French Women Orientalist Artists 1861 1956

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French Women Orientalist Artists, 1861-1956

Mary Healy
French Women Orientalist Artists 1861 1956 Book PDF

Author : Mary Healy
Publisher : Routledge Research in Gender and Art
Page : 272 pages
File Size : 43,8 Mb
Release : 2019
Category : North Africans in art
ISBN : 1472440315

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French Women Orientalist Artists, 1861-1956 by Mary Healy Pdf

Only one female artist, Henriette Browne 1829-1901, has been recognised in the canon of French Orientalist art. Beyond Browne, existing scholarship has not given due consideration to the impact of female art on French Orientalism; as a result women artists have been omitted from the Orientalist canon in France. Through empirical research, Mary Healy has databased primary documents relating to eighty-six women artists whose works of art can be placed in the canon of French Orientalism between 1860 and 1968. Many of these women, such as Marie Lucas-Robiquet (1858-1959) and Jeanne Thil (1887-1968), were highly successful artists in their day; yet, today, little to nothing is known about their artistic contributions. Forgotten French Women Orientalist Artists 1860-1968: Cross-Cultural Contacts and Western Depictions of Difference is the first full-length study dedicated to these women artists and the analyses of their Orientalist works of art. In addition to building on existing Orientalist scholarship, the database of French women Orientalists forms the basis of new theoretical frameworks which cross the disciplines of art history, culture studies and representation, colonial history, gender studies and post-colonial theory. Utilising an interdisciplinary approach in the interpretation of women's art, Healy not only aims to re-evaluate the field of French Orientalism, but also to contribute new art historical findings concerning east/west cross-cultural dialogues at the intersection of gender and cultural difference.

French Women Orientalist Artists, 1861–1956

Mary Kelly
French Women Orientalist Artists 1861 1956 Book PDF

Author : Mary Kelly
Publisher : Routledge
Page : 270 pages
File Size : 42,5 Mb
Release : 2021-07-26
Category : Art
ISBN : 9781000405347

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French Women Orientalist Artists, 1861–1956 by Mary Kelly Pdf

This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.

Gender and the Woman Artist in Early Modern Iberia

Catherine Hall-van den Elsen
Gender and the Woman Artist in Early Modern Iberia Book PDF

Author : Catherine Hall-van den Elsen
Publisher : Taylor & Francis
Page : 202 pages
File Size : 41,9 Mb
Release : 2024-01-31
Category : Art
ISBN : 9781003833635

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Gender and the Woman Artist in Early Modern Iberia by Catherine Hall-van den Elsen Pdf

This monograph explores the social constructs surrounding artistic production in early modern Iberia through the lenses of gender and class by examining the rarely considered contribution of creative women in Spain and Portugal between 1550 and 1700. Using the life-stage framework popular in texts of the period and drawing on a broad spectrum of materials including conduct guidebooks, treatises and conventual rules, this book examines the constraints imposed by gender-related social structures through microhistories of nuns, married, and unmarried women. The text spans class boundaries in its analysis of the work of painters, engravers, and sculptors, many of whom have until now eluded scholarly attention in English-language publications. An extensive bibliography promotes new avenues of inquiry into women’s contributions to the visual arts of the period. This book will be of interest to scholars working in art history, gender studies, women’s history, early modern Iberian studies, and Renaissance studies.

Critical and Reflective Intercultural Communication Education

Fred Dervin,Xiaowen Tian
Critical and Reflective Intercultural Communication Education Book PDF

Author : Fred Dervin,Xiaowen Tian
Publisher : Springer Nature
Page : 110 pages
File Size : 54,9 Mb
Release : 2023-09-19
Category : Education
ISBN : 9783031407802

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Critical and Reflective Intercultural Communication Education by Fred Dervin,Xiaowen Tian Pdf

This book provides answers to the following questions: How could visual art support us in reflecting about interculturality critically? When we look at, engage with and experience art, what is it that we can learn, unlearn and relearn about interculturality? The book adds to the multifaceted and multidisciplinary field of intercultural communication education by urging those working on the notion of interculturality (researchers, scholars and students) to give art a place in exploring its complexities. No knowledge background about art (theory) is needed to work through the chapters. The book helps us reflect on ourselves and on our engagement with the world and with others, and learn to ask questions about these elements. The authors draw on anthropology, linguistics, philosophy and sociology to enrich their discussions of critical interculturality.

Iconic Works of Art by Feminists and Gender Activists

Brenda Schmahmann
Iconic Works of Art by Feminists and Gender Activists Book PDF

Author : Brenda Schmahmann
Publisher : Taylor & Francis
Page : 323 pages
File Size : 41,9 Mb
Release : 2021-07-22
Category : Art
ISBN : 9781000415056

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Iconic Works of Art by Feminists and Gender Activists by Brenda Schmahmann Pdf

In this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies.

