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Author : Caroline Fairless
Publisher : Church Publishing, Inc.
Page : 52 pages
File Size : 50,7 Mb
Release : 2001
Category : Juvenile Fiction
ISBN : 0898693616
When his father slaughters his favorite pig, young Jeremy feels sad until his sister suggests making a memorial.
Author : Rose M. Nolen
Publisher : University of Missouri Press
Page : 168 pages
File Size : 53,5 Mb
Release : 2003-12-01
Category : Social Science
ISBN : 9780826264473
Many African Americans in Missouri are the descendants of slaves brought by the French or the Spanish to the Louisiana Territory in the 1700s or by Americans who moved from slave states after the Louisiana Purchase in the 1800s. In Hoecakes, Hambone, and All That Jazz, Rose M. Nolen explores the ways in which those Missouri “immigrants with a difference”—along with other Africans brought to America against their will—developed cultural, musical, and religious traditions that allowed them to retain customs from their past while adapting to the circumstances of the present. Nolen writes, “Instead of the bond of common ancestors and a common language, which families had shared in Africa, the enslaved in the United States were bound together by skin color, hair texture, and condition of bondage. Out of this experience a strong sense of community was born.” Nolen traces the cultural traditions shaped by African Americans in Missouri from the early colonial period through the Civil War and Reconstruction and shows how those traditions were reshaped through the struggles of the civil rights movement and integration. Nolen demonstrates how the strong sense of community built on these traditions has sustained African Americans throughout their history. Nolen focuses on some of the extraordinary Missourians produced by that community, among them William Wells Brown, “the first black man born in America to write plays, a novel, and accounts of his travels in Europe, as well as a ‘slave narrative’”; John Berry Meachum, a former slave who founded a “floating school,” anchored in the Mississippi River and thus exempt from state law, where blacks could be educated; J. W. “Blind” Boone, the celebrated composer and concert pianist; Elizabeth Keckley, who purchased her freedom, started her own business, and became dress designer and confidante to Mary Todd Lincoln; and Lucinda Lewis Haskell, daughter of a former slave, who helped establish the St. Louis Colored Orphan’s Home. Hoecakes, Hambone, and All That Jazz recalls the many advances African Americans have made throughout Missouri’s history and uses the accomplishments of individuals to demonstrate the considerable contribution of African American culture to Missouri and all of the United States.
Author : Bessie Jones,Bess Lomax Hawes
Publisher : University of Georgia Press
Page : 260 pages
File Size : 45,5 Mb
Release : 1987
Category : Social Science
ISBN : 0820309605
Gathers traditional baby games, clapping plays, jumps and skips, singing plays, ring plays, dances, outdoor games, songs, and stories
Author : Liz Rampy
Publisher : Ambassador International
Page : 32 pages
File Size : 40,8 Mb
Release : 2019-11
Category : Electronic
ISBN : 1620209276
Hambone is the story of how one woman, through patience and prayer, befriends a lonely, scared, and smelly hound dog that no one could ever touch.
Author : Sandra G. Shannon
Publisher : McFarland
Page : 220 pages
File Size : 40,9 Mb
Release : 2016-01-28
Category : Performing Arts
ISBN : 9781476622996
Providing a detailed study of American playwright August Wilson (1945–2005), this collection of new essays explores the development of the author’s ethos across his twenty-five-year creative career—a process that transformed his life as he retraced the lives of his fellow “Africans in America.” While Wilson’s narratives of Pittsburgh and Chicago are microcosms of black life in America, they also reflect the psychological trauma of his disconnection with his biological father, his impassioned efforts to discover and reconnect with the blues, with Africa and with poet/activist Amiri Baraka, and his love for the vernacular of Pittsburgh.
Author : Bernard A. Drew
Publisher : McFarland
Page : 291 pages
File Size : 53,6 Mb
Release : 2015-04-02
Category : Literary Criticism
ISBN : 9781476616100
Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.
Author : H. Richard Milner
Publisher : Charles C Thomas Publisher
Page : 289 pages
File Size : 40,5 Mb
Release : 2009
Category : Education
ISBN : 9780398078300
Explicit examples of what these constructs mean and how they are used is provided. The book is complemented by an overview of each chapter and section. Written by some of the leading scholars in education and beyond, this book will be a valuable resource for practicing teachers, teacher educators, graduate students, undergraduate students, and educational researchers."--BOOK JACKET.
Author : Timothy Joseph Golden
Publisher : SUNY Press
Page : 376 pages
File Size : 41,9 Mb
Release : 2022-11-01
Category : Social Science
ISBN : 9781438485980
African American legal theorist Derrick Bell argued that American anti-Black racism is permanent but that we are nevertheless morally obligated to resist it. Bell—an extraordinary legal scholar, activist, and public intellectual whose academic and political work included his employment as a young attorney with the NAACP and his pivotal role in the founding of Critical Race Theory in the 1970s, work he pursued until he died in 2011—termed this thesis “racial realism.” Racism and Resistance is a collection of essays that present a multidisciplinary study of Bell's thesis. Scholars in philosophy, law, theology, and rhetoric employ various methods to present original interpretations of Bell's racial realism, including critical reflections on racial realism’s relationship to theories of adjudication in jurisprudence; its use of fiction in relation to law, literature, and politics; its under-examined relationship to theology; its application in interpersonal relationships; and its place in the overall evolution of Bell’s thought. Racism and Resistance thus presents novel interpretations of Bell’s racial realism and enhances the literature on Critical Race Theory accordingly.
