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A classic war film starring acting legend John Mills. Ice Cold in Alex refers to the beer that an army ambulance Captain has promised himself as a reward when he, two nurses, a mechanic and a mysterious South African officer complete their arduous and perilous trek across the deserts of North Africa to Alexandria. As immortalised in a certain television advert for lager, the iconic bar scene is just one of the film's classic moments.
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
British Cultural Memory and the Second World War by Lucy Noakes,Juliette Pattinson Pdf
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
This detailed chronological analysis of British World War II movies from 1939 until the present explores how films projected recognizable stereotypes of British national character and how the times in which a film was made shaped its perspectives. Several chapters look at films made during and immediately after the war. In depictions of the Home Front, characters display resolve as well as emotional restraint and present an image of an undivided society cooperating to fight evil. By contrast, duty and service are the paramount virtues of combat films while spy melodramas exemplify the British love of improvisation. Fifties war films are examined against the backdrop of alarm and uncertainty caused by the Cold War. Such films reflect traditional national character stereotypes, though the stiff upper lip begins to be questioned by the end of the decade. The book then traces the radical effect of the 1960s revolution, revealing how the fondness for skeptical antiwar movies went hand in hand with the questioning of Britain's place in the world. The book ends by looking at recent war films and asks whether these reflect the cult of narcissism so prevalent in modern Britain.
When Eagles Dared is a salute to the men and women who participated in World War II and the filmmakers who have immortalised their stories on screen. It tells both the story of the historical events of this first truly 'world war' and of the films that have depicted these events - comparing the cinematic myth with the historical reality - as a guide to history through cinema. When Eagles Dared portrays the people who participated in the war, from the evacuation of the Allied forces from France at Dunkirk through to the battle for Berlin and beyond. Each chapter discusses a theatre of war, an event, a campaign or battle by explaining the historical events as they unfold and then examines how filmmakers have represented them. Chapters discuss the war in the skies (Battle of Britain and The Dam Busters), the sea (Sink the Bismarck! and The Cruel Sea) and the North African desert (The Battle of El Alamein and Tobruk). There are 'special mission' movies including Where Eagles Dare and The Dirty Dozen, classic tales of ingenuity (The Great Escape), valour (Saving Private Ryan), and human endurance (The Bridge on the River Kwai). Offering a unique view of war through the lenses of over 150 diverse films that have shaped our perceptions of the conflict, When Eagles Dared is illustrated with rare stills and posters from this ever popular genre.
How did Leonardo DiCaprio become a hero on The Beach? Why would the Droids lode control in Star Wars? What persuaded Mad Max to become Hamlet? Who made Long John Silver's parrot dread Treasure Island? When was there a curse on The Exorcist? Where did Harrison Ford's quick-thinking profit Raiders Of The Lost Ark? From the earliest black-and-white flickers to the most recent big-screen blockbusters, the history of filmmaking is littered with remarkable but true tales of the unexpected. Behind the scenes on more then three hundred films, this entertaining survey covers over a hundred years of cinema history. It's a story of disastrous stunts, star temperaments, eccentric animals, Hollywood rivalries, unexplained deaths, casting coups and bizarre locations. Spanning the silents through the Golden Age to today's effects-packed films, Quentin Falk, film critic of the Sunday Mirror and editor of the BAFTA magazine, Academy, revels an astonishing collection of strange-but-true stories.
Published on the 50th anniversary of his directorial debut, this is an examination of the work of a man once hailed as the finest film-maker to emerge from the British studio system after the World War II.
Typical Men is the first book length study of masculinity in British cinema and offers a broad and lively overview from the Second World War to the present day. Spicer argues that masculinity in popular fiction can best be understood as a range of dynamic and competing cultural types which rise and fall in relation to shifting patterns of film production, audience taste and social change. Specific chapters are devoted to each of the major types debonair gentlemen, civilian professionals, action adventurers, the Ever yma n, Fools and Rogues, criminals, rebels and damaged men - which trace their changing histories through innovative readings of key films, together with a fresh look at the performances of particular stars including James Mason, Kenneth More, Michael Caine and Sean Connery. A final chapter explores the complex and hybrid types that have evolved within a volatile and unstable contemporary British cinema, now part of an array of interrelated media images of masculinity. Typical Men will be of keen interest to those concerned with the cultural history of gender, and its detailed and carefully contextualised interpretations of films afford a reappraisal of British cinema history, especially the neglected and despised 1950s. 'Andrew Spicer's Typical Men is a major intervention in debates about masculinity in the cinema. It takes a lot of intellectual risks, and locates cinematic stereotypes of masculinity in a cinematic and cultural context. It is trenchant and original, and redefines the field of gender representation.' – Sue Harper, Professor of Film History, University of Portsmouth 'The strength of this elegantly and wittily written book is that, in the precision of its detail about individual performances, actors and films, it never loses sight of its argumentative threads.' – Brian McFarlane, Screening the Past
From The Battle of the Somme (1916) through to American Sniper (2014), war and conflict has been a staple source of inspiration for the film industry since the turn of the 20th century. Today, this genre and its continued popularity, which has covered some of the most important conflicts in recent history, has become a means of educating the young and remembering the fallen. They are the war memorials of a modern society. This new study, which includes classics such as Sergeant York (1941) and The Great Escape (1963), and modern Hollywood epics such as Black Hawk Down (2001) and The Hurt Locker (2008), details fifty of the greatest war films of the last hundred years. Expert analysis detailing the varying influences behind each film is accompanied by a host of images and original movie posters, offering the reader rare and invaluable insight into some of the greatest cinematic productions ever made.
British Cinema in the Fifties by Christine Geraghty Pdf
In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
This book addresses the legacy of World War II on male identity and reinvention. It considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir and biography.
The Long Aftermath by Manuel Bragança,Peter Tame Pdf
In its totality, the “Long Second World War”—extending from the beginning of the Spanish Civil War to the end of hostilities in 1945—has exerted enormous influence over European culture. Bringing together leading historians, sociologists, and literary and film scholars, this broadly interdisciplinary volume investigates Europeans’ individual and collective memories and the ways in which they have shaped the continent’s cultural heritage. Focusing on the major combatant nations—Spain, Britain, France, Italy, Germany, Poland, and Russia—it offers thoroughly contextualized explorations of novels, memoirs, films, and a host of other cultural forms to illuminate European public memory.
Contemporary British and Irish Film Directors by Yoram Allon,Del Cullen,Hannah Patterson Pdf
The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.