaka
Publisher : Routledge
Page : 221 pages
File Size : 45,7 Mb
Release : 2022-06-13
Category : Music
ISBN : 9781000594317

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Black Power Music! by Reiland Rabaka Pdf

Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.

Imaginary Power, Real Horizons

Author : Richard Gilman-Opalsky
Publisher : AK Press
Page : 214 pages
File Size : 50,9 Mb
Release : 2024-07-09
Category : Philosophy
ISBN : 9781849355575

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Imaginary Power, Real Horizons by Richard Gilman-Opalsky Pdf

A defense of the radical imagination from a scholar of social movements. Political theorist and philosopher Richard Gilman-Opalsky’s Imaginary Power, Real Horizons is a tribute to the imagination and to its necessity for liberatory struggle. “‘Impractical’ is the name given to anyone who imagines something radically other than what exists,” he writes. However, many things—such as the abolition of slavery—were dismissed as impractical before they came to be. In a warm, plainspoken manner, these essays chart the affects of creativity and utopianism through topics as varied as the cyclical nature of popular movements; the international history of May Day; the experience of teaching political theory and Marxism in contemporary China; and the revolutionary aspirations of Free Jazz. The human imagination is a real, world-creating power, and those who would declare otherwise have a poor understanding of history. Imaginary Power, Real Horizons is a call to action for those who would dare to dream of a society organized by a different logic than capitalism.

Radio Free Dixie

Author : Timothy B. Tyson
Publisher : Univ of North Carolina Press
Page : 413 pages
File Size : 53,9 Mb
Release : 2009-11-15
Category : Biography & Autobiography
ISBN : 9780807899014

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Radio Free Dixie by Timothy B. Tyson Pdf

This book tells the remarkable story of Robert F. Williams--one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, as president of the Monroe, North Carolina, branch of the NAACP, Williams and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating "armed self-reliance" by blacks, Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba--where he broadcast "Radio Free Dixie," a program of black politics and music that could be heard as far away as Los Angeles and New York City--and then China, Williams remained a controversial figure for the rest of his life. Historians have customarily portrayed the civil rights movement as a nonviolent call on America's conscience--and the subsequent rise of Black Power as a violent repudiation of the civil rights dream. But Radio Free Dixie reveals that both movements grew out of the same soil, confronted the same predicaments, and reflected the same quest for African American freedom. As Robert Williams's story demonstrates, independent black political action, black cultural pride, and armed self-reliance operated in the South in tension and in tandem with legal efforts and nonviolent protest.

Free jazz/Black power

Author : Philippe Carles
Publisher : Unknown
Page : 380 pages
File Size : 46,5 Mb
Release : 1971
Category : Jazz
ISBN : OCLC:20208887

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Free jazz/Black power by Philippe Carles Pdf

The Black Arts Movement and the Black Panther Party in American Visual Culture

Author : Jo-Ann Morgan
Publisher : Routledge
Page : 212 pages
File Size : 55,8 Mb
Release : 2019-01-10
Category : Art
ISBN : 9780429885877

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The Black Arts Movement and the Black Panther Party in American Visual Culture by Jo-Ann Morgan Pdf

This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.

After Django

Author : Tom Perchard
Publisher : University of Michigan Press
Page : 309 pages
File Size : 46,7 Mb
Release : 2015-01-12
Category : History
ISBN : 9780472052424

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After Django by Tom Perchard Pdf

How did French musicians and critics interpret jazz--that quintessentially American music--in the mid-twentieth century? How far did players reshape what they learned from records and visitors into more local jazz forms, and how did the music figure in those angry debates that so often suffused French cultural and political life? After Django begins with the famous interwar triumphs of Josephine Baker and Django Reinhardt, but, for the first time, the focus here falls on the French jazz practices of the postwar era. The work of important but neglected French musicians such as Andr Hodeir and Barney Wilen is examined in depth, as are native responses to Americans such as Miles Davis and Thelonious Monk. The book provides an original intertwining of musical and historical narrative, supported by extensive archival work; in clear and compelling prose, Perchard describes the problematic efforts towards aesthetic assimilation and transformation made by those concerned with jazz in fact and in idea, listening to the music as it sounded in discourses around local identity, art, 1968 radicalism, social democracy, and post colonial politics.

Flow, Gesture, and Spaces in Free Jazz

Author : Guerino Mazzola,Paul B. Cherlin
Publisher : Springer Science & Business Media
Page : 140 pages
File Size : 53,6 Mb
Release : 2008-12-21
Category : Music
ISBN : 9783540921950

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Flow, Gesture, and Spaces in Free Jazz by Guerino Mazzola,Paul B. Cherlin Pdf

Free jazz, as performed by such artists as John Coltrone and Archie Shepp, is a creative, collaborative art form. This book examines free jazz and develops geometric theories of gestures and distributed identities, also known as swarm intelligence.

Message to Our Folks

Author : Paul Steinbeck
Publisher : University of Chicago Press
Page : 359 pages
File Size : 46,7 Mb
Release : 2018-09-28
Category : History
ISBN : 9780226418094

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Message to Our Folks by Paul Steinbeck Pdf

This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices—members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry’s traditionalist aesthetics. In Message to Our Folks, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble. In the book, he proposes a new theory of group improvisation that explains how the band members were able to improvise together in so many different styles while also drawing on an extensive repertoire of notated compositions. Steinbeck examines the multimedia dimensions of the Art Ensemble’s performances and the ways in which their distinctive model of social relations kept the group performing together for four decades. Message to Our Folks is a striking and valuable contribution to our understanding of one of the world’s premier musical groups.

New Musical Figurations

Author : Ronald M. Radano
Publisher : University of Chicago Press
Page : 333 pages
File Size : 55,7 Mb
Release : 2009-05-20
Category : Music
ISBN : 9780226701943

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New Musical Figurations by Ronald M. Radano Pdf

New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture—a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoretician and composer of experimental art music. His refusal to conform to the conventions of official musical culture has helped unhinge the very ideologies on which definitions of "jazz," "black music," "popular music," and "art music" are founded. New Musical Figurations gives the richest view available of this many-sided artist. Radano examines Braxton's early years on the South Side of Chicago, whose vibrant black musical legacy inspired him to explore new avenues of expression. Here is the first detailed history of Braxton's central role in the Association for the Advancement of Creative Musicians, the principal musician-run institution of free jazz in the United States. After leaving Chicago, Braxton was active in Paris and New York, collaborating with Philip Glass, Steve Reich, Frederic Rzewski, and other composers affiliated with the experimental-music movement. From 1974 to 1981, he gained renown as a popular jazz performer and recording artist. Since then he has taught at Mills College and Wesleyan University, given lectures on his theoretical musical system, and written works for chamber groups as well as large, opera-scale pieces. The neglect of radical, challenging figures like Braxton in standard histories of jazz, Radano argues, mutes the innovative voice of the African-American musical tradition. Refreshingly free of technical jargon, New Musical Figurations is more than just another variation on the same jazz theme. Rather, it is an exploratory work as rich in theoretical vision as it is in historical detail.