Author : Mary Ellen Snodgrass
Publisher : McFarland
Page : 277 pages
File Size : 44,8 Mb
Release : 2015-03-10
Category : Literary Criticism
ISBN : 9781476605326
Award-winning African-American playwright August Wilson created a cultural chronicle of black America through such works as Ma Rainey's Black Bottom, Fences, Joe Turner's Come and Gone, The Piano Lesson, and Two Trains Running. The authentic ring of wit, anecdote, homily, and plaint proved that a self-educated Pittsburgh ghetto native can grow into a revered conduit for a century of black achievement. He forced readers and audiences to examine the despair generated by poverty and racism by exploring African-American heritage and experiences over the course of the twentieth century. This literary companion provides the reader with a source of basic data and analysis of characters, dates, events, allusions, staging strategies and themes from the work of one of America's finest playwrights. The text opens with an annotated chronology of Wilson's life and works, followed by his family tree. Each of the 166 encyclopedic entries that make up the body of the work combines insights from a variety of sources along with generous citations; each concludes with a selected bibliography on such relevant subjects as the blues, Malcolm X, irony, roosters, and Gothic mode. Charts elucidate the genealogies of Wilson's characters, the Charles, Hedley, and Maxson families, and account for weaknesses in Wilson's female characters. Two appendices complete the generously cross-referenced work: a timeline of events in Wilson's life and those of his characters, and a list of 40 topics for projects, composition, and oral analysis.
Author : Celeste Bedford Walker
Publisher : Texas A&M University Press
Page : 665 pages
File Size : 53,9 Mb
Release : 2023-03-14
Category : Drama
ISBN : 9781648431227
Celeste Bedford Walker, one of the most accomplished contemporary playwrights in Texas, crafts dramas from history and everyday life that illuminate the African American experience in all its variety, tragedy, pathos, and hilarity. Collected here are five of her most acclaimed plays: Sassy Mamas, Greenwood: An American Dream Destroyed, Reunion in Bartersville, Distant Voices, and Camp Logan. The topics treated by Walker are timelier than ever. Sassy Mamas follows “three women of substance and of a certain age who flip the script on gender stereotypes and become involved with younger men.” Greenwood: An American Dream Destroyed tells the powerful story of the horrific attack on the Greenwood District of Tulsa, Oklahoma, once known as the “Black Wall Street.” In Reunion in Bartersville, described by Walker as “a comedy-mystery in two acts,” the 50-year class reunion of Bartersville High School turns to hilarious suspense when an unexpected guest arrives. Recipient of a grant from the National Endowment for the Arts, Distant Voices “resurrects” persons buried in College Memorial Park, the second-oldest African American cemetery in Houston, to celebrate the wisdom of those gone before. Camp Logan is based on real-life events in Houston in 1917, when members of the highly decorated 24th Infantry Regiment were subjected to brutal Jim Crow treatment, resulting in a riot that left dozens dead and the execution of seventeen African American soldiers for mutiny. Readers and audiences should be prepared to laugh out loud, to be challenged, to be disturbed, and above all, to be enlightened by this poignant collection of plays.
Author : Charles Hays
Publisher : Xlibris Corporation
Page : 238 pages
File Size : 46,7 Mb
Release : 2014-06-23
Category : Fiction
ISBN : 9781493129027
This book is a work of historical military fiction that describes the impact of ski troopers and their Mules on accelerating the end of World War II in Italy. That Great War was winding down in Europe but, in the Apennine Mountains of Italy, large quantities of Italian and Nazi soldiers were still well-entrenched. They were some of the best troops that either Benito Mussolini or Adolf Hitler could place in action against any Yankee advance. Each of them were very capable of doing considerable harm to a typical infantry division which had not been trained to fight under these harsh environmental conditions of thick snow banks, extremely low temperatures, severe freezing winds and rigorous ecological demands. This is to say that a typical infantry division and their artillery would have been seriously stalled by the deep snow drifts. As one advisor said, For the entrenched enemies, it would have been like shooting ducks in a pond. Fortunately, the US Army listened to the sage advice of their various consultants. The US Army formed their own Ski Trooper outfit to rid the mountain tops from their unwanted occupants, the soldiers of Italy and Germany. That outfit was named the Tenth Mountain Division but, as time passed on, the newsreels began to call them by a better name, they were known as Ruffners Raiders. Brigadier General David L. Ruffner was the Commanding General of the Tenth Mountain Division Artillery. Although The Tenth Division entered the combat zones rather late in the day, they still had one of the highest casualty rates for that War of all Wars. For the Mules that were involved, their loss of life was 94% since they provided such an easy target for the Snipers to kill.
