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Bagels, bullies, and bad girls are only part of the chemistry of Hardboiled Brooklyn. An anthology of slash and burn short stories set in the Country of Kings, the collection boasts an all-star line up of today's hottest crime fiction writers, including Edgar winners S.J. Rozan and Peter Blauner, Shamus winners Ken Bruen and Peter Spiegelman, Gumshoe winner Jim Fusili, and Anthony/Barry winner, Jason Starr.
What are the ingredients of a hard-boiled detective story? "Savagery, style, sophistication, sleuthing and sex," said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philop Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes." Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.
Vast and diverse, Brooklyn is often portrayed in literature as a place of traditional community values and face-to-face relations, distinct from anonymous, capital-driven Manhattan. Brooklyn Fictions discovers what such representations of the New York borough can teach us about diversity and the individual, the local and the global. Combining analysis of popular texts such as Sister Souljah's The Coldest Winter Ever with more canonical novels such as Jonathan Lethem's The Fortress of Solitude, this study draws on the work of a variety of theorists on community and globalization and uses Brooklyn as a case study for an exploration of the complex relationship between romantic ideals of community and global economic forces. With cites often depicted as sites of conflict and fear, this is a crucial contribution to our understanding of the contemporary urban community and the ethical issues involved in conceptualizing and portraying it in literature.
Murder and Mayhem in Muskego by Megan Abbott,Dana Cameron,Reed Farrel Coleman,Hilary Davidson,Sean Doolittle,J.M. Edwards,Andrew Grant,Ted Hertel, Jr.,Chris F. Holm,Brad Parks,Gary Phillips,Kat Richardson,Greg Rucka,Marcus Sakey,Tom Schreck,Nathan Banks,Zoë Sharp,Bryan VanMeter,Jeri Westerson Pdf
Since 2005, Murder & Mayhem in Muskego has welcomed and hosted over 150 authors a thousands of fans of crime fiction to the Milwaukee area. Just in time for the 8th annual benefit, a short story anthology featuring bestselling, Edgar and Shamus award-winning writers who have attended the day-long convention has been created. The collection is edited by Jon and Ruth Jordan. Contributors include: Megan Abbott, Dana Cameron, Reed Farrel Coleman, Hilary Davidson, Sean Doolittle, J.M. Edwards, Andrew Grant, Ted Hertel, Jr., Chris F. Holm, Brad Parks, Gary Phillips, Kat Richardson, Greg Rucka, Marcus Sakey, Tom Schreck and Nathan Banks, Zoë Sharp, Bryan VanMeter and Jeri Westerson. All profits from sales of this anthology will benefit the Murder & Mayhem in Milwaukee crime festival.
A rare glimpse of professional ballplayers, not as pitchers, hitters, managers, and coaches, but as dads and grandads. Sons of major league baseball players grow up in a unique environment, not only because they are raised in part by professional athletes, but also because they are raised by the game itself. They come of age immersed in the distinct sounds and aromas of baseball. The locker rooms, the cinderblock-lined corridors beneath the stands, the dugouts, and the fields are the playgrounds of their youth. In Sons of Baseball, Mark Braff interviews 18 men who share their exclusive stories, ballpark memories, and the challenges and rewards of having fathers whose talents enabled them to reach the pinnacle of their profession. Each chapter is devoted to one son talking about his experiences, from the poignancy of one son’s disclosure that his dad has not been able to acknowledge his son’s sexuality as a gay man, to the humor of another son absconding with the groundskeepers’ cart in Cleveland. With a foreword by Hall of Famer Cal Ripken Jr. and interviews with the sons of beloved players such as Yogi Berra, Mariano Rivera, Roger Maris, Gil Hodges, and Larry Doby, Sons of Baseball provides a unique, well-rounded perspective on the lives of professional ballplayers and their families.
Walter "Smokey" Alston is best known for his long and successful tenure as manager of the Dodgers--first in Brooklyn, then in Los Angeles. Yet few fans are aware of his years in the minors, where he honed the skills that would make him famous. Raised in rural Ohio, Alston graduated from Miami University, where he was noticed by scouts for the St. Louis Cardinals. Signed in 1935, he played on minor league teams in the Cardinals' system. He went to bat in the majors just once--and struck out. But Cardinals President Branch Rickey recognized other talents in Alston and made him a player-manager for several clubs. He steadily produced winning teams and in 1946 led the racially integrated Nashua "Little" Dodgers to a championship. In 1953, he was tapped to run the big club and over the next 23 seasons led the Dodgers to nine pennants and four World Series wins. This book traces Alston's rise through the minor and major leagues to become a Hall of Famer with more than 2000 career wins.
