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Jay W. Baird demonstrates how poets and writers responded enthusiastically to Hitler's summons to artists to create a cultural revolution commensurate with the political radicalism of the new state.
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
Fighting Songs and Warring Words by Brian Murdoch Pdf
The accepted canon of war poetry usually includes only those underlining patriotic or nationalistic views. This study opens up the view of war poetry with the inclusion of such material as Nazi poetry and song, and the poetry of the atomic bomb.
A terrifying series of short poems by one of the world’s leading playwrights, set to images of World War II In this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.
These poems depict a journey through a dark landscape, where the political and personal are fused into a geography of disinformation, sex, betrayal and deadly technology. Phelan has produced verbal "snapshots" of a subterranean war-- with fronts in Los Angeles as well as Fallujah-- where the only defense is one's integrity and the stakes may be life itself.
Published to coincide with the celebrations marking the 70th anniversary of VE Day, this engaging poem depicts Winston Churchill as a hero, in traditional epic style and echoes the works of Homer and Virgil. The metre adds an emotional intensity to the events of 20th century history more usually found within Classical literature. The narrative covers the period from 1940, when Great Britain faced perhaps the greatest threat to its very existence as an independent nation: invasion and defeat by the rampant forces of Nazi Germany, to 1941 when the United States entered the war after the bombing of Pearl Harbor. In this acute crisis King George VI appointed a man whose reputation and earlier political success were questioned by many influential figures. Yet public opinion and some wiser men and women of substance, such as Lord Halifax, the alternative choice as Prime Minister at the time, determined the outcome. Their choice was thoroughly vindicated by the events that followed. His courage, boldness, rhetoric and inspiration united the country in its solitary stand against the might of the Luftwaffe and the potential landing of the dreaded Wehrmacht on British soil. Under his leadership the Royal Air Force defeated the Luftwaffe's attack, foiling Hitler's plans to invade England to the extent that he began to think instead of attacking his apparent ally, the Soviet Union, and to leave Britain to wither alone. Churchill knew that that he had only won a respite, but he set about to strengthen the country and to turn it from defence to aggression. The bomber force was developed, the army enlarged and re-equipped, the navy set to the task of eliminating German surface marauders and submarines. The population at large were motivated to make a supreme effort to resist the still extant threat to their whole way of life. Until Hitler attacked Russia, Britain stood alone, confronting a Europe largely controlled by the Nazis and their allies. To Stalin he offered full support: Hitler was the immediate threat to a civilised world. Only when the Japanese attack on Pearl Harbor brought the USA into the war, did he realise that Germany – and Japan – were sure to be defeated. He had led the British people from the brink of utter disaster to the expectation of victory.
Corporal Hitler and the Great War 1914-1918 by John F Williams Pdf
Reconstructs a formative part of Hitler's life oft neglected in the literature: his war experiences as a soldier Tells the story of a German regiment that fought in the all the main battles of WWI Will appeal to military historians, WWI historians, German historians and general readers of military history
'INSIDE THE THIRD REICH is not only the most significant personal German account to come out of the war but the most revealing document on the Hitler phenomenon yet written. It takes the reader inside Nazi Germany on four different levels: Hitler's inner circle, National Socialism as a whole, the area of wartime production and the inner struggle of Albert Speer. The author does not try to make excuses, even by implication, and is unrelenting toward himself and his associates... Speer's full-length portrait of Hitler has unnerving reality. The Fuhrer emerges as neither an incompetent nor a carpet-gnawing madman but as an evil genius of warped conceits endowed with an ineffable personal magic' NEW YORK TIMES
The 'great' post-war poets and their work: Philip Larkin and Ted Hughes by Claudia Ege Pdf
Studienarbeit aus dem Jahr 2005 im Fachbereich Anglistik - Literatur, Note: 2,0, Eberhard-Karls-Universität Tübingen, Sprache: Deutsch, Abstract: Maybe two of the greatest poets in Great Britain of the second half of the 20 th century were Philip Larkin and Ted Hughes. Both of them were influenced by the First and Second World War. Their whole youth was influenced whether by the situation of people after the First and Second World War or by its consequences. While Philip Larkins ́ father admired Hitler and by this influenced the view of the world of his son, Hughes father never wanted to talk about his memories of his service in the First World War. And both poets were disappointed in some way by the modern world. Hughes was shocked by the rough environment in which he grew up because he loved nature. He was also marked by the way people thought during the Great Depression. That ́s one reason why Hughes in his later work wrote about nature and the place of men in the universal scheme like in the poem “Wodwo” about which I ́m going to talk. Other main themes of his work were the fight between the hunter and the hunted or the human and the divine 1 . Philip Larkin was definitely one of the greatest poets of his time. He was the leading figure of “The Movement”, a group of poets that addressed everyday life in Britain in “plain, straightforward language”; their “rational approach was anti-romantic and sardonic” 2 . Larkin never wrote about great feelings and always avoided great words. He, like Hughes, wrote in plain and easy style. Larkin never really liked modern things because he thought that the modern way, especially modern art That ́s why he was also a feared critic. In his poem “Going,Going”, which I ́m going to talk about he also doomes the way men handle nature today and where this will all end. After I have been talking about the two poems “Going,Going” by Philip Larkin and “Wodwo” by Ted Hughes I want to show that the two poems comply with the essay “The Pleasure Principle” by Philip Larkin. In this essay Larkin makes clear what he thinks is a good poem, especially today when literature is changing so dramatically in his eyes. [...]
