Hanslick Im Kontext Hanslick In Context

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Hanslick im Kontext / Hanslick in Context

Author : Alexander Wilfing,Christoph Landerer,Meike Wilfing-Albrecht
Publisher : Hollitzer Wissenschaftsverlag
Page : 306 pages
File Size : 53,8 Mb
Release : 2020-11-24
Category : Music
ISBN : 9783990128299

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Hanslick im Kontext / Hanslick in Context by Alexander Wilfing,Christoph Landerer,Meike Wilfing-Albrecht Pdf

"Hanslick im Kontext / Hanslick in Context" umfasst Beiträge von internationalen ExpertInnen, die sich mit Eduard Hanslick und seinen Schriften unter vielfältigen Gesichtspunkten auseinandersetzen. In den Essays wird der Kontext zwischen Hanslicks zentraler Abhandlung "Vom Musikalisch-Schönen" und möglichen Vorläufern (Leibniz, Michaelis, Nägeli etc.) sowie umliegenden Diskursen untersucht. "Close Readings" des Traktats machen wesentliche Begriffe (Arabeske, Form, Schönheit) und Konzepte (Aufführung, Performanz, Funktionalität) zum Thema. Zudem erforschen und analysieren die BeiträgerInnen Hanslicks Verhältnis zur Musikpsychologie und Kunstgeschichte, sein Verständnis des Religions-Begriffes sowie seine Vorlesungen. Mit Beiträgen von Mark Evan Bonds, Thomas Grey, Nicole Grimes, Andrea Korenjak, Christoph Landerer, Manos Perrakis, Anthony Pryer, Lee Rothfarb, Andrea Singer, Markéta Štědronská , Werner Telesko, Alexander Wilfing und Nick Zangwill

Sacred and Secular Intersections in Music of the Long Nineteenth Century

Author : Eftychia Papanikolaou,Markus Rathey
Publisher : Rowman & Littlefield
Page : 439 pages
File Size : 40,7 Mb
Release : 2022-06-21
Category : Music
ISBN : 9781666906059

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Sacred and Secular Intersections in Music of the Long Nineteenth Century by Eftychia Papanikolaou,Markus Rathey Pdf

Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.

Rethinking Hanslick

Author : Nicole Grimes,Siobhán Donovan,Wolfgang Marx
Publisher : University Rochester Press
Page : 378 pages
File Size : 46,5 Mb
Release : 2013
Category : Music
ISBN : 9781580464321

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Rethinking Hanslick by Nicole Grimes,Siobhán Donovan,Wolfgang Marx Pdf

Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musically Beautiful and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. Rethinking Hanslick serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Contributors: David Brodbeck, James Deaville, Chantal Frankenbach, Lauren Freede, Marion Gerards, Dana Gooley, Nicole Grimes, David Kasunic, David Larkin, Fred Everett Maus, Timothy R. McKinney, Nina Noeske, Anthony Pryer, Felix Wörner Nicole Grimes is Marie Curie Fellow at University College Dublin (UCD) and the University of California, Irvine. Siobhán Donovan is a college lecturer at the School of Languages and Literatures, UCD. Wolfgang Marx is a senior lecturer at the School of Music, UCD.

Eduard Hanslick's On the Musically Beautiful

Author : Lee Rothfarb,Christoph Landerer
Publisher : Oxford University Press
Page : 224 pages
File Size : 49,8 Mb
Release : 2018-06-29
Category : Music
ISBN : 9780190698195

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Eduard Hanslick's On the Musically Beautiful by Lee Rothfarb,Christoph Landerer Pdf

Eduard Hanslick's On the Musically Beautiful (Vom Musikalisch-Schönen, 1854), written and published before the author turned 30, is a watershed document in the history of aesthetics, and of thought about music generally. The notion of "absolute music," which lies at the heart of the treatise, is now more than ever at the center of discussions about music, particularly that of the Classic and Romantic eras. Rothfarb and Landerer's translation includes three introductory essays offering fresh perspectives on Hanslick, and on the origins, publications, and translation history of his treatise, as well as its central concepts and philosophical underpinnings. The volume also includes thorough annotations, a readers' guide, a glossary of important terms and concepts, and an appendix, which comprises the original opening of Chapter 1, substantially rewritten in subsequent editions, as well as the original ending of the treatise that was excised by Hanslick in later editions. The book's ideas, cogently and often wittily expressed, are mandatory reading for anyone interested in eighteenth and nineteenth-century music and its cultural and intellectual background.

Absolute Music

Author : Mark Evan Bonds
Publisher : Oxford University Press
Page : 400 pages
File Size : 47,6 Mb
Release : 2014-05-09
Category : Music
ISBN : 9780199384723

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Absolute Music by Mark Evan Bonds Pdf

What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.

