Gender Meets Genre

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Gender Meets Genre in Postwar Cinemas

Christine Gledhill
Gender Meets Genre in Postwar Cinemas Book PDF

Author : Christine Gledhill
Publisher : University of Illinois Press
Page : 290 pages
File Size : 54,9 Mb
Release : 2012-01-19
Category : Performing Arts
ISBN : 9780252036613

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Gender Meets Genre in Postwar Cinemas by Christine Gledhill Pdf

This remarkable collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and post-feminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as means of putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality come into view as elements fuelling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Drawing on the intensifying transnational context of film production and on postcolonial thinking, this volume includes essays that explore the transformational transactions between gender and genre as world-circulating Hollywood generic practices intersect with and are stimulated by American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between centre and periphery, between feminism and generic filmmaking, and the supposed gendering of genres, filmmakers and their audiences. Contributors are Ira Bhaskar, Xiangyang Chen, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, and Deborah Thomas.

Romantic Comedy

Tamar Jeffers McDonald
Romantic Comedy Book PDF

Author : Tamar Jeffers McDonald
Publisher : Wallflower Press
Page : 148 pages
File Size : 46,9 Mb
Release : 2007
Category : Performing Arts
ISBN : 1905674023

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Romantic Comedy by Tamar Jeffers McDonald Pdf

'Romantic Comedy' offers an introduction to the analysis of one of the most popular but generally overlooked film genres. The book provides an overview of Hollywood's romantic comedy conventions, examining the iconography, narrative patterns and ideology which inform such films.

Gender Meets Genre

Ursula Fanning
Gender Meets Genre Book PDF

Author : Ursula Fanning
Publisher : Publications of the Ucd Founda
Page : 312 pages
File Size : 44,8 Mb
Release : 2002
Category : Literary Criticism
ISBN : UOM:39015056677647

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Gender Meets Genre by Ursula Fanning Pdf

This book provides a detailed analysis of the fiction of a Neapolitan novelist and journalist whose work spanned the turn of the last century and, widely translated, was in her own lifetime the object of both critical and popular acclaim. Serao is placed firmly in her socio-political context, against the background of post-unification Naples and the prelude to Fascism. Dr. Fanning identifies a particular tension for Serao which involves both her view of herself as a woman writer and the representation of women in her fiction, with some surprising results. Through a consideration of the roles allocated to Serao's female characters, the novelist is seen to explore genre from a specifically gendered perspective, and the nature of the impact of gender on genre is uncovered. Feminist and psychoanalytical theories are drawn on where relevant in support of the thesis that, despite her carefully constructed conservative public persona, in her fiction, through a complex web of gender-genre connections, Serao poses undeniably political challenges to specific social institutions. This analysis of a novelist who writes simultaneously within and outside accepted literary frameworks will be of interest to those concerned with the nineteenth and twentieth-century novel, women's writing and women's history.

Gender Meets Genre in Postwar Cinemas

Christine Gledhill
Gender Meets Genre in Postwar Cinemas Book PDF

Author : Christine Gledhill
Publisher : University of Illinois Press
Page : 288 pages
File Size : 43,7 Mb
Release : 2012-01-15
Category : Performing Arts
ISBN : 9780252093661

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Gender Meets Genre in Postwar Cinemas by Christine Gledhill Pdf

This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film. Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.

Doing Women's Film History

Christine Gledhill,Julia Knight
Doing Women s Film History Book PDF

Author : Christine Gledhill,Julia Knight
Publisher : University of Illinois Press
Page : 280 pages
File Size : 49,5 Mb
Release : 2015-10-30
Category : Performing Arts
ISBN : 9780252097775

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Doing Women's Film History by Christine Gledhill,Julia Knight Pdf

Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Women Do Genre in Film and Television

Mary Harrod,Katarzyna Paszkiewicz
Women Do Genre in Film and Television Book PDF

Author : Mary Harrod,Katarzyna Paszkiewicz
Publisher : Routledge
Page : 266 pages
File Size : 47,7 Mb
Release : 2017-10-30
Category : Social Science
ISBN : 9781315526072

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Women Do Genre in Film and Television by Mary Harrod,Katarzyna Paszkiewicz Pdf

This volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Genre, Authorship and Contemporary Women Filmmakers

Katarzyna Paszkiewicz
Genre Authorship and Contemporary Women Filmmakers Book PDF

Author : Katarzyna Paszkiewicz
Publisher : Edinburgh University Press
Page : 294 pages
File Size : 40,6 Mb
Release : 2018-06-06
Category : Performing Arts
ISBN : 9781474425278

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Genre, Authorship and Contemporary Women Filmmakers by Katarzyna Paszkiewicz Pdf

Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.