Author : Abram Foley
Publisher : U of Minnesota Press
Page : 287 pages
File Size : 51,7 Mb
Release : 2021-08-31
Category : Language Arts & Disciplines
ISBN : 9781452966656
Offering the everyday tasks of literary editors as inspired sources of postwar literary history Michel Foucault famously theorized “the author function” in his 1969 essay “What Is an Author?” proposing that the existence of the author limits textual meaning. Abram Foley shows a similar critique at work in the labor of several postwar editors who sought to question and undo the corporate “editorial/industrial complex.” Marking an end to the powerful trope of the editor as gatekeeper, The Editor Function demonstrates how practices of editing and publishing constitute their own kinds of thought, calling on us to rethink what we read and how. The Editor Function follows avant-garde American literary editors and the publishing practices they developed to compete against the postwar corporate consolidation of the publishing industry. Foley studies editing and publishing through archival readings and small press and literary journal publishing lists as unique sites for literary inquiry. Pairing histories and analyses of well- and lesser-known figures and publishing formations, from Cid Corman’s Origin and Nathaniel Mackey’s Hambone to Dalkey Archive Press and Semiotext(e), Foley offers the first in-depth engagement with major publishing initiatives in the postwar United States. The Editor Function proposes that from the seemingly mundane tasks of these editors—routine editorial correspondence, line editing, list formation—emerge visions of new, better worlds and new textual and conceptual spaces for collective action.
Author : Lewis Nordan
Publisher : Algonquin Books
Page : 281 pages
File Size : 50,8 Mb
Release : 1998-09-01
Category : Fiction
ISBN : 9781565127647
Leroy Dearman is twelve, and he lives on a llama farm in Mississippi. Life is perfect. It's true that his grandfather just died in the attic and that wild dogs kill a baby llama now and then, and it's true that one little sister curses him and the other one wets her pants. But up to the day Uncle Harris moves in, life looks like it's right out of a Walt Disney movie. No wonder the llamas greet each morning with a song. Uncle Harris arrives in a sports car, full of funny stories and new ideas. He manages to persuade Leroy's straitlaced parents to join him for cocktails in the evening. He sets up a pretty grand bachelor pad in the Dearman attic, with a telephone, a TV set, and a stack of Playboy magazines. He is, you might say, Romance itself. Once Uncle Harris moves in, life on the llama farm takes on an entirely different flavor. Leroy discovers those magazines. Electricity fills the Dearman house. Equilibrium tilts, conversation trails off, the atmospheric pressure twists--and lightning strikes. Leroy starts seeing things he's never seen before, like the very gifted baton-twirling teacher, and his world changes forever. Not since PORTNOY'S COMPLAINT has a novel looked so directly, hilariously, and bittersweetly at the heartbreak of puberty.
Author : Stephanie P. Ledgin
Publisher : Bloomsbury Publishing USA
Page : 332 pages
File Size : 46,6 Mb
Release : 2010-02-09
Category : Music
ISBN : 9798216075066
From Ani DiFranco to Bob Dylan to Woodie Guthrie, American folk music comprises a truly diverse and rich tradition—one that's almost impossible to define in broad terms. This book explains why folk music is still highly relevant in the digital age. From indigenous music to Pete Seeger and Bruce Springsteen singing "This Land Is Your Land" side-by-side at the pre-inaugural concert for our first African American president, folk music has been at the center of America's history. Thomas Jefferson wooed his bride-to-be with fiddle playing. Stephen Foster captured the mood of our country in transition. The Carter Family adapted music from across the pond to Appalachia. Paul Robeson carried folk music of many lands to the world stage. Woody Guthrie's dust bowl ballads spoke to the common man, while Sixties protest music put folk on the map, following the Kingston Trio's hit, "Tom Dooley." Folk music has evolved with America's changing landscape, celebrating its multi-cultural traditions. From Irish step dancers to rap, parlor songs to Dixieland, blues to classical, Discovering Folk Music presents the genre as surprisingly diverse, every bit the product of our national melting pot. Demonstrating continuing relevance of folk music in our everyday lives, the book spotlights an amazing array of personalities, with special emphasis on the folk revival era when Dylan, Baez, Odetta, and Peter, Paul and Mary sang out. These and others influenced such contemporary performers as Shawn Colvin and Ani DiFranco. Those on today's "fringes of folk" scene continue to look to these deep roots while embracing alternative sounds. Included are interviews with such legendary artists as Janis Ian, Tom Paxton, and Jean Ritchie. Nora Guthrie, Woody's daughter, also weighs in. Discovering Folk Music is a ground-breaking look at 21st-century folk music in our rapidly changing digital world, family friendly while ripe for rediscovery by the Woodstock generation.
Author : Lynn Abbott,Doug Seroff
Publisher : Univ. Press of Mississippi
Page : 433 pages
File Size : 54,7 Mb
Release : 2017-02-27
Category : Music
ISBN : 9781496810052
With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the "blues master piano player of the world." His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more dignified aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before--a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