Hanslick Im Kontext / Hanslick in Context

Author : Alexander Wilfing,Meike Wilfing-Albrecht,Christoph Landerer
Publisher : Unknown
Page : 328 pages
File Size : 50,7 Mb
Release : 2020-08-20
Category : Electronic
ISBN : 3990128280

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Hanslick Im Kontext / Hanslick in Context by Alexander Wilfing,Meike Wilfing-Albrecht,Christoph Landerer Pdf

Mahler in Context

Author : Charles Youmans
Publisher : Cambridge University Press
Page : 0 pages
File Size : 54,6 Mb
Release : 2022-11-10
Category : Music
ISBN : 1108438350

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Mahler in Context by Charles Youmans Pdf

Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Focusing on the contexts surrounding the artist, the collection provides a sense of the complex crosscurrents against which Mahler was reacting as conductor, composer, and human being. Topics explored include his youth and training, performing career, creative activity, spiritual and philosophical influences, and his reception after his death. Together, this collection of specially commissioned essays offers a wide-ranging investigation of the ecology surrounding Mahler as a composer and a fuller appreciation of the topics that occupied his mind as he conceived his works. Readers will benefit from engagement with lesser known dimensions of Mahler's life. Through this broader contextual approach, this book will serve as a valuable and unique resource for students, scholars, and a general readership.

The Cambridge Companion to Operetta

Author : Anastasia Belina,Derek B. Scott
Publisher : Cambridge University Press
Page : 347 pages
File Size : 54,6 Mb
Release : 2019-12-05
Category : Music
ISBN : 9781107182165

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The Cambridge Companion to Operetta by Anastasia Belina,Derek B. Scott Pdf

A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.

Experimental Affinities in Music

Author : Paulo de Assis
Publisher : Leuven University Press
Page : 253 pages
File Size : 44,8 Mb
Release : 2016-03-21
Category : Music
ISBN : 9789462700611

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Experimental Affinities in Music by Paulo de Assis Pdf

Exploring experimental attitudes in music Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinitiessuggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. Contributors Paulo de Assis (Orpheus Institute, Ghent), Thomas Christensen (University of Chicago), Hermann Danuser (Humboldt University), Felix Diergarten (Schola Cantorum Basiliensis), Leon Fleisher (pianist), Lydia Goehr (Columbia University), Martin Kirnbauer (University of Basel), Lawrence Kramer (Fordham University), Helmut Lachenmann (composer), Mark Lindley (University of Hyderabad), Frederic Rzewski (pianist-composer), Luk Vaes (Orpheus Institute, Ghent), Edward Wickham (St Catharine’s College, Cambridge)

Hermann Lotze

Author : William R. Woodward
Publisher : Cambridge University Press
Page : 519 pages
File Size : 52,7 Mb
Release : 2015-06-09
Category : History
ISBN : 9780521418485

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Hermann Lotze by William R. Woodward Pdf

The first full-length historical study of the intellectual origins and institutional context of the nineteenth-century German thinker Hermann Lotze.

Instruments for New Music

Author : Thomas Patteson
Publisher : Univ of California Press
Page : 251 pages
File Size : 40,7 Mb
Release : 2016
Category : Music
ISBN : 9780520288027

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Instruments for New Music by Thomas Patteson Pdf

Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium

Johannes Brahms

Author : Heather Platt
Publisher : Routledge
Page : 448 pages
File Size : 53,7 Mb
Release : 2004-03
Category : Art
ISBN : 9781135576196

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Johannes Brahms by Heather Platt Pdf

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Habsburg Monarchy's Many-Languaged Soul

Author : Michaela Wolf
Publisher : John Benjamins Publishing Company
Page : 289 pages
File Size : 50,9 Mb
Release : 2015-05-28
Category : Language Arts & Disciplines
ISBN : 9789027268686

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The Habsburg Monarchy's Many-Languaged Soul by Michaela Wolf Pdf

In the years between 1848 and 1918, the Habsburg Empire was an intensely pluricultural space that brought together numerous “nationalities” under constantly changing – and contested – linguistic regimes. The multifaceted forms of translation and interpreting, marked by national struggles and extensive multilingualism, played a crucial role in constructing cultures within the Habsburg space. This book traces translation and interpreting practices in the Empire’s administration, courts and diplomatic service, and takes account of the “habitualized” translation carried out in everyday life. It then details the flows of translation among the Habsburg crownlands and between these and other European languages, with a special focus on Italian–German exchange. Applying a broad concept of “cultural translation” and working with sociological tools, the book addresses the mechanisms by which translation and interpreting constructs cultures, and delineates a model of the Habsburg Monarchy’s “pluricultural space of communication” that is also applicable to other multilingual settings. Published with the support of the Austrian Science Fund (FWF)img src="/logos/fwf-logo.jpg" width=300