Images Still And Moving Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Images Still And Moving book. This book definitely worth reading, it is an incredibly well-written.
Between Still and Moving Images by Laurent Guido,Olivier Lugon Pdf
"Addresses the relationship between cinema and photography during the 20th century. It comes out of a dialogue between historians from both fields, equally represented in the table of contents. It opens the field of study beyond the domains of art and cinephilia to take into account the social uses of images, of popular media, and of a diversity of discursive fields, from medicine to pedagogy. It aims to move beyond general aesthetic considerations to deal with specific historical objects, including discourses"--Back cover.
In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suárez
Abbas Kiarostami (*1940 in Teheran) became known primarily for his films made in the seventies, which were awarded prizes at film festivals such as Cannes (Golden Palm 1997) and Venice. Despite large-scale solo exhibitions at institutions such as the Museum of Modern Art in New York and the Centre Pompidou in Paris, the photographic oeuvre of this artist, who studied painting, has yet to be showcased in germanophone countries. Whereas Kiarostami's films contain haunting images of the human experience, he trains his photographic eye on untouched landscapes, often taking years to develop the images into series such as Snow White (1978-2004) and Rain and Wind (2007). This publication explores the correlation between photographic and filmic vision, between still and moving images. Exhibition schedule: Situation Kunst (for Max Imdahl), Kunstsammlungen der Ruhr-Universität, Bochum, October 6, 2012-January 20, 2013 - Museum Wiesbaden, March 29-June 30, 2013 - Kunstsammlungen Chemnitz, July 14-September 29, 2013 - And further venues
Danny Clinch has established himself as a premier photographer of the popular music scene, photographing a wide range of artists from Johnny Cash and Tupac Shakur to Björk and Dave Matthews. His photos have appeared on hundreds of album covers, as well as in publications such as Vanity Fair, Spin, Rolling Stone, and the New Yorker, and his ad campaigns for John Varvatos have adorned city streets and billboards. This lavish monograph chronicles Danny Clinch’s illustrious career with more than 200 photographs of the most important musicians of all time, along with his personal anecdotes and a written contribution by Bruce Springsteen. With images ranging from backstage shots at the Grammys to intimate candids, Still Moving is the ultimate gift for music lovers.
Lois Greenfield's unique approach to photographing the human form in motion has redefined the genre of dance photography and transcended its limitations. Rather than shooting literal moments from a dance, Greenfield captures split-second movements created specifically for her camera. Her astonishing images of dancers in mid-flight appear to defy all laws of physics, with her performers seeming to levitate and assume incredible sculptural forms. Moving Still charts Greenfield's shift to colour photography and from shooting with a film camera to a digital camera. It also illustrates the evolution of her individual style pioneered in her previous books, Breaking Bounds and Airborne. These radical changes over the last fifteen years or so have influenced the way she conceives her pictures and have seen Greenfield move from capturing high-energy moments to exploring more ambiguous and enigmatic scenarios - without any digital manipulation. The book showcases more than 150 of these breathtaking new images featuring leading contemporary dancers and well-known dance companies. Divided into four picture sections, the free-flowing, rhythmic design of the book reflects the dynamism and grace of Greenfield's photographs. William A. Ewing, the eminent photography writer and curator, contributes an interview with the photographer about her work, as well as an introduction. Greenfield herself, through commentaries on the photographs, offers fascinating insights into her creative process behind the camera and the challenges she faces in shooting these images. The result is an absorbing journey through Greenfield's work that celebrates not only contemporary dance, but also the transformative power of photography.
Designing Computer-based Learning Materials by Alan Clarke Pdf
Alan Clarke's book is a straightforward guide to the process and techniques of designing training and self-development materials for delivery by computer.It explores some of the fundamentals of learning design and answers critical questions such as how to: choose and use appropriate communication styles; understand the design and learning implications of different forms of computer-based learning; assess different programmes and materials; use text, colour, graphics and screen layout; combine different media to produce motivating and effective learning products and design effective on-line learning materials.
Information Representation and Retrieval in the Digital Age by Heting Chu Pdf
Information representation and retrieval : an overview -- Information representation I : basic approaches -- Information representation II : other related topics -- Language in information representation and retrieval -- Retrieval techniques and query representation -- Retrieval approaches -- Information retrieval models -- Information retrieval systems -- Retrieval of information unique in content or format -- The user dimension in information representation and retrieval -- Evaluation of information representation and retrieval -- Artificial intelligence in information representation and retrieval.