Italian Women Writers

Katharine Mitchell
Italian Women Writers Book PDF

Author : Katharine Mitchell
Publisher : University of Toronto Press
Page : 263 pages
File Size : 54,5 Mb
Release : 2014-05-27
Category : History
ISBN : 9781442665644

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Italian Women Writers by Katharine Mitchell Pdf

Post-Unification Italy saw an unprecedented rise of the middle classes, an expansion in the production of print culture, and increased access to education and professions for women, particularly in urban areas. Although there was still widespread illiteracy, especially among women in both rural and urban areas, there emerged a generation of women writers whose domestic fiction and journalism addressed a growing female readership. This study looks at the work of three of the most significant women writers of the period: La Marchesa Colombi, Neera, and Matilde Serao. These writers, whose works had been largely forgotten for much of the last century, only to be rediscovered by the Italian feminist movement of the 1970s, were widely read and received considerable critical acclaim in their day. In their realist fiction and journalism, these professional women writers documented and brought to light the ways in which women participated in everyday life in the newly independent Italy, and how their experiences differed profoundly from those of men. Katharine Mitchell shows how these three authors, while hardly radical emancipationists, offered late-nineteenth-century readers an implicit feminist intervention and a legitimate means of approaching and engaging with the burning social and political issues of the day regarding “the woman question” – women’s access to education and the professions, legal rights, and suffrage. Through close examinations of these authors and a selection of their works – and with reference to their broader artistic, socio-historical, and geo-political contexts – Mitchell not only draws attention to their authentic representations of contemporary social and historical realities, but also considers their important role as a cultural medium and catalyst for social change.

The Routledge Companion to Cinema & Gender

Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro
The Routledge Companion to Cinema Gender Book PDF

Author : Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro
Publisher : Taylor & Francis
Page : 492 pages
File Size : 53,9 Mb
Release : 2016-11-10
Category : Social Science
ISBN : 9781317408055

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The Routledge Companion to Cinema & Gender by Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro Pdf

Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.

The Road Movie Book

Steven Cohan,Ina Rae Hark
The Road Movie Book Book PDF

Author : Steven Cohan,Ina Rae Hark
Publisher : Routledge
Page : 400 pages
File Size : 46,9 Mb
Release : 2002-01-04
Category : Social Science
ISBN : 9781134824366

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The Road Movie Book by Steven Cohan,Ina Rae Hark Pdf

The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.

Gender and Genre in Medieval French Literature

Simon Gaunt
Gender and Genre in Medieval French Literature Book PDF

Author : Simon Gaunt
Publisher : Cambridge University Press
Page : 386 pages
File Size : 47,7 Mb
Release : 1995-05-11
Category : Language Arts & Disciplines
ISBN : 9780521464949

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Gender and Genre in Medieval French Literature by Simon Gaunt Pdf

Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.

Romantic Comedy

Tamar Jeffers McDonald
Romantic Comedy Book PDF

Author : Tamar Jeffers McDonald
Publisher : Columbia University Press
Page : 145 pages
File Size : 55,7 Mb
Release : 2007-04-10
Category : Performing Arts
ISBN : 9780231503389

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Romantic Comedy by Tamar Jeffers McDonald Pdf

Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).

The US Sports Film: A Genre of American Dream Time

Danny Gronmaier
The US Sports Film A Genre of American Dream Time Book PDF

Author : Danny Gronmaier
Publisher : Walter de Gruyter GmbH & Co KG
Page : 308 pages
File Size : 43,5 Mb
Release : 2022-12-05
Category : Literary Criticism
ISBN : 9783110760354

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The US Sports Film: A Genre of American Dream Time by Danny Gronmaier Pdf

Sports and film are media that create time. They are temporal not only in the sense that they are defined and regulated by certain temporalities as a result of processes of social negotiation, but also in the sense of modulating and intervening in these processes in the first place. They are determined by multiple temporalities referring to and aligning along perceptual corporeality; but at the same time, they also produce time through and along temporalities of bodily expression and perception. Thus, as much as we perceive and understand sports and film by means of our culturally coded conceptions of time, this comprehension is itself already the product of these media’s fabrication and modulation of certain audiovisual imaginations of time. This book examines these imaginations with regard to US team sports feature films, understanding the former as the latter’s constitutive conflict which makes these films graspable as a genre in the first place. By addressing temporality as an ever-new crystallization of a heroic past and an unattainable future in a saturated yet volatile present, this conflict connects substantially to the American Dream as an idea of community-building historicity. Departing from a non-taxonomic approach in genre theory and such philosophical recognition of the American Dream as less an ideological narrative but more a social and socially effective imaginary embedded in an audiovisual discourse of time, this book demonstrates the interrelation of sports, cinema and “American” subjectivization along close readings of the poetics of affect of five exemplary sports films (FIELD OF DREAMS, WE ARE MARSHALL, KNUTE ROCKNE ALL AMERICAN, JIM THORPE – ALL-AMERICAN, MIRACLE).

Final Girls, Feminism and Popular Culture

Katarzyna Paszkiewicz,Stacy Rusnak
Final Girls Feminism and Popular Culture Book PDF

Author : Katarzyna Paszkiewicz,Stacy Rusnak
Publisher : Springer Nature
Page : 281 pages
File Size : 43,8 Mb
Release : 2020-05-05
Category : Performing Arts
ISBN : 9783030315238

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Final Girls, Feminism and Popular Culture by Katarzyna Paszkiewicz,Stacy Rusnak Pdf

This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

Women Make Horror

Alison Peirse
Women Make Horror Book PDF

Author : Alison Peirse
Publisher : Rutgers University Press
Page : 270 pages
File Size : 44,6 Mb
Release : 2020-09-17
Category : Performing Arts
ISBN : 9781978805132

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Women Make Horror by Alison Peirse Pdf

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.