Diseases and Disorders in Contemporary Fiction by James Peacock,Tim Lustig Pdf
The essays in this collection address the current preoccupation with neurological conditions and disorders in contemporary literature by British and American writers. The book places these fictional treatments within a broader cultural and historical context, exploring such topics as the two cultures debate, the neurological turn, postmodernism and the post-postmodern, and responses to September 11th. Considering a variety of materials including mainstream literary fiction, the graphic novel, popular fiction, autobiographical writing, film, and television, contributors consider the contemporary dimensions of the interface between the sciences and humanities, developing the debate about the post-postmodern as a new humanism or a return to realism and investigating questions of form and genre, and of literary continuities and discontinuities. Further, the essays discuss contemporary writers’ attempts to engage the relation between the individual and the social, looking at the relation between the "syndrome syndrome" (referring to the prevalence in contemporary literature of neurological phenomena evident at the biological level) and existing work in the field of trauma studies (where explanations tend to have taken a psychoanalytical form), allowing for perspectives that question some of the assumptions that have marked both these fields. The current literary preoccupation with neurological conditions presents us with a new and distinctive form of trauma literature, one concerned less with psychoanalysis than with the physical and evolutionary status of human beings.
Fictive Fathers in the Contemporary American Novel by Debra Shostak Pdf
Fictive Fathers in the Contemporary American Novel explores the unstable construction of heteronormative white masculinity in the contemporary United States by focusing on relationships between fathers and their children. Debra Shostak reads the novels of 18 North American writers publishing in the late 20th and early 21st centuries as allegories of cultural conflict and change within the nuclear family; the authors considered include Paul Auster, Don DeLillo, Jeffrey Eugenides, Jonathan Safran Foer, Jonathan Franzen, John Irving, Jonathan Lethem, Carole Maso, Bobbie Ann Mason, Cormac McCarthy, Claire Messud, Viet Thanh Nguyen, Tim O'Brien, Marilynne Robinson, Philip Roth, Mona Simpson, Jane Smiley, and Anne Tyler. These novelists portray father figures who, often literally or figuratively absent from the family scene, disrupt the familial order and their family members' identities. Shostak's close readings illuminate unexpectedly conservative, even subversive, ideological positions at the heart of these fictions. Fictive Fathers traces the eroding myth of paternal authority that sustained a patriarchal model within real American families and their literary representations.
Understanding Jonathan Lethem by Matthew Luter Pdf
Understanding Jonathan Lethem is a study of the novels, short fiction, and nonfiction on a wide range of subjects in the arts by American novelist Jonathan Lethem, who is the recipient of the National Book Critics Circle Award for Fiction for Motherless Brooklyn, a MacArthur Foundation “genius” grant, and the Locus Award for Best First Novel for Gun, with Occasional Music. Matthew Luter explores the key contemporaries of and influences on Lethem, who is the Roy Edward Disney Professor of Creative Writing at Pomona College. Luter begins this volume by explaining how Lethem’s innovative and provocative essay on creative appropriation “The Ecstasy of Influence” differs from other writing about influence, suggesting an artistic mode that celebrates thoughtful borrowing. Readings of Lethem’s three major novels follow: taken together, Motherless Brooklyn, The Fortress of Solitude, and Chronic City present a novelist coming to terms with the joys and downsides of artistic influence. Motherless Brooklyn pays tribute to and subverts traditional hardboiled detective novels as Lethem plays with the conventions of a favorite (and influential) genre. Fortress dwells obsessively on appreciation and criticism of influential art, as Lethem’s main character spends a lifetime contemplating the complexities of the art he loves, interrogating his own reactions to it, and thinking through the political implications of the ways he has been influenced by that which he consumes. Chronic City depicts the cost of fandom and the dangers of giving over too much of oneself to the art that one loves, dramatized via a character brought nearly to ruin not by the demands of artistic creation, but by obsessive cultural consumption. Borrowing openly and promiscuously from earlier traditions both high and low (experimental fiction, comic books, art film, detective novels), Lethem displays a career-long interest in questioning what literary originality might mean in a postmodern age. Some suggest that such borrowings indicate a literary well that has run dry, making writers such as Lethem mere patchwork artists. Luter argues instead that Lethem’s propensity for wearing his influences and obsessions on his sleeve encourages new thought about originality itself. Out with “it’s all been done” and in with “look at all that’s been done, and all that we can still do with it!”
Critical Essays on English and Bengali Detective Fiction by Debayan Deb Barman Pdf
Critical Essays on English and Bengali Detective Fiction brings together three strains of detective fiction: British, American, and Bengal. The import of detective fiction from Britain has influenced generations of writers of Bengali detective fiction. In this anthology of critical essays by scholars on detective fiction, we have divided the contents into three groups. First, there are essays on classic British detective fiction, with essays on Charles Dickens, Wilkie Collins, Arthur Conan Doyle, Agatha Christie, P.D.James, Kate Atkinson, and Margery Allingham. The second section is on American hard-boiled fiction with essays on Dashiell Hammett and Raymond Chandler. The third section is on Bengali detective fiction with essays on Hemendra Kumar Roy, Saradindu Bandyopadhay and Satyajit Ray. Together, these essays bring three strains of detective fiction into conversation to show the gradual postcolonial attempt of Bengali detective fiction to outgrow colonial influences and create an original and organic tradition of regional and vernacular detective fiction.
