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Hanna Reitsch longed to fly. Having broken records and earned the respect of the Nazi regime, she was the first female Luftwaffe test pilot, and eventually became Adolf Hitler’s personal heroine. An ardent Nazi, Hanna was prepared to die for the cause, first as a test pilot for the dangerous V1 flying bombs and later by volunteering for a suggested Nazi ‘kamikaze’ squadron. After her capture she complained bitterly of not being able to die with her leader, but she went on to have a celebrated post-war flying career. She died at the age of 67, creating a new mystery – did Hanna kill herself using the cyanide pill Hitler had given her over thirty years earlier? Hitler’s Heroine reveals new facts about the mysterious pilot and cuts through the many myths that have surrounded her life and death, bringing this fascinating woman back to life for the twenty-first century.
German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.
German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.
A fast-paced, highly original history that uncovers the full extent of drug use in Nazi Germany--from Hitler's all-consuming reliance on a slew of substances, to the drugs that permeated the regime and played an integral role in Germany's military performance and ultimate downfall in World War II
A portrait of six women and their role in the Nazi regime: Eva Braun, Hitler's mistress ; Magda Goebbels, wife of Propaganda Minister Joseph Goebbels ; Winifred Wagner, grand-daughter of composer Richard Wagner ; Leni Riefenstahl, Nazi film director ; Zarah Leander, film star ; and screen goddess Marlene Dietrich.
On 18 June 1940 General de Gaulle broadcast from London to his countrymen in France about the catastrophe that had overtaken their nation - the victory of the invading Germans. He declared 'Is defeat final? No! . . . the flame of French Resistance must not and will not be extinguished'. The Resistance began almost immediately. At first it was made up of small, disorganised groups working in isolation. But by the time of the liberation in 1944 around 400,000 French citizens, nearly 2 per cent of the population, were involved. The Special Operations Executive (SOE) set up by Winston Churchill in 1941 saw its role in France as helping the Resistance by recruiting and organising guerrilla fighters; supplying and training them; and then disrupting the invaders by any means necessary. The basic SOE unit was a team of three: a leader, a wireless operator and a courier. These teams operated in Resistance circuits and the agents were given random codenames. The aim of this work was to prepare for the invasion of Europe by Allied forces and the eventual liberation of France. It was soon decided that women would play a vital role. There were 39 female agents recruited from all walks of life, ranging from a London shop assistant to a Polish aristocrat. What linked them was that they knew France well, were fluent in French and were prepared to sacrifice everything to help defeat the enemy. The women trained alongside the men, learning how to disappear into the background, how to operate a radio transmitter and how to kill a man with their bare hands. Once trained they were infiltrated behind the lines by parachute or tiny aircraft that could land in remote fields. Some of the women went on to lead thousands of Resistance fighters, while others were arrested, brutally interrogated and sent to concentration camps where they endured torment and death. Lonely Courage tells their story and sheds light on what life was really like for these brave women who tumbled from the sky.
Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives by Karin Wieland Pdf
A Boston Globe Best Book of 2015 A Washington Post Notable Nonfiction Pick of 2015 Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into "the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation" (New Yorker).
This book examines the careers of three of Nazi cinema's preeminent movie actresses, painting a unique portrait of mass entertainment and stardom under Nazi rule. Bruns uses undiscovered sources and a new approach, which integrates visual analysis within a thorough political and social context, to trace how the Nazis tried to use films and stars to build National Socialism. This analysis focuses on female stars - an important but largely unexplored area - because they were mostly responsible for Nazi cinema's spectacular commercial success and political failure. Challenging earlier studies, which view Nazi cinema as an effective propaganda instrument that helped turn Germans into devoted "Aryan" mothers and tough warriors, the book shows that the Nazi regime's liaison with the cinema was ambivalent. Films failed to disseminate a coherent political message and to Nazify German society. However, they helped the regime maintain power by diverting people's attention from the brutality of Hitler's rule and, eventually, from impending defeat.
All the Frequent Troubles of Our Days by Rebecca Donner Pdf
SELECTED AS A BBC RADIO 4 BOOK OF THE WEEK Born and raised in America, Mildred Harnack was twenty-six and living in Germany when she witnessed the meteoric rise of the Nazi party. She began holding secret meetings in her apartment, forming a small band of political activists set on helping Jews escape, denouncing Hitler and calling for revolution. When the Second World War began, she became a spy, couriering top-secret intelligence to the Allies. In this astonishing work of non-fiction, Harnack’s great-great-niece Rebecca Donner draws on extensive archival research, fusing elements of biography, political thriller and scholarly detective story to tell a powerful, epic tale of an enigmatic woman nearly erased by history.
Some Girls, Some Hats and Hitler by Trudi Kanter Pdf
“ FOR EVEN IN NAZI VIENNA, Trudi realized, women still looked in the mirror. . . . She knows that even in the bleak darkness, we feel, love, desire. She left no child (she and Walter tried, with no success); her hats are long lost, but her book is her legacy, discovered once again.” —From the introduction by Linda Grant, a uthor of The Clothes on Their Backs, The Thoughtful Dresser and We Had It So Good In 1938 Trudi Kanter, stunningly beautiful, chic and charismatic, was a hat designer for the best-dressed women in Vienna. She frequented the most elegant cafés. She had suitors. She flew to Paris to see the latest fashions. And she fell deeply in love with Walter Ehrlich, a charming and romantic businessman. But as Hitler’s tanks rolled into Austria, the world this young Jewish couple knew collapsed, leaving them desperate to escape. In prose that cuts straight to the bone, Some Girls, Some Hats and Hitler tells the true story of Trudi’s astonishing journey from Vienna to Prague to blitzed London seeking safety for her and Walter amid the horror engulfing Europe. It was her courage, resourcefulness and perseverance that kept both her and her beloved safe during the Nazi invasion and that make this an indelible memoir of love and survival. Sifting through a secondhand bookshop in London, an English editor stumbled upon this extraordinary book, and now, though she died in 1992, the world has a second chance to discover Trudi Kanter’s enchanting story. In these pages she is alive—vivid, tenacious and absolutely unforgettable.
