The Film Factory

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Inside the Film Factory

Author : Ian Christie,Professor Richard Taylor,Richard Taylor
Publisher : Routledge
Page : 306 pages
File Size : 48,5 Mb
Release : 2005-08-19
Category : Performing Arts
ISBN : 9781134944330

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Inside the Film Factory by Ian Christie,Professor Richard Taylor,Richard Taylor Pdf

This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.

The Film Factory

Author : Ian Christie,Professor Richard Taylor,Richard Taylor
Publisher : Routledge
Page : 486 pages
File Size : 55,9 Mb
Release : 2012-10-12
Category : Social Science
ISBN : 9781135082512

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The Film Factory by Ian Christie,Professor Richard Taylor,Richard Taylor Pdf

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.

Britain's Forgotten Film Factory

Author : Ed Harris
Publisher : Amberley Publishing Limited
Page : 254 pages
File Size : 54,6 Mb
Release : 2012-11-15
Category : Performing Arts
ISBN : 9781445611877

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Britain's Forgotten Film Factory by Ed Harris Pdf

From the first Sherlock Holmes film to the African Queen, the only full account of this important film studio

Andy Warhol

Author : Michael O'Pray
Publisher : British Film Institute
Page : 202 pages
File Size : 41,5 Mb
Release : 1989
Category : Art
ISBN : UOM:39015015494977

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Andy Warhol by Michael O'Pray Pdf

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World Cinema's 'Dialogues' With Hollywood

Author : P. Cooke
Publisher : Springer
Page : 266 pages
File Size : 40,9 Mb
Release : 2007-07-30
Category : Performing Arts
ISBN : 9780230223189

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World Cinema's 'Dialogues' With Hollywood by P. Cooke Pdf

Paul Cooke looks at Hollywood's interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film. While Hollywood has had a huge impact on the medium - doing all the talking in the 'dialogue' - world cinema's economic, aesthetic and political relationship with Hollywood is of profound importance.

Esfir Shub

Author : Ilana Shub Sharp
Publisher : Bloomsbury Publishing USA
Page : 354 pages
File Size : 52,6 Mb
Release : 2021-12-30
Category : Performing Arts
ISBN : 9781501376504

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Esfir Shub by Ilana Shub Sharp Pdf

Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub's position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.

Russian Americans' in Soviet Film

Author : Marina L. Levitina
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 44,7 Mb
Release : 2015-09-29
Category : Performing Arts
ISBN : 9780857727701

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Russian Americans' in Soviet Film by Marina L. Levitina Pdf

Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.

The Cambridge Companion to Twentieth-Century Russian Literature

Author : Evgeny Dobrenko,Marina Balina
Publisher : Cambridge University Press
Page : 327 pages
File Size : 55,7 Mb
Release : 2011-02-17
Category : Literary Criticism
ISBN : 9780521875356

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The Cambridge Companion to Twentieth-Century Russian Literature by Evgeny Dobrenko,Marina Balina Pdf

An overview of the main literary schools, authors and works in modern Russia and the Soviet Union.

Dismantling the Dream Factory

Author : Hester Baer
Publisher : Berghahn Books
Page : 319 pages
File Size : 40,7 Mb
Release : 2012-02
Category : Performing Arts
ISBN : 9780857456175

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Dismantling the Dream Factory by Hester Baer Pdf

The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.

The Early Film Music of Dmitry Shostakovich

Author : Joan Titus
Publisher : Oxford University Press
Page : 273 pages
File Size : 40,6 Mb
Release : 2016
Category : Music
ISBN : 9780199315147

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The Early Film Music of Dmitry Shostakovich by Joan Titus Pdf

New Babylon (1928-1929) and scoring for the silent film -- Alone (1929-1931) and the beginnings of sound film -- Golden mountains (1931) and the new Soviet sound film -- Counterplan (1932) and the socialist realist film -- Youth of maxim (1934-1935) and the minimal score -- Girlfriends (1935-1936) and the girls of the future

The Fun Factory

Author : Rob King
Publisher : University of California Press
Page : 374 pages
File Size : 52,5 Mb
Release : 2008-12-10
Category : Performing Arts
ISBN : 9780520255388

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The Fun Factory by Rob King Pdf

From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.

Eisenstein on the Audiovisual

Author : Robert Robertson
Publisher : Bloomsbury Publishing
Page : 306 pages
File Size : 43,9 Mb
Release : 2011-03-24
Category : Music
ISBN : 9781786729545

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Eisenstein on the Audiovisual by Robert Robertson Pdf

The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundations' And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.

Mongolian Film Music

Author : Lucy M. Rees
Publisher : Routledge
Page : 210 pages
File Size : 53,7 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317094210

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Mongolian Film Music by Lucy M. Rees Pdf

In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.

Working Like a Homosexual

Author : Matthew Tinkcom
Publisher : Duke University Press
Page : 239 pages
File Size : 45,9 Mb
Release : 2002-03-18
Category : Performing Arts
ISBN : 9780822383772

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Working Like a Homosexual by Matthew Tinkcom Pdf

What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that post–World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well. With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp—while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called “the leftovers” of artistic production—is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli’s musicals and the “everyday glamour” of Warhol’s films to Anger’s experimental films and Waters’s “trash aesthetic,” Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of “value” that failed to recognize them.

Films that Work

Author : Vinzenz Hediger,Patrick Vonderau
Publisher : Amsterdam University Press
Page : 496 pages
File Size : 50,9 Mb
Release : 2009
Category : Performing Arts
ISBN : 9789089640130

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Films that Work by Vinzenz Hediger,Patrick Vonderau Pdf

Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.