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Looking at Indian Art of the Northwest Coast by Hilary Stewart Pdf
Bold, inventive indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements which, guided by a rich mythology, create images of striking power. In Looking at Indian Art of the Northwest Coast, Hilary Stewart introduces the elements of style; interprets the myths and legends which shape the motifs; and defines and illustrates the stylistic differences between the major cultural groupings. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
Author : Bill Holm Publisher : University of Washington Press Page : 144 pages File Size : 42,8 Mb Release : 2017-01-03 Category : Art ISBN : 9780295999500
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world�s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists� styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
This book contains step-by-step instructions and illustrations on the basics of drawing, designing, painting and carving in the Pacific Northwest Coast Native Indian art style.
Learning by Designing by Jim Gilbert,Karin Clark Pdf
This reference and instructional manual contains a detailed thoroughly analysed, well-supported comparisons of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formalise, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section. This reference and instructional manual contains a detailed, thoroughly analyzed, well-supported comparison of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formline, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section.
Unsettling Native Art Histories on the Northwest Coast by Kathryn Bunn-Marcuse,Aldona Jonaitis Pdf
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Learning by Designing by Jim Gilbert,Karin Clark Pdf
This companion manual to Volume 1 puts First Nations art into deeper cultural context, providing Native Indian philosophy, knowledge and skills foundation, code of ethics, and interviews with a contemporary First Nations family, as well as some aspects of historical context and a description of the Potlatch. A full colour, 16-page creation story with 20 designs is included. Additional topics include: contemporary design evolution with 50 examples, 20 designs to draw and paint, and a Quick Reference Chart containing over 100 designs.
Mary Malloy,Peabody Museum of Archaeology and Ethnology
Author : Mary Malloy,Peabody Museum of Archaeology and Ethnology Publisher : Harvard University Press Page : 189 pages File Size : 43,6 Mb Release : 2000-12-18 Category : Art ISBN : 9780873658331
Souvenirs of the Fur Trade by Mary Malloy,Peabody Museum of Archaeology and Ethnology Pdf
American mariners made more than 175 voyages to the Northwest Coast during the half-century after 1787. The art and culture of Northwest Coast Indians so intrigued American sailors that the collecting of ethnographic artifacts became an important secondary trade. Malloy has brought details about these early collections together for the first time.
Author : Roy L. Carlson Publisher : Burnaby, B.C. : Archaeology Press, Simon Fraser University Page : 224 pages File Size : 46,8 Mb Release : 1982 Category : Indian art ISBN : UOM:39015008207253
Author : Robert Bruce Inverarity Publisher : Univ of California Press Page : 266 pages File Size : 54,5 Mb Release : 1967 Category : Indian art ISBN : 8210379456XXX
Fragments of culture often become commodities when the tourism and heritage business showcases local artistic and cultural practice. But what happens when local communities become more involved in this cultural marketplace? Incorporating Culture examines how Indigenous artists and entrepreneurs are cultivating more equitable relationships with the companies that reproduce their designs on everyday objects. Moving beyond the assumption that cultural commodification is necessarily exploitative, Solen Roth illustrates the processes by which Indigenous people have been asserting control over the Northwest Coast art industry, reshaping it to reflect Indigenous models of property, relationships, and economics.
Author : Aldona Jonaitis Publisher : Seattle : University of Washington Press Page : 188 pages File Size : 50,8 Mb Release : 1986 Category : Art ISBN : 0295962674
Art of the Northern Tlingit by Aldona Jonaitis Pdf
An overview of the art-related theories of American and European scholars, artists, historians and social scientists, which are then refocused on Tlingit art and culture. Illustrated with 70 black and white photographs.
Northwest Coast Indian Designs by Madeleine Orban-Szontagh Pdf
A noted illustrator renders more than 270 designs produced by the Indians of the Pacific Northwest, Alaska, and the western coast of Canada: Nootka, Kwakiutl, Tlingit, Haida, Tsimshian, and other groups.