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Author : Thomas Ewing French,Charles J. Vierck,Robert Jay Foster
Publisher : McGraw-Hill Companies
Page : 712 pages
File Size : 51,6 Mb
Release : 1984
Category : Technology & Engineering
ISBN : UOM:39015013039741
Author : Darryl Cunningham
Publisher : Myriad Editions
Page : 264 pages
File Size : 45,9 Mb
Release : 2017-10-17
Category : Comics & Graphic Novels
ISBN : 9780993563331
'Darryl Cunningham's simplicity of style is deceptive. I never fail to learn from his work, always educational and deeply human too. This is the sort of book you think you have bought for your child, then refuse to give up until you have finished it first. Buy two copies to be on the safe side.'— Robin Ince Much is known about scientists such as Darwin, Newton, and Einstein, but what about lesser-known scientists—people who have not achieved a high level of fame, but who have contributed greatly to human knowledge? What were their lives like? What were their struggles, aims, successes, and failures? How do their discoveries fit into the bigger picture of science as a whole? Overlooked, sidelined, excluded, discredited: key figures in scientific discovery come and take their bow in an alternative Nobel Prize gallery in a colourful graphic novel by Darryl Cunningham. Antoine Lavoisier: the father of French chemistry who gave oxygen its name, Lavoisier was a wealthy man who found himself on the wrong side of a revolution and paid the price with his life. The contribution to his work by his wife Marie-Anne Lavoisier is only now being fully recognised. Mary Anning: a poor, working-class woman who made her living fossil-hunting along the beach cliffs of southern England. Anning found herself excluded from the scientific community because of her gender and social class. Wealthy, male, experts took credit for her discoveries. George Washington Carver: born a slave, Carver become one of the most prominent botanists of his time, as well as a teacher at the Tuskegee Institute. Carver devised over 100 products using one major ingredient—the peanut—including dyes, plastics and gasoline. Alfred Wegener: a German meteorologist, balloonist, and arctic explorer, his theory of continental drift was derided by other scientists and was only accepted into mainstream thinking after his death. He died in Greenland on an expedition, his body lost in the ice and snow. Nikola Tesla: a Serbian American inventor, electrical engineer, mechanical engineer, physicist, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system. A competitor of Edison, Tesla died in poverty despite his intellectual brilliance. Jocelyn Bell Burnell: a Northern Irish astrophysicist. As a postgraduate student, she discovered the first radio pulsars (supernova remnants) while studying and advised by her thesis supervisor Antony Hewish, for which Hewish shared the Nobel Prize in physics while Bell Burnell was excluded. Fred Hoyle: an English astronomer noted primarily for the theory of stellar nucleosynthesis – the process whereby most of the elements on the Periodic Table are created. He was also noted for the controversial positions he held on a wide range of scientific issues, often in direct opposition to prevailing theories. This eccentric approach contributed to him to being overlooked by the Nobel Prize committee for his stellar nucleosynthesis work. Any one of these figures could have been awarded a Nobel prize. Not every scientific discoverer was lauded in their time, for reasons of gender, race, or lack of wealth, or (in the case of Lavoisier) being too wealthy: in the 21st century, there are many more reparations and reputations to be made.
Author : Edward R. Tufte
Publisher : Unknown
Page : 197 pages
File Size : 51,9 Mb
Release : 2001-01-01
Category : Mathematics
ISBN : 0961392142
Graphical practice. Theory of data graphics.
Author : Thomas Ewing French,Charles J. Vierck
Publisher : McGraw-Hill Companies
Page : 1068 pages
File Size : 49,7 Mb
Release : 1970
Category : Art
ISBN : UOM:39076006493444
Author : Joyce Walsh Macario
Publisher : Laurence King
Page : 0 pages
File Size : 48,5 Mb
Release : 2009
Category : Adobe
ISBN : 1856695999
Creating effective, eye-catching designs and layouts is a matter of both inspiration and practical know-how. This book integrates clear explanations of the concepts behind great design with instruction in the use of the core software packages - Photoshop, Illustrator, and Indesign. It helps beginner learn the essentials of graphic design.
Author : Elizabeth Resnick
Publisher : John Wiley & Sons
Page : 270 pages
File Size : 51,7 Mb
Release : 2003-06-10
Category : Design
ISBN : 0471418293
Complete coverage of basic design principles illustrated by student examples Design for Communication offers a unique approach to mastering the basic design principles, conceptual problem-solving methods, and critical-thinking skills that distinguish graphic designers from desktop technicians. This book presents forty-two basic to advanced graphic design and typography assignments collaboratively written by college educators to teach the fundamental processes, concepts, and techniques through hands-on applications. Each assignment is illustrated with actual student solutions, and each includes a process narrative and an educator's critical analysis revealing the reasoning behind the creative strategies employed by each individual student solution. Assignments are organized from basic to advanced within six sections: * The elements and principles of design * Typography as image * Creative word play * Word and image * Grid and visual hierarchy * Visual advocacy Design for Communication is a highly visual resource of instruction, information, ideas, and inspiration for students and professionals.
