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The Persian Mirror explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's Persian Letters, French intellectuals, diplomats and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact. Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.
The Mirror of My Heart: A Thousand Years of Persian Poetry by Women by Rabe`eh Balkhi Pdf
One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.
The Persian Mirror explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's Persian Letters, French intellectuals, diplomats and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
The Persian Mirror explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's Persian Letters, French intellectuals, diplomats and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
"This study of Iranian images of the West offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be. And as the Iranian writers describe our alien culture, they naturally offer glimpses into their own worldviews that can only increase Western understanding of their culture."--BOOK JACKET.
No American reporter has more experience covering Iran or more access to the private corners of Iranian society than Elaine Sciolino. As a correspondent for Newsweek and The New York Times, she has reported on the key events of the past two decades. She was aboard the airplane that brought Ayatollah Ruhollah Khomeini to Tehran in 1979; she was there for the Iranian revolution, the hostage crisis, the Iran-Iraq war, the rise of President Mohammad Khatami, and the riots of the summer of 1999. In Persian Mirrors, Sciolino takes us into the public and private spaces of Iran -- the bazaars, beauty salons, aerobics studios, courtrooms, universities, mosques, and the presidential palace -- to capture the vitality of a society so often misunderstood by Americans. She demystifies a country of endless complexity where, on the streets, women swathe themselves in black and, behind high walls, they adorn themselves with makeup and jewelry; where the laws of Islam are the law of the land, and yet the government advertises as tourist attractions the ruins of the pre-Islamic imperial capital at Persepolis and the synagogue where Queen Esther is said to be buried; and where even the most austere clerics recite sensual romantic poetry, insisting that it refers to divine, and not earthly, love. Iran is also a place with a dark side, where unpredictable repression is carried out, officially and unofficially, by forces intent on maintaining power and influence. Sciolino deftly uses her travels throughout Iran and her encounters with its people to portray the country as an exciting, daring laboratory where experiments with two highly volatile chemicals -- Islam and democracy -- are being conducted. Like the mirror mosaics found in Iran's royal palaces and religious shrines, there is more to the whole of the country than the fragments revealed to outsiders. Persian Mirrors captures this elusive Iran. Sciolino paints in astonishing detail and rich color the surprising inner life of this country, where a great battle is raging, not for control over territory but for the soul of the nation.
The Medieval Reception of the Shāhnāma as a Mirror for Princes by Nasrin Askari Pdf
Through an examination of a wide range of medieval sources and a close textual study of the account about Ardashīr in the Shāhnāma, Nasrin Askari demonstrates that medieval authors understood Firdausī’s opus primarily as a mirror for princes
An anthology of verse by women poets writing in Persian, most of whom have never been translated into English before, from acclaimed scholar and translator Dick Davis. A Penguin Classic The Mirror of My Heart is a unique and captivating collection of eighty-three Persian women poets, many of whom wrote anonymously or were punished for their outspokenness. One of the very first Persian poets was a woman (Rabe'eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society's social extremes--many were princesses, some were entertainers, but many were wives and daughters who wrote simply for their own entertainment, and they were active in many different countries - Iran, India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. From Rabe'eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, the women poets found in The Mirror of My Heart write across the millennium on such universal topics as marriage, children, political climate, death, and emancipation, recreating life from hundreds of years ago that is strikingly similar to our own today and giving insight into their experiences as women throughout different points of Persian history. The volume is introduced and translated by Dick Davis, a scholar and translator of Persian literature as well as a gifted poet in his own right.
Author : Peter J. Chelkowski Publisher : Metropolitan Museum of Art Page : 128 pages File Size : 54,7 Mb Release : 1975 Category : Illumination of books and manuscripts, Iranian ISBN : 9780870991424
Mirror of the Invisible World by Peter J. Chelkowski Pdf
In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.
'The Persian Mirror' explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's 'Persian Letters', French intellectuals, diplomats, and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction, and printed and painted images, the text describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of Orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.