Film: A Very Short Introduction by Michael Wood Pdf
Offers a wealth of insight into the paradoxical nature of film, considering its role and impact on society in the 20th century as well as its future in the digital age. Original.
Perception is movement at the most refined level. In order to perceive things in new ways,one must learn to move in new ways. This book will take you on a journey into the movementsof nature, which are always in flux. Passive perception can offer no insight here. One can onlyperceive movement with movement.The photos in this book are not static or still. In fact, if you slow down enough, you will noticethat they are fluid, that they are still moving. Resist the temptation to quickly guess what thesubject of the photo may be. Enjoy its beauty, but let this too wane. Now, soften your gazeand live into the photo until it seems to breathe. You will begin to see that each form hascome about from sculpting movements that created the form, that they are still around theform, and that they are "still moving."The verses in this book are playful too. When you think you have understood a verse, stop.Each verse can be re-versed. Turn each phrase around, up-side down, and inside out, and youwill discover that the verses echo the movements in the photos. Your playful interaction withthe images and the imaginations will help you to develop a new art of perception. You willwitness the play and interplay in nature as the finite reveals itself as an expression of theinfinite. There is nothing fixed or finished...everything springs to life. Everything is indeed:"Still Moving."
Arthur Jafa - A Series of Utterly Improbable, Yet Extraordinary Renditions by Arthur Jafa Pdf
Across three decades the American artist and cinematographer, Arthur Jafa (b. 1960, Tupelo, USA) has developed a dynamic, multidisciplinary practice ranging from films and installations to lecture-performances and happenings that tackle, challenge and question prevailing cultural assumptions about identity and race.Jafa's work is driven by a recurrent question: how might one identify and develop a specifically Black visual aesthetics equal to the 'power, beauty and alienation' of Black music in American culture?Building upon Jafa's image-based practice, this enormous new volume comprises a series of visual sequences that are cut and juxtaposed across its pages. The artist has been collecting and working from a set of source books since the 1990s, seeking to trace and map unwritten histories and narratives relating to black life.Punctuating this visual material is a series of commissioned texts partnered with a rich compendium of essays, short stories and poetry that has informed Jafa's artistic practice and which together form an unprecedented resource.With over 30 contributors including: art critic Dave Hickey, philosopher and gender theorist Judith Butler, award-winning British artist John Akomfrah, and Pulitzer Prize-winning writer Hilton Als.Published after the exhibition, Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions at Serpentine Galleries, London (8 June - 10 September 2017), and at the Julia Stoschek Collection, Berlin (11 February - 25 November 2018).
Stillness and Time by David Green,Joanna Lowry Pdf
"This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image. Its ability to freeze and hold a moment in time has been the source of its peculiar fascination and the foundation of much of the theoretical discussion about it. New technological developments in digital media, however, have fundamentally altered the ways in which we think about photography, in particular forcing us to reconsider our assumptions about the still and the moving image and their relationships to differing conceptions of time. Amongst the topics addressed in these essays are: the work of artists who extend the still image in time through the use of video or narrative sequencing; the aesthetic and philosophical analyses of stasis; the place of the pose and tableau in contemporary photography and film; the iconography of photography in cinema; and the notion of the cinematic fragment and cultural memory."--BOOK JACKET.
Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the archaeomodern turn in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.
STILL MOVING Still Moving: How to Lead Mindful Change sets out an innovative approach for guiding organisations and indeed entire systems through ongoing, disruptive change. It combines Deborah Rowland’s own rigorous research into change and its leadership with insights from her extensive field experience helping major global corporations including GlaxoSmithKline, RWE and Shell achieve lasting change with increased productivity, employee engagement and responsible societal impact. It is filled with helpful inspiring stories of leadership and change from the real world and, bravely, the author’s own personal journey. Challenging leaders to cultivate both their inner and outer skills necessary for success, Still Moving weaves together the ‘being’ and ‘doing’ states of leading change and emphasises the importance of a mindful stance and deep systemic perception within a leader. With the goal of collaborative, sustainable change, the book delves into a variety of important topics, including present-moment awareness, intentional response, edge and tension and emergent change. Compelling and provocative, Still Moving questions the conventional wisdom of much change theory and asks that leaders first work on their inner source in order to more effortlessly change the world around them.
Ecologies of the Moving Image by Adrian J. Ivakhiv Pdf
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.