Biographers' Club Prize-winner Clare Mulley’s The Women Who Flew for Hitler—a dual biography of Nazi Germany's most highly decorated women pilots. Hanna Reitsch and Melitta von Stauffenberg were talented, courageous, and strikingly attractive women who fought convention to make their names in the male-dominated field of flight in 1930s Germany. With the war, both became pioneering test pilots and were awarded the Iron Cross for service to the Third Reich. But they could not have been more different and neither woman had a good word to say for the other. Hanna was middle-class, vivacious, and distinctly Aryan, while the darker, more self-effacing Melitta came from an aristocratic Prussian family. Both were driven by deeply held convictions about honor and patriotism; but ultimately, while Hanna tried to save Hitler’s life, begging him to let her fly him to safety in April 1945, Melitta covertly supported the most famous attempt to assassinate the Führer. Their interwoven lives provide vivid insight into Nazi Germany and its attitudes toward women, class, and race. Acclaimed biographer Clare Mulley gets under the skin of these two distinctive and unconventional women, giving a full—and as yet largely unknown—account of their contrasting yet strangely parallel lives, against a changing backdrop of the 1936 Olympics, the Eastern Front, the Berlin Air Club, and Hitler’s bunker. Told with brio and great narrative flair, The Women Who Flew for Hitler is an extraordinary true story, with all the excitement and color of the best fiction.Biographers' Club Prize-winner Clare Mulley’s The Women Who Flew for Hitler—a dual biography of Nazi Germany's most highly decorated women pilots. Hanna Reitsch and Melitta von Stauffenberg were talented, courageous, and strikingly attractive women who fought convention to make their names in the male-dominated field of flight in 1930s Germany. With the war, both became pioneering test pilots and were awarded the Iron Cross for service to the Third Reich. But they could not have been more different and neither woman had a good word to say for the other. Hanna was middle-class, vivacious, and distinctly Aryan, while the darker, more self-effacing Melitta came from an aristocratic Prussian family. Both were driven by deeply held convictions about honor and patriotism; but ultimately, while Hanna tried to save Hitler’s life, begging him to let her fly him to safety in April 1945, Melitta covertly supported the most famous attempt to assassinate the Führer. Their interwoven lives provide vivid insight into Nazi Germany and its attitudes toward women, class, and race. Acclaimed biographer Clare Mulley gets under the skin of these two distinctive and unconventional women, giving a full—and as yet largely unknown—account of their contrasting yet strangely parallel lives, against a changing backdrop of the 1936 Olympics, the Eastern Front, the Berlin Air Club, and Hitler’s bunker. Told with brio and great narrative flair, The Women Who Flew for Hitler is an extraordinary true story, with all the excitement and color of the best fiction.
In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
Resistance Heroines in Nazi & Russian Occupied Austria by Tim Heath,Virginia Wells,Herti Bryan Pdf
Austria's Anschluss - its 'annexation' - saw no gunfire, no bloodcurdling screams of Stukas overhead or the rumble of heavy artillery when German troops marched in on 12 March 1938. It was no ‘Blitzkrieg’ on the contrary, some Austrians even welcomed the ‘invaders’ and the opportunity to unite the ethnic German peoples under the rule of Austria’s most infamous son, Adolf Hitler. Austria’s wealth of natural and mineral resources were especially useful to support the Third Reich’s aggression in Europe. The Nazis were keen to exploit these assets and many Austrians benefited from increased employment. However, any initial euphoria was soon replaced by fear and anxiety as the brutal reality of the new regime became apparent. Here is the remarkable story of Herti Bryan who, as a young child, witnessed the totalitarian nightmare of Hitler’s dream for world domination. Standing up for what she believed to be right, Herti acted courageously to frustrate the occupying Nazis. In addition to Herti’s story, we learn of the experiences of Milly Keller and Hilde Schubert who shared contempt for the Nazi occupiers. The three girls vividly describe their different experiences during the war, although there is a striking similarity in the even greater terror they were subjected to under the Russian ‘liberators’. In this volume the lives of Herti, Milly and Hilde come together to reveal an astonishing picture of life in occupied Austria. Drawing on unimaginable fortitude, these girls defied domination and fought fearlessly, risking their own lives, to carry out their moral obligation to humanity. This is their story, in their own words and told for the first time.
Hitler's Priestess by Nicholas Goodrick-Clarke Pdf
"As one of the earliest of Holocaust deniers and the first to suggest that Adolf Hitler was an avatar -- a god come to earth in human form to restore the world to a golden age -- " ... [Devi's] appeal to neo-Nazi sects lies in the very eccentricity of her thought -- combining Aryan supremacism and anti-Semitism with Hinduism, social Darwinism, animal rights, and a fundamentally biocentric view of life."--Publisher informationt.