Art in the Service of Colonialism

Hamid Irbouh
Art in the Service of Colonialism Book PDF

Author : Hamid Irbouh
Publisher : Unknown
Page : 280 pages
File Size : 44,6 Mb
Release : 2005
Category : Art, Colonial
ISBN : 075560749X

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Art in the Service of Colonialism by Hamid Irbouh Pdf

"Art in the Service of Colonialism throws new light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. Hamid Irbouh argues that during the Moroccan Protectorate (1912-1956), the French imposed their domination through a systematic modernisation and regulation of local arts and crafts. They also stewarded Moroccans into industrial life by establishing vocational and fine arts schools. The French archives, Arabic sources, and oral testimonies, which Irbouh used, demonstrate complex relationships between colonial administrators of both genders and their interactions with Moroccan officials, notables, and the poor. The French co-opted some locals into joining these educational institutions, which respected and reinforced familiar pre-Protectorate social structures. The artisans become The Best Workers in the French Empire, and artists exhibited abroad and cultivated a European and American clientele. The contradictions between reformist goals and the old order, nevertheless, added to social dislocations and led to rebellion against French hegemony. Irbouh focuses on how French women infiltrated the feminine Moroccan milieu to buttress colonial ideology, and how, at critical moments, Moroccan women and their daughters rejected traditional passive roles and sabotaged colonial plans. France's legacy in Moroccan arts and crafts provoked a backlash in the postcolonial period. After independence local artists, searching for their own identities, sought to reclaim their authenticity. The struggle to define a pristine visual heritage still rages, and the author, by underlining French contributions to Moroccan artistic and craft production, challenges the conclusions of the artists and critics who have argued for the establishment of an unadulterated art devoid of most or even all foreign influences. As in so many areas of Moroccan society, this book reveals that the weight of colonial history remains heavily present. In this well-conceived book based on original archival sources Hamid Irbouh investigates how French colonial administrators employed French women to inculcate colonial ideology by establishing new craft schools for notable and poor families in Moroccan cities. The French intended not only to teach modernized versions of old Moroccan crafts, but also wanted to instill new work habits and modern concepts of time into the girls and young women who attended their schools. Dr. Irbouh demonstrates how French women administrators took the lead in this effort and also shows how Moroccan women absorbed their lessons, but also resisted the colonial enterprise. His is a novel approach to colonial art history, situating Moroccan art production in large social, political and ideological contexts."--Bloomsbury publishing.

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

Francine Giese,Mercedes Volait,Ariane Varela Braga
l orientale Collecting Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries Book PDF

Author : Francine Giese,Mercedes Volait,Ariane Varela Braga
Publisher : BRILL
Page : 240 pages
File Size : 53,9 Mb
Release : 2019-11-04
Category : History
ISBN : 9789004412644

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À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries by Francine Giese,Mercedes Volait,Ariane Varela Braga Pdf

The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.

Contemporary Art and Disability Studies

Alice Wexler,John Derby
Contemporary Art and Disability Studies Book PDF

Author : Alice Wexler,John Derby
Publisher : Routledge
Page : 316 pages
File Size : 55,6 Mb
Release : 2019-12-06
Category : Art
ISBN : 9780429536496

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Contemporary Art and Disability Studies by Alice Wexler,John Derby Pdf

This book presents interdisciplinary scholarship on art and visual culture that explores disability in terms of lived experience. It will expand critical disability studies scholarship on representation and embodiment, which is theoretically rich, but lacking in attention to art. It is organized in five thematic parts: methodologies of access, agency, and ethics in cultural institutions; the politics and ethics of collaboration; embodied representations of artists with disabilities in the visual and performing arts; negotiating the outsider art label; and first-person reflections on disability and artmaking. This volume will be of interest to scholars who study disability studies, art history, art education, gender studies, museum studies, and visual culture.

Ottoman Women Builders

Lucienne Thys-Senocak
Ottoman Women Builders Book PDF

Author : Lucienne Thys-Senocak
Publisher : Routledge
Page : 346 pages
File Size : 46,9 Mb
Release : 2017-03-02
Category : History
ISBN : 9781351913157

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Ottoman Women Builders by Lucienne Thys-Senocak Pdf

Examined here is the historical figure and architectural patronage of Hadice Turhan Sultan, the young mother of the Ottoman Sultan Mehmed IV, who for most of the latter half of the seventeenth century shaped the political and cultural agenda of the Ottoman court. Captured in Russia at the age of twelve, she first served the reigning sultan's mother in Istanbul. She gradually rose through the ranks of the Ottoman harem, bore a male child to Sultan Ibrahim, and came to power as a valide sultan, or queen mother, in 1648. It was through her generous patronage of architectural works-including a large mosque, a tomb, a market complex in the city of Istanbul and two fortresses at the entrance to the Dardanelles-that she legitimated her new political authority as a valide and then attempted to support that of her son. Central to this narrative is the question of how architecture was used by an imperial woman of the Ottoman court who, because of customary and religious restrictions, was unable to present her physical self before her subjects' gaze. In lieu of displaying an iconic image of herself, as Queen Elizabeth and Catherine de Medici were able to do, Turhan Sultan expressed her political authority and religious piety through the works of architecture she commissioned. Traditionally historians have portrayed the role of seventeenth-century royal Ottoman women in the politics of the empire as negative and de-stabilizing. But Thys-Senocak, through her examination of these architectural works as concrete expressions of legitimate power and piety, shows the traditional framework to be both sexist and based on an outdated paradigm of decline. Thys-Senocak's research on Hadice Turhan Sultan's two Ottoman fortresses of Seddülbahir and Kumkale improves in a significant way our understanding of early modern fortifications in the eastern Mediterranean region and will spark further research on many of the Ottoman fortifications built in the area. Plans and elevations of the fortresses are published and analysed here for the first time. Based on archival research, including letters written by the queen mother, many of which are published here for the first time, and archaeological fieldwork, her work is also informed by recent theoretical debates in the fields of art history, cultural history and gender studies.