Author : Martin L. Greenwald,John C. Luttropp
Publisher : Unknown
Page : 0 pages
File Size : 41,5 Mb
Release : 2001
Category : Graphic arts
ISBN : 0130174459
For courses in Graphic Design in departments of Computer Arts. This practical text fills the gap, created by the use of computers, between the traditional job and discipline boundaries and the understanding and cross-disciplinary skills required for designers and production personnel. It deals with not only graphic design and image generation, but also with what happens to the image when it leaves the computer screen. The text contains illustrations and photographs and time-tested, understandable step-by-step explanations of technical subjects and operations. It is well written and precise it focuses information and delivers it where needed, unlike other texts which tend to overwhelm the reader with complex material. To meet the needs of the changing nature of jobs within the industry, Graphic Design and Production Technology provides valuable information on various production aspects in relation to design which will become increasingly more important as the industry moves towards digital and non-impact printing.
Author : Ivan Vartanian
Publisher : Rotovision
Page : 191 pages
File Size : 41,6 Mb
Release : 2003
Category : Design
ISBN : 2880467691
Displaying an amazing array of imaginative work - lovingly handcrafted or pushing the boundaries of tools and technology - TypoGraphics demonstrates how cultural and commercial context influences type design. The book also explores how type makes pictures as well as words, and how a new closer relationship between the practice of graphic design and typography is essential for the profession's progress.
Author : Katherine A. Hughes
Publisher : CRC Press
Page : 601 pages
File Size : 54,8 Mb
Release : 2019-06-06
Category : Computers
ISBN : 9780429664779
Graphic Design: Learn It, Do It is an introduction to the fundamentals of graphic design and the Adobe Creative Cloud applications used to put these concepts into practice. This book is intended for production-oriented audiences, those interested in the what, why and how of graphic design. The "what" is effective graphic design, a visual solution created using the design principles that stands out in a crowded marketplace. This discussion includes color theory, typography and page layout. Focus on the "why" of design begins with the reasons why we communicate. Attention is paid to the purpose of the visual solution and to its audiences. The conversation highlights output options (print vs. onscreen) and their related file properties. The "how" of design addresses the stages of production and use of Adobe Photoshop CC, Illustrator CC and InDesign CC to translate an idea into a visual solution. Following an overview of each application and its uses, step-by-step exercises are provided to foster familiarity with each application’s workspace and its tools. These exercises provide opportunities to implement the design principles and to produce examples of work for a design portfolio. Key Features: Content based on over a decade’s worth of experience teaching graphic design Contemporary examples and online references Guided exercises for working in the Adobe Creative Cloud applications, Photoshop CC, Illustrator CC and InDesign CC Accompanying exercise files and supporting materials available for download from the book’s companion website Discussion questions and activities included at the end of chapters to expand the presented topics
Author : Audrey Bennett
Publisher : Princeton Architectural Press
Page : 468 pages
File Size : 41,8 Mb
Release : 2006-08-31
Category : Architecture
ISBN : 156898586X
In an age of globalization and connectivity, the idea of "mainstream culture" has become quaint. Websites, magazines, books, and television have all honed in on ever-diversifying subcultures, hoping to carve out niche audiences that grow savvier and more narrowly sliced by the day. Consequently,the discipline of graphic design has undergone a sea change. Where visual communication was once informed by a designer's creative intuition, the proliferation of specialized audiences now calls for more research-based design processes. Designers who ignore research run the risk of becoming mere tools for communication rather than bold voices. Design Studies, a collection of 27 essays from an international cast of top design researchers, sets out to mend this schism between research and practice. The texts presented here make a strong argument for performing rigorous experimentation and analysis. Each author outlines methods in which research has aided their designwhether by investigating how senior citizensreact to design aesthetics, how hip hop culture can influence design, or how design for Third World nations is affected by cultural differences. Contributors also outline inspired ways in which design educators can teach research methods to their students. Finally, Design Studies is rounded out by five annotated bibliographies to further aid designers in their research. This comprehensive reader is the definitive reference for this new direction in graphic design, and an essential resource for both students and practitioners.