Fiction by Marlon James, Kevin Baker, and more: “Captures the immense diversity . . . from the mean streets of the South Bronx to affluent Riverdale” (Publishers Weekly). Set amid landmarks like Yankee Stadium and the Bronx Zoo, in crowded streets or leafy enclaves, this collection of crime and suspense fiction, edited by a winner of multiple major mystery awards, showcases both an exceptional lineup of literary talent and the unique atmosphere of New York City’s northern borough. Brand-new stories by Thomas Adcock, Kevin Baker, Thomas Bentil, Lawrence Block, Jerome Charyn, Suzanne Chazin, Terrence Cheng, Ed Dee, Joanne Dobson, Robert Hughes, Marlon James, Sandra Kitt, Rita Laken, Miles Marshall Lewis, Patrick W. Picciarelli, Abraham Rodriguez Jr., S.J. Rozan, Steven Torres, and Joseph Wallace.
Shoot to Thrill “If you’re looking for a fresh, offbeat style, you’ll enjoy this book.” --John Nack If you’re packin’ heat and a D-SLR, SHOOT TO THRILL is like having a bullet-proof vest. Loaded with tips, dames, laughs, tales of noir, and photos shot from the hip! HARD TIMES, TOUGH TALK, HARD-BOILED SOLUTIONS A BOOK TO INSPIRE AMATEURS & PROS ALIKE. Written in the style of a pulp detective novel, this book goes beyond the mechanics of shooting and teaches us all how to “see” with a fresh vision. Shoot to Thrill teaches creative techniques such as Achieving dramatic film noir lighting Getting the ring flash look (the rage in fashion photography) Experimenting with High Dynamic Range Imaging (HDRI) Capturing breaking news, and a lot more Offers valuable “two-fisted tips” on how to score killer shots—from still life to action.
The riveting true story of the rise and fall of Murder, Inc. and the executioner-turned-informant whose mysterious death became a turning point in Mob history. In the fall of 1941, a momentous trial was underway that threatened to end the careers and lives of New York’s most brutal mob kingpins. The lead witness, Abe Reles, had been a trusted executioner for Murder, Inc., the enforcement arm of a coast-to-coast mob network known as the Commission. But the man responsible for coolly silencing hundreds of informants was about to become the most talkative snitch of all. In exchange for police protection, Reles was prepared to rat out his murderous friends, from Albert Anastasia to Bugsy Siegel—but before he could testify, his shattered body was discovered on a rooftop outside his heavily-guarded hotel room. Was it a botched escape, or punishment for betraying the loyalty of the country’s most powerful mobsters? Michael Cannell's A Brotherhood Betrayed traces the history of Murder, Inc. through Reles’ rise from street punk to murder chieftain to stool pigeon, ending with his fateful death on a Coney Island rooftop. It resurrects a time when crime became organized crime: a world of money and power, depravity and corruption, street corner ambushes and elaborately choreographed hits by wise-cracking foot soldiers with names like Buggsy Goldstein and Tick Tock Tannenbaum. For a brief moment before World War II erupted, America fixated on the delicate balance of trust and betrayal on the Brooklyn streets. This is the story of the one man who tipped the balance.
Alcohol, Tobacco, and Firearms: Stories and Essays by Tim McLoughlin Pdf
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. “A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection . . . With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson’s Liquor, Guns & Ammo will want to check this out.” —Publishers Weekly “Alcohol, Tobacco, and Firearms couldn’t be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that’s hard as the sidewalk.” —John Strausbaugh, author of City of Sedition In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.
In The Show I'll Never Forget, writer Sean Manning has gathered an amazing array of unforgettable concert memories from a veritable A-list of acclaimed novelists, poets, biographers, cultural critics, and songwriters. Their candid, first-person recollections reveal as much about the writers' lives at the time as they do about the venues where the shows occurred or the artists onstage. Ishmael Reed on Miles Davis Luc Sante on Public Image Ltd. Heidi Julavits on Rush Daniel Handler and Andrew Sean Greer on Metric Diana Ossana on Led Zeppelin Maggie Estep on Einsturzende Neubauten Dani Shapiro on Bruce Springsteen Gary Giddins on Titans of the Tenor! Nick Flynn on Mink DeVille Susan Straight on The Funk Festival Rick Moody on the The Lounge Lizards Jennifer Egan on Patti Smith Harvey Pekar on Joe Maneri Thurston Moore on Glen Branca, Rudolph Grey, and Wharton Tiers Chuck Klosterman on Prince Sigrid Nunez on Woodstock Jerry Stahl on David Bowie Charles R. Cross on Nirvana Marc Nesbitt on The Beastie Boys And many more . . . No matter where your musical taste falls, these often funny, occasionally sad, always thought-provoking essays-all written especially for The Show I'll Never Forget-are sure to connect with anyone who loves, or has ever loved, live music.