Under the Skin

Ceren Özpınar,Senior Lecturer in Art History and Design Ceren Özp)Inar,Lecturer in Contemporary Art History Mary Kelly,Mary Kelly
Under the Skin Book PDF

Author : Ceren Özpınar,Senior Lecturer in Art History and Design Ceren Özp)Inar,Lecturer in Contemporary Art History Mary Kelly,Mary Kelly
Publisher : Oxford University Press, USA
Page : 240 pages
File Size : 53,5 Mb
Release : 2020-09
Category : Electronic
ISBN : 0197266746

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Under the Skin by Ceren Özpınar,Senior Lecturer in Art History and Design Ceren Özp)Inar,Lecturer in Contemporary Art History Mary Kelly,Mary Kelly Pdf

Under the Skin examines contemporary women's art from the Middle East and North Africa, introducing the latest scholarship on art production, histories and methods in approaching modern and contemporary visual culture.

Food, Feminism, and Women’s Art in 1970s Southern California

Emily Elizabeth Goodman
Food Feminism and Women s Art in 1970s Southern California Book PDF

Author : Emily Elizabeth Goodman
Publisher : Taylor & Francis
Page : 193 pages
File Size : 50,6 Mb
Release : 2022-06-07
Category : Art
ISBN : 9781000592047

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Food, Feminism, and Women’s Art in 1970s Southern California by Emily Elizabeth Goodman Pdf

This book explores how feminist artists continued to engage with kitchen culture and food practices in their work as women’s art moved from the margins to the mainstream. In particular, this book examines the use of food in the art practices of six women artists and collectives working in Southern California—a hotbed of feminist art in the 1970s—in conjunction with the Women’s Art Movement and broader feminist groups during the era of the Second Wave. Focused around particular articulations of food in culture, this book considers how feminist artists engage with issues of gender, labor, class, consumption, (re)production, domesticity, and sexuality in order to advocate for equality and social change. The book will be of interest to scholars working in art history, food studies, and gender and women’s studies.

Women, Collecting, and Cultures Beyond Europe

Arlene Leis
Women Collecting and Cultures Beyond Europe Book PDF

Author : Arlene Leis
Publisher : Taylor & Francis
Page : 283 pages
File Size : 45,6 Mb
Release : 2022-11-04
Category : Art
ISBN : 9781000781410

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Women, Collecting, and Cultures Beyond Europe by Arlene Leis Pdf

This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.

Women Photographers and Mexican Modernity

Julia R. Brown,Radmila Stefkova,Tamara R. Williams
Women Photographers and Mexican Modernity Book PDF

Author : Julia R. Brown,Radmila Stefkova,Tamara R. Williams
Publisher : Taylor & Francis
Page : 194 pages
File Size : 42,6 Mb
Release : 2024-02-27
Category : Art
ISBN : 9781003852148

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Women Photographers and Mexican Modernity by Julia R. Brown,Radmila Stefkova,Tamara R. Williams Pdf

The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.

Queer Methodology for Photography

Asa Johannesson
Queer Methodology for Photography Book PDF

Author : Asa Johannesson
Publisher : Taylor & Francis
Page : 199 pages
File Size : 48,5 Mb
Release : 2024-02-01
Category : Photography
ISBN : 9781003846253

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Queer Methodology for Photography by Asa Johannesson Pdf

This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography. While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation. This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.

Sexually Explicit Art, Feminist Theory, and Gender in the 1970s

Christian Liclair
Sexually Explicit Art Feminist Theory and Gender in the 1970s Book PDF

Author : Christian Liclair
Publisher : Taylor & Francis
Page : 190 pages
File Size : 44,8 Mb
Release : 2022-05-31
Category : Art
ISBN : 9781000564365

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Sexually Explicit Art, Feminist Theory, and Gender in the 1970s by Christian Liclair Pdf

Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. This book considers the potential of sexually explicit art to challenge a socially constructed conception of sexuality as well as gender, and explores the sexually explicit as a means to (re-)claim agency for marginalized subjectivities and to emancipate desire from within the patriarchal and heteronormative system. In distinct case studies, the author focuses on works by four US-American artists – Robert Mapplethorpe, Joan Semmel, Betty Tompkins, and Tee A. Corinne – and situates them in relation to contemporaneous debates associated with the insurgent Sexual Liberation Movements of the 1970s. The book will be of interest to scholars working in art history, visual culture, and gender and sexuality studies.