Author : Marina Joyce
Publisher : Unknown
Page : 208 pages
File Size : 52,7 Mb
Release : 2018-01-09
Category : Graphic arts
ISBN : 0996214984
Are you a: Web Designer tasked with print projects,Self-Taught Designer with knowledge gaps,Print Buyer,Business Owner who works with printers,Design Student with clients,Working Pro who needs up-to-date information?...This book is for all of you! After reading this book you will:¿ Know which printing method is most cost effective. ¿ Handle a press-check like a pro!¿ Know when to opt for gang run printing and when not to. ¿ Speak the printer's language to get better results.¿ Know how to proof¿ Understand how your decisions affect the environment¿ Spec the right paperPrinted on 7 different papers!84 Photographs116 Illustrations and ChartsThis is the first book written by a designer for designers in designer-speak! This is not a book about print production. This book addresses the decisions you make while designing that affect printing quality and price. Save time, money and reduce stress, buy this book, the epitome of design education!How to Design:LogosBusiness CardsDirect MailHow to Design for:Digital printing,Large FormatSpecialty TechniquesHow to:Spec paperWork with printers Handle a presscheck and much more!
Author : Karen Lewis
Publisher : Routledge
Page : 334 pages
File Size : 55,8 Mb
Release : 2015-06-26
Category : Architecture
ISBN : 9781317552352
Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics – to address every phase of architectural production. This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process – not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication. Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects’ work. In this way, readers don’t have to search through graphic design books to figure out what’s relevant to them – this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.
Author : Tarun Grover,Mugdha Thareja
Publisher : CRC Press
Page : 174 pages
File Size : 55,7 Mb
Release : 2020-12-21
Category : Technology & Engineering
ISBN : 9781000331202
There is an important overlap between science and design. The most significant technological developments cannot be produced without designers to conceptualize them. By the same token, designers cannot do their job properly without a good understanding of the scientific or technical principles that are being developed within the product. Science in Design: Solidifying Design with Science and Technology reveals the significance of the essential yet understudied intersection of design and scientific academic research and encompasses technological development, scientific principles, and the point of overlap between science and design. Encourages readers to comprehend the role of science in all facets of design Discusses the fundamental involvement of science required for engineering and design irrespective of whether the design is from an individual, business, or social perspective Covers the ontology, characteristics, and application of science in major fields of design education and design research, with an introduction of emerging practices transforming sustainable growth through applied behavioral models Depicts the art and science of material selection using new design techniques and technology advances like augmented reality, AI, and decision-support toolkits This unique book will benefit scientists, technologists, and engineers, as well as designers and professionals, across a variety of industries dealing with scientific analysis of design research methodology, design lifecycle, and problem solving.
Author : David Dabner,Sandra Stewart,Abbie Vickress
Publisher : John Wiley & Sons
Page : 992 pages
File Size : 40,7 Mb
Release : 2017-04-26
Category : Design
ISBN : 9781119433279
The essential introduction to graphic design for the digital era Graphic Design School provides a comprehensive introduction to visual design for modern media. From the fundamentals of design to advanced techniques and problem solving, this book is packed with practical advice and tutorials for a broad range of applications in any media. This updated sixth edition features a wealth of new guidance that reflects the evolution of the field, including extensive discussion of digital design and resourcing. New discussion tackles User Experience and User Interface Design, plus the latest tools, requirements, and resources for designing for the web, mobile apps, social media, and more. Updated assignments reflect the latest graphic design processes and guide students through the transition from simple solutions to starter portfolio pieces, while full-color illustrations, case studies, and designer biographies bring real-world perspective to this complex, multi-faceted skill. As media continues to evolve, graphic designers must possess a core set of competencies that translate across all applications. This book teaches the critical concepts and essential skills that build the framework for successful, innovative design. Master the principles, elements, and tools of design Delve into typography, color, and layout for print and screen Understand coding requirements and information architecture Design for apps, social media, mobile devices, and more Graphic design has never been a static field, and the continual honing of skills and techniques is an essential part of the job. Innovation comes from change, and today's design landscape is evolving at an ever-increasing pace—expanding diversity in media, audience, topic, technique, tools, and more offer unprecedented opportunity to make your mark. Graphic Design School equips you with a rock-solid foundation to support whatever your talent builds.
Author : Andrew Richardson
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 45,7 Mb
Release : 2017-07-06
Category : Design
ISBN : 9781474259774
Digital technology has not only revolutionized the way designers work, but also the kinds of designs they produce. The development of the computer as a design environment has encouraged a new breed of digital designer; keen to explore the unique creative potential of the computer as an input/output device. Data-driven Graphic Design introduces the creative potential of computational data and how it can be used to inform and create everything from typography, print and moving graphics to interactive design and physical installations. Using code as a creative environment allows designers to step outside the boundaries of commercial software tools, and create a set of unique, digitally informed pieces of work. The use of code offers a new way of thinking about and creating design for the digital environment. Each chapter outlines key concepts and techniques, before exploring a range of innovative projects through case studies and interviews with the artists and designers who created them. These provide an inspirational, real-world context for every technique. Finally each chapter concludes with a Code section, guiding you through the process of experimenting with each technique yourself (with sample projects and code examples using the popular Processing language supplied online to get you started).
