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Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.
A psychic brings killers to justice in this historical mystery: “McCoy has a gift for capturing the Old West in all its colorful and outrageous glory” (Margaret Coel, New York Times-bestselling author of the Wind River Mysteries). From sea to shining sea, the invention known as the telegraph would tame the American frontier. But for psychic detective Ophelia Wylde, the wild west is about to get wilder . . . Messages from Beyond? When telegraph keys across the country begin bursting into flames—and chattering ghostly nonsense—the terror and turmoil is enough to bring the railways, banks, and news industry to a standstill. There’s only one person they can turn to: Mrs. Ophelia Wylde, a young widow turned detective who has famously brought murderers to justice—by speaking to their victims on the other side. Are the recent telegraph mishaps a message from beyond? Ophelia’s not sure, but the fact that the key’s last operator, Lightning “Hapless” Hopkins, has been poisoned is enough to raise her darkest suspicions. It’s up to Ophelia to unravel the riddle of the ghostly wire tap, solve the murder of Hapless Hopkins, and expose the secret history of the telegraph’s little-known co-inventor . . . before her own life is on the line.
Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically “animetic” effects—the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation—through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP’s manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the “animetic machine” encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Author : Daniel P. Kessler Publisher : University of Chicago Press Page : 344 pages File Size : 44,7 Mb Release : 2011-02 Category : Business & Economics ISBN : 9780226432182
Regulation Versus Litigation by Daniel P. Kessler Pdf
The efficacy of various political institutions is the subject of intense debate between proponents of broad legislative standards enforced through litigation and those who prefer regulation by administrative agencies. This book explores the trade-offs between litigation and regulation, the circumstances in which one approach may outperform the other, and the principles that affect the choice between addressing particular economic activities with one system or the other. Combining theoretical analysis with empirical investigation in a range of industries, including public health, financial markets, medical care, and workplace safety, Regulation versus Litigation sheds light on the costs and benefits of two important instruments of economic policy.
Firearms Legislation: (Washington) February 18, 20, 27, March 5, 6, 13, 20, 26, and April 9 by United States. Congress. House. Committee on the Judiciary. Subcommittee on Crime Pdf
ONE OF CBC'S BEST CANADIAN FICTION BOOKS OF 2022 A suspenseful and poignant tale from an award-winning writer about a girl navigating chaotic family life in a close-knit small town. On a June afternoon in a small city, a wild-eyed girl named Francie dashes down a neighbourhood street, clutching a gun. She doesn’t know exactly what she’s running from, and she doesn’t know what she’s heading towards. All she understands is the need to survive. To save herself, she has no choice but to run—and to save those she loves, she must hold tight to that gun. Swirling around Francie is a chorus of friends, family, and neighbours, each person with a different view of her. As we hear from these voices—Francie’s steadfast best friend, Alice; Alice’s comically unaware mother, Sally, and struggling mathematician father, David; Francie’s distressed and distracted mother, Marietta, and troubled, unwell father, Luce—a fractured portrait emerges of the girl and the village surrounding her. And at last we arrive at a still point in the chaos: a tall tree where Francie takes shelter, and where the meaning of her flight—for herself, and for the people around her—becomes clear. In Francie’s Got a Gun, award-winning writer Carrie Snyder assembles a chorus of unforgettable characters who are both well-intentioned and flawed. At their centre is Francie, a vulnerable, imaginative girl with surprising attachments to each of them. Here is a propulsive, polyphonic, heart-expanding novel—equal parts sorrow and humour, fear and love, anger and kindness—about social breakdown and the quest for connection in a close-knit community.
David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.
Jumo Gumasaka was very young when he was captured and shipped to the Americas in a slave ship. He was a slave until the coming of the war between the North and the South. During the War Between the States he served in the First Regiment of South Carolina Volunteers. It was during the war that Jumo become a marksman with the long gun. After the war he returns to his old plantation only to fi nd that it has been burned to the ground and all the people that he has known are either dead or gone. In the years following the Civil war this ex-slave obtains a colt revolver. With this handgun he leaves the South and heads west. He travels with his friend and traveling companion a mule that he calls Nellie. He fi nds that he has natural ability with the fast draw and is extremely accurate when shooting the six-shooter. His gun becomes an extension of his arm and his uncanny ability with the gun leads to the demise of many opponents. He spends time with the plains Indians and becomes a renowned warrior. He becomes a legend among Plains Indians in their quest for justice. He continues west fi nding that many individuals would like to kill him because he is a black man with a gun. During his travels west he is called by many different names, Eagle Eye, the name given to him by the Plains Indians is the one that he fi nally accepts. His many encounters with would be killers in his travels westward lead to many interesting adventures.
Earth Afire by Orson Scott Card,Aaron Johnston Pdf
One hundred years before Ender's Game, the aliens arrived on Earth with fire and death. This is the story of the First Formic War. Victor Delgado beat the alien ship to Earth, but just barely. Not soon enough to convince skeptical governments that there was a threat. They didn't believe that until space stations and ships and colonies went up in sudden flame. And when that happened, only Mazer Rackham and the Mobile Operations Police could move fast enough to meet the threat. Fans of Ender's Game will thrill to Orson Scott Card and Aaron Johnston's Earth Afire. THE ENDER UNIVERSE Ender series Ender’s Game / Speaker for the Dead / Xenocide / Children of the Mind / Ender in Exile / Children of the Fleet Ender’s Shadow series Ender’s Shadow / Shadow of the Hegemon / Shadow Puppets / Shadow of the Giant / Shadows in Flight The First Formic War (with Aaron Johnston) Earth Unaware / Earth Afire / Earth Awakens The Second Formic War (with Aaron Johnston) The Swarm / The Hive Ender novellas A War of Gifts / First Meetings At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“[H]aunting and harrowing.” —Booklist (starred review) “Vivid, distressing, and all too real.” —Kirkus Reviews In this 20th anniversary edition of Todd Strasser’s gut-wrenching and critically acclaimed Give a Boy a Gun, two boys bring guns to school in search of revenge against their classmates. For as long as they can remember, Brendan and Gary have been mercilessly teased and harassed by the jocks who rule Middletown High. But not anymore. Stealing a small arsenal of guns from a neighbor, they take their classmates hostage at a school dance. In the panic of this desperate situation, it soon becomes clear that only one thing matters to Brendan and Gary: revenge. This special 20th anniversary edition includes updated backmatter and statistics on school shootings—a topic that is now more relevant than ever.
The Night the Rich Men Burned by Malcolm Mackay Pdf
Longlisted for the CWA Steel Dagger for Best Thriller 2015. There's nothing so terrifying as money . . . Two friends, Alex Glass and Oliver Peterkinney, look for work and for escape from their lives spent growing up on Glasgow's most desperate fringes. Soon they will become involved in one of the city's darkest and most dangerous trades. But while one rises quickly up the ranks, the other will fall prey to the industry's addictive lifestyle and ever-spiralling debts. Meanwhile, the three most powerful rivals in the business – Marty Jones, ruthless pimp; Potty Cruickshank, member of the old guard; and Billy Patterson, brutal newcomer – vie for prominence. And now Peterkinney, young and darkly ambitious, is beginning to make himself known . . . Before long, violence will spill out onto the streets, as those at the top make deadly attempts to out-manoeuvre one another for a bigger share of the spoils. Peterkinney and Glass will find themselves at the very centre of this war; and as the pressure builds, each will find their actions – and inactions – coming back to haunt them. But it is those they love who will suffer most . . . From the award-winning author of the Glasgow Trilogy, The Night the Rich Men Burned is a novel for our times, and Malcolm Mackay's most ambitious work to date.