National Poetry, Empires and War by David Aberbach Pdf
Nationalism has given the world a genre of poetry bright with ideals of justice, freedom and the brotherhood of man, but also, at times, burning with humiliation and grievance, hatred and lust for revenge, driving human kind, as the Austrian poet Grillparzer put it, ‘From humanity via nationality to bestiality’. National Poetry, Empires and War considers national poetry, and its glorification of war, from ancient to modern times, in a series of historical, social and political perspectives. Starting with the Hebrew Bible and Homer and moving through the Crusades and examples of subsequent empires, this book has much on pre-modern national poetry but focuses chiefly on post-1789 poetry which emerged from the weakening and collapse of empires, as the idealistic liberalism of nationalism in the age of Byron, Whitman, D’Annunzio, Yeats, Bialik, and Kipling was replaced by darker purposes culminating in World War I and the rise of fascism. Many national poets are the subject of countless critical and biographical studies, but this book aims to give a panoramic view of national poetry as a whole. It will be of great interest to any scholars of nationalism, Jewish Studies, history, comparative literature, and general cultural studies.
On the thr anniversary of World War II, this book presents the war's women poets and their poetry - some famous like Deionize Levertov, Vita SackvilleWest, Dorothy Serres, Edith Sitwell, and Barbara Cartland, others forgotten. As the poets and their poetry unfold chronologically, with a section for each year of the war, readers can see how feelings changed, optimism grew to pessimism and then back again.
The Oxford Handbook of British and Irish War Poetry by Tim Kendall Pdf
The Handbook ranges widely and in depth across 20th-century war poetry, incorporating detailed discussions of some of the key poets of the period. It is an essential resource for scholars of particular poets and for those interested in wider debates. Contributors include some of the most important international poetry critics of our time.
What is War Poet Poetry written on battle is referred to as "war poetry." Even though the phrase is most commonly used to refer to works that were written during the First World battle, it may also be used to refer to poetry that was written about any battle. This includes Homer's Iliad, which was written around the eighth century BC, as well as poetry written about the American Civil War, the Spanish Civil War, the Crimean War, and additional wars. There are two types of war poets: soldiers and noncombatants. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War poet Chapter 2: Ossian Chapter 3: Bard Chapter 4: Eisteddfod Chapter 5: Irish poetry Chapter 6: Aisling Chapter 7: Brian Merriman Chapter 8: Alasdair mac Mhaighstir Alasdair Chapter 9: August Stramm Chapter 10: Iain Lom (II) Answering the public top questions about war poet. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Poet.
Brazil's Folk-Popular Poetry - a Literatura de Cordel by Mark J. Curran Pdf
Brazil's folk-popular poetry - "a literatura de cordel," - is perhaps the most important and vibrant variant of poetry of the masses in western culture. But not many people in the English-speaking world know much about it. Written by one of the most educated scholars on the subject, Brazil's Folk-Popular Poetry - A Literatura De Cordel goes back to the craft's origins in Portugal in the 17th and 18th centuries and tells the story of how it developed and found a place in the hearts and minds of the people of Brazil. Get ready to discover: How Spain and France influenced the poetry. Beautiful narrative poetry from forgotten poets who deserve to be rediscovered. How the "cordel" spread from northeastern Brazil to the Amazon region, to Rio de Janeiro and Sao Paulo in the South, and later to Brasilia. Why these poems are still relevant today. And much more! Become a fan of a poetry that documents religious beliefs, views on national politics, and thoughts on morality.
A stroke of the pen and history is changed. In 1938, British prime minister Neville Chamberlain, determined to avoid war, signed the Munich Accord, ceding part of Czechoslovakia to Hitler. But the following spring, Hitler snatched the rest of that country, and England, after a fatal act of appeasement, was fighting a war for which it was not prepared. Now, in this thrilling alternate history, another scenario is played out: What if Chamberlain had not signed the accord? In this action-packed chronicle of the war that might have been, Harry Turtledove uses dozens of points of view to tell the story: from American marines serving in Japanese-occupied China and ragtag volunteers fighting in the Abraham Lincoln Battalion in Spain to an American woman desperately trying to escape Nazi-occupied territory—and witnessing the war from within the belly of the beast. A tale of powerful leaders and ordinary people, at once brilliantly imaginative and hugely entertaining, Hitler’s War captures the beginning of a very different World War II—with a very different fate for our world today. BONUS: This edition contains an excerpt from Harry Turtledove's The War that Came Early: West and East.