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This book addresses the fundamental question of who Jesus was and is. It discusses questions raised by new approaches to Gospel research and questions the nature and value of New Testament research. Veselin argues that the proper function of biblical criticism is to build rather than destroy, to illuminate rather than obscure, and to give a better understanding of the Gospel. He pays particular attention to the incarnational approach, which presupposes historical inquiry and justifies historical research.
The Image of Christ in Russian Literature by John Givens Pdf
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.
In this ten session LifeGuide® Bible Study Dale and Sandy Larsen lead you to examine different biblical pictures of God: rock, warrior, peacemaker, builder, father, husband, potter, etc.
The Image of Christ by Gabriele Finaldi,Susanna Avery-Quash Pdf
The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. This book aims to help the viewer understand these pictures by focusing attention on the purpose for which they were made, and explores what they might have meant to their original viewers. The authors trace how a recognizable image of Christ evolved, starting with the earliest symbols and metaphorical images such as the Sheperd, the Lamb and the Vine. They trace the emergence of a "true likeness," emphasizing the importance of the Veronica, the "miraculous portrait" said to have been imprinted on the cloth held out to Jesus on the way to Calvary. They describe how artists conveyed the paradox of Christ's dual nature—human and divine, weak and powerful, victim and victor—in portrayals of his infancy. They also show how images of Christ's suffering during the Passion were intended to convey a cosmic, not just a personal significance. Artists have attempted to put extremes of suffering and despair into an overal context of hope–a vein of hope that runs from the catacombs to Hiroshima and beyond. These are images that speak, even to those who do not hold Christian beliefs. Artists had to make it clear that in representing the life and death of Jesus they were offering a continuing truth; we the spectators have to become eyewitnesses to an event that matters to us now. As a result, the different moments and aspects of Christ's life become, in the hands of great artists, a reflection of all human experience. The Virgin nursing her son expresses the feelings of love every mother has for her child. Christ mocked in innocence beset by violence. Christ risen and appearing to Mary Magdalene is a universal reaffirmation that love cannot be destroyed by death. Beyond their obvious religious significance, these are paintings that have a universal meaning.
Good Shepherd. Branch. Bridegroom. Cornerstone. There are many images of Christ in Scripture. Some of these word-portraits are easier for us to grasp than others, but each reveals an important aspect of who Christ is. By helping us understand the different images, these ten session LifeGuide® Bible Study by Dale and Sandy Larsen lead us to know and respond to the reality behind the images--Christ himself--in new and deeper ways. This LifeGuide Bible Study in IVP Connect's revised format features questions for starting group discussions and for meeting God in personal reflection, as well as a "Now or Later" section following each session to help you act on what you learn. For over three decades LifeGuide Bible Studies have provided solid biblical content and raised thought-provoking questions—making for a one-of-a-kind Bible study experience for individuals and groups. This series has more than 130 titles on Old and New Testament books, character studies, and topical studies.
The Image of Christ in Modern Art by Richard Harries Pdf
The Image of Christ in Modern Art explores the challenges presented by the radical and rapid changes of artistic style in the 20th century to artists who wished to relate to traditional Christian imagery. In the 1930s David Jones said that he and his contemporaries were acutely conscious of ’the break’, by which he meant the fragmentation and loss of a once widely shared Christian narrative and set of images. In this highly illustrated book, Richard Harries looks at some of the artists associated with the birth of modernism such as Epstein and Rouault as well as those with a highly distinctive understanding of religion such as Chagall and Stanley Spencer. He discusses the revival of confidence associated with the rebuilding of Coventry Cathedral after World War II and the commissioning of work by artists like Henry Moore, Graham Sutherland and John Piper before looking at the very testing last quarter of the 20th century. He shows how here, and even more in our own time, fresh and important visual interpretations of Christ have been created both by well known and less well known artists. In conclusion he suggests that the modern movement in art has turned out to be a friend, not a foe of Christian art.Through a wide and beautiful range of images and insightful text, Harries explores the continuing challenge, present from the beginning of Christian art, as to how that which is visual can in some way indicate the transcendent.
Explores the origins and evolution of eleven visual iconic images still found in today's culture, including Jesus, the Coke bottle, and Einstein's famous equation, e equals mc squared.
Images of Christ by Stanley E. Porter,Michael A. Hayes,David Tombs Pdf
These essays explore the depictions of Christ in the Bible, theology, literature and the arts, showing how each medium approaches the subject from different angles and perspectives.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
Seeing Salvation by Neil MacGregor,Erika Langmuir Pdf
In this text, Neil MacGregor engages with images of Christ wherever they may be found throughout the world. Through them he follows not only the life of Christ, but also the development of Christian culture since His birth.
Strangeness and Recognition by Chloë R. Reddaway Pdf
How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloe Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public.
Good Shepherd. Branch. Bridegroom. Cornerstone. There are many images of Christ in Scripture. This ten session LifeGuide® Bible Study by Dale and Sandy Larsen examines the various pictures, names and images of Christ in Scripture, leading you to get to know Jesus in new and deeper ways.
What if you could have been there the night of Christ's birth? Or the day of His baptism? What would it have been like to sit at His feet while He taught the people the sinners, the children, the apostles? What would the sky have looked like over Gethsemane? Photographer Mark Mabry re-creates authentic, meridian-of-time scenes using both full-color and black-and-white photographs. This first-of-a-kind book showcases twenty-five scenes of the life of Christ. From the Nativity to His miracles to His death and resurrection, these unique portrayals, accompanied by New Testament scripture, offer a powerful witness of the Lord Jesus Christ. Included in the book are behind-the-scenes author notes, providing readers with an intimate glimpse into the making of each photograph. Stunning and sacred, Reflections of Christ is an ideal coffee-table book that is filled with images that millions of people have already experienced and grown to love. It is a book that Christian families will be proud to have in their homes.
