Inside The Film Factory

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Inside the Film Factory

Author : Ian Christie,Professor Richard Taylor,Richard Taylor
Publisher : Routledge
Page : 306 pages
File Size : 51,6 Mb
Release : 2005-08-19
Category : Performing Arts
ISBN : 9781134944330

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Inside the Film Factory by Ian Christie,Professor Richard Taylor,Richard Taylor Pdf

This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.

The Film Factory

Author : Ian Christie,Professor Richard Taylor,Richard Taylor
Publisher : Routledge
Page : 486 pages
File Size : 43,8 Mb
Release : 2012-10-12
Category : Social Science
ISBN : 9781135082512

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The Film Factory by Ian Christie,Professor Richard Taylor,Richard Taylor Pdf

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.

Russian Americans' in Soviet Film

Author : Marina L. Levitina
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 45,6 Mb
Release : 2015-09-29
Category : Performing Arts
ISBN : 9780857727701

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Russian Americans' in Soviet Film by Marina L. Levitina Pdf

Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.

The Early Film Music of Dmitry Shostakovich

Author : Joan Titus
Publisher : Oxford University Press
Page : 273 pages
File Size : 52,7 Mb
Release : 2016
Category : Music
ISBN : 9780199315147

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The Early Film Music of Dmitry Shostakovich by Joan Titus Pdf

New Babylon (1928-1929) and scoring for the silent film -- Alone (1929-1931) and the beginnings of sound film -- Golden mountains (1931) and the new Soviet sound film -- Counterplan (1932) and the socialist realist film -- Youth of maxim (1934-1935) and the minimal score -- Girlfriends (1935-1936) and the girls of the future

The Routledge Companion to Global Film Music in the Early Sound Era

Author : Jeremy Barham
Publisher : Taylor & Francis
Page : 842 pages
File Size : 45,7 Mb
Release : 2023-12-22
Category : Music
ISBN : 9780429997013

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The Routledge Companion to Global Film Music in the Early Sound Era by Jeremy Barham Pdf

In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.

Esfir Shub

Author : Ilana Shub Sharp
Publisher : Bloomsbury Publishing USA
Page : 354 pages
File Size : 47,7 Mb
Release : 2021-12-30
Category : Performing Arts
ISBN : 9781501376504

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Esfir Shub by Ilana Shub Sharp Pdf

Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub's position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.

Russian War Films

Author : Denise Jeanne Youngblood
Publisher : Unknown
Page : 344 pages
File Size : 45,8 Mb
Release : 2007
Category : History
ISBN : UOM:39015064755658

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Russian War Films by Denise Jeanne Youngblood Pdf

A panoramic survey of nearly a century of Russian films on wars and wartime from World War I to more recent conflicts in Afghanistan and Chechnya, with heavy emphasis on films pertaining to World War II.

Russian Literary Culture in the Camera Age

Author : Stephen Hutchings
Publisher : Routledge
Page : 246 pages
File Size : 42,8 Mb
Release : 2004-06-02
Category : History
ISBN : 9781134400515

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Russian Literary Culture in the Camera Age by Stephen Hutchings Pdf

This book explores how one of the world's most literary-oriented societies entered the modern visual era, beginning with the advent of photography in the nineteenth century, focusing then on literature's role in helping to shape cinema as a tool of official totalitarian culture during the Soviet period, and concluding with an examination of post-Soviet Russia's encounter with global television. As well as pioneering the exploration of this important new area in Slavic Studies, the book illuminates aspects of cultural theory by investigating how the Russian case affects general notions of literature's fate within post-literate culture, the ramifications of communism's fall for media globalization, and the applicability of text/image models to problems of intercultural change.

World Cinema's 'Dialogues' With Hollywood

Author : P. Cooke
Publisher : Springer
Page : 266 pages
File Size : 45,6 Mb
Release : 2007-07-30
Category : Performing Arts
ISBN : 9780230223189

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World Cinema's 'Dialogues' With Hollywood by P. Cooke Pdf

Paul Cooke looks at Hollywood's interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film. While Hollywood has had a huge impact on the medium - doing all the talking in the 'dialogue' - world cinema's economic, aesthetic and political relationship with Hollywood is of profound importance.

Mongolian Film Music

Author : Lucy M. Rees
Publisher : Routledge
Page : 210 pages
File Size : 49,8 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317094210

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Mongolian Film Music by Lucy M. Rees Pdf

In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.

Sound, Speech, Music in Soviet and Post-Soviet Cinema

Author : Lilya Kaganovsky,Masha Salazkina
Publisher : Indiana University Press
Page : 314 pages
File Size : 55,6 Mb
Release : 2014-03-07
Category : Music
ISBN : 9780253011107

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Sound, Speech, Music in Soviet and Post-Soviet Cinema by Lilya Kaganovsky,Masha Salazkina Pdf

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.

Encyclopedia of the Documentary Film 3-Volume Set

Author : Ian Aitken
Publisher : Routledge
Page : 1968 pages
File Size : 49,9 Mb
Release : 2013-10-18
Category : Performing Arts
ISBN : 9781135206208

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Encyclopedia of the Documentary Film 3-Volume Set by Ian Aitken Pdf

The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.

The Power of Film Propaganda

Author : Nicholas Reeves
Publisher : A&C Black
Page : 273 pages
File Size : 48,8 Mb
Release : 2004-01-01
Category : Social Science
ISBN : 9780826432452

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The Power of Film Propaganda by Nicholas Reeves Pdf

Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected.

The Landscape of Stalinism

Author : Evgeny Dobrenko,Eric Naiman
Publisher : University of Washington Press
Page : 344 pages
File Size : 40,7 Mb
Release : 2011-11-15
Category : Art
ISBN : 9780295801179

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The Landscape of Stalinism by Evgeny Dobrenko,Eric Naiman Pdf

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

Telling October

Author : Frederick Corney
Publisher : Cornell University Press
Page : 321 pages
File Size : 41,5 Mb
Release : 2018-08-06
Category : History
ISBN : 9781501727030

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Telling October by Frederick Corney Pdf

All revolutionary regimes seek to legitimize themselves through foundation narratives that, told and retold, become constituent parts of the social fabric, erasing or pushing aside alternative histories. Frederick C. Corney draws on a wide range of sources—archives, published works, films—to explore the potent foundation narrative of Russia's Great October Socialist Revolution. He shows that even as it fought a bloody civil war with the forces that sought to displace it, the Bolshevik regime set about creating a new historical genealogy of which the October Revolution was the only possible culmination. This new narrative was forged through a complex process that included the sacralization of October through ritualized celebrations, its institutionalization in museums and professional institutes devoted to its study, and ambitious campaigns to persuade the masses that their lives were an inextricable part of this historical process. By the late 1920s, the Bolshevik regime had transformed its representation of what had occurred in 1917 into a new orthodoxy, the October Revolution. Corney investigates efforts to convey the dramatic essence of 1917 as a Bolshevik story through the increasingly elaborate anniversary celebrations of 1918, 1919, and 1920. He also describes how official commissions during the 1920s sought to institutionalize this new foundation narrative as history and memory. In the book's final chapter, the author assesses the state of the October narrative at its tenth anniversary, paying particular attention to the versions presented in the celebratory films by Eisenstein and Pudovkin. A brief epilogue assesses October's fate in the years since the collapse of the Soviet Union.