Intersecting Film Music And Queerness

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Intersecting Film, Music, and Queerness

Author : Jack Curtis Dubowsky
Publisher : Springer
Page : 266 pages
File Size : 45,5 Mb
Release : 2016-04-08
Category : Performing Arts
ISBN : 9781137454218

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Intersecting Film, Music, and Queerness by Jack Curtis Dubowsky Pdf

Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.

Film Music in the Sound Era

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 41,8 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Film Music: a Very Short Introduction

Author : Kathryn Kalinak
Publisher : Oxford University Press
Page : 177 pages
File Size : 50,9 Mb
Release : 2023
Category : Motion picture music
ISBN : 9780197628034

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Film Music: a Very Short Introduction by Kathryn Kalinak Pdf

"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--

The Ternary Distinction of Film Music

Author : Gaspara Cailléz Angeles MPhil ASCAP
Publisher : Balboa Press
Page : 87 pages
File Size : 41,9 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781982293253

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The Ternary Distinction of Film Music by Gaspara Cailléz Angeles MPhil ASCAP Pdf

The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstructs the binary to establish a new tripartite schema that subsumes ambiguous classifications of film music that remain sitting outside and within the binary regions. Following the law of parsimony, the schema proffers a new way to organize film music without destabilizing categorial logic.

Contemporary Musical Film

Author : K. J. Donnelly
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 54,7 Mb
Release : 2017-06-26
Category : Performing Arts
ISBN : 9781474413138

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Contemporary Musical Film by K. J. Donnelly Pdf

Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.

Easy Listening and Film Scoring 1948-78

Author : Jack Curtis Dubowsky
Publisher : Routledge
Page : 292 pages
File Size : 44,6 Mb
Release : 2021-05-27
Category : Music
ISBN : 9780429997662

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Easy Listening and Film Scoring 1948-78 by Jack Curtis Dubowsky Pdf

Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.

Composing for Silent Film

Author : Jack Curtis Dubowsky
Publisher : Taylor & Francis
Page : 169 pages
File Size : 50,6 Mb
Release : 2024-04-10
Category : Music
ISBN : 9781040044582

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Composing for Silent Film by Jack Curtis Dubowsky Pdf

Composing for Silent Film offers insight, information, and techniques for contemporary composition, arrangement, and live score performance for period silent film. A specialized music composition guide, this book complements existing film scoring and contemporary music composition texts. This book helps today’s composers better understand and correctly interpret period silent film, and to create and perform live scores that align with films’ original intentions, so that audiences notice and grasp fine points of the original film. Composing for Silent Film analyzes period silent film and its conventions – from Delsarte acting gestures to period fascinations and subtexts. As a practical composition text, it weighs varying approaches, including improvisation, through-scoring, "mickey-mousing," handling dialogue, and dividing roles amongst players. It steers composers towards informed understanding of silent film, and encourages them to deploy contemporary styles and techniques in exciting ways. For clarity and concision, examples are limited to nine canonical silents: Metropolis, Dr. Jekyll and Mr. Hyde, The Mark of Zorro, Sunrise: A Song of Two Humans, The Black Pirate, Nosferatu, The Phantom Carriage, Daisy Doodad’s Dial, and The Golem.

The Sounds of Silent Films

Author : Claus Tieber,Anna Katharina Windisch
Publisher : Springer
Page : 265 pages
File Size : 44,6 Mb
Release : 2014-09-30
Category : Music
ISBN : 9781137410726

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The Sounds of Silent Films by Claus Tieber,Anna Katharina Windisch Pdf

The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.

Transgender Cinema

Author : Rebecca Bell-Metereau
Publisher : Rutgers University Press
Page : 179 pages
File Size : 49,5 Mb
Release : 2019-03
Category : Performing Arts
ISBN : 9780813597331

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Transgender Cinema by Rebecca Bell-Metereau Pdf

Transgender Cinema reveals the scope of how trans people have been depicted on screen, starting with Charlie Chaplin's comic drag scenes and culminating in current hits like Transparent and A Fantastic Woman. It analyzes classic Hollywood movies, indie films, documentaries, world cinema, television, and trans filmmakers and actors.

Queer Cinema in the World

Author : Karl Schoonover,Rosalind Galt
Publisher : Duke University Press
Page : 408 pages
File Size : 41,7 Mb
Release : 2016-11-18
Category : Performing Arts
ISBN : 9780822373674

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Queer Cinema in the World by Karl Schoonover,Rosalind Galt Pdf

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.

David Bowie Made Me Gay

Author : Darryl W. Bullock
Publisher : ABRAMS
Page : 471 pages
File Size : 50,6 Mb
Release : 2017-11-21
Category : Social Science
ISBN : 9781468316254

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David Bowie Made Me Gay by Darryl W. Bullock Pdf

LGBT musicians have shaped the development of music over the last century, with a sexually progressive soundtrack in the background of the gay community’s struggle for acceptance. With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. David Bowie Made Me Gay is the first book to cover the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today.

Women's Music for the Screen

Author : Felicity Wilcox
Publisher : Routledge
Page : 195 pages
File Size : 54,7 Mb
Release : 2021-08-26
Category : Music
ISBN : 9780429559945

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Women's Music for the Screen by Felicity Wilcox Pdf

Women’s Music for the Screen: Diverse Narratives in Sound shines a long-overdue light on the works and lives of female-identifying screen composers. Bringing together composer profiles, exclusive interview excerpts, and industry case studies, this volume showcases their achievements and reflects on the systemic gender biases women have faced in an industry that has long excluded them. Across 16 essays, an international array of contributors present a wealth of research data, biographical content, and musical analysis of film, television, and video game scores to understand how the industry excludes women, the consequences of these deficits, and why such inequities persist – and to document women’s rich contributions to screen music in diverse styles and genres. The chapters amplify the voices of women composers including Bebe Barron, Delia Derbyshire, Wendy Carlos, Anne Dudley, Rachel Portman, Hildur Guðnadóttir, Mica Levi, Winifred Phillips, and more. From the mid-twentieth century to the present, and from classic Hollywood scores to pioneering electronic music, these are the stories and achievements of the women who have managed to forge successful careers in a male-dominated arena. Suitable for researchers, educators, and students alike, Women’s Music for the Screen urges the screen music industry to consider these sounds and stories in a way it hasn’t before: as voices that more accurately reflect the world we all share.

Easy Listening and Film Scoring 1948-78

Author : Jack Curtis Dubowsky
Publisher : Routledge
Page : 290 pages
File Size : 53,8 Mb
Release : 2021-05-27
Category : Music
ISBN : 9780429997679

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Easy Listening and Film Scoring 1948-78 by Jack Curtis Dubowsky Pdf

Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.

The Children’s Hour

Author : Julia Erhart
Publisher : McGill-Queen's Press - MQUP
Page : 167 pages
File Size : 40,9 Mb
Release : 2024-05-14
Category : Performing Arts
ISBN : 9780228021445

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The Children’s Hour by Julia Erhart Pdf

Based on a play by Lillian Hellman, The Children’s Hour (1961) was the first mainstream commercial American film to feature a lesbian character in a leading role. It centres on a teacher at a girls’ school (Shirley MacLaine) who is accused of harbouring feelings for her co-worker (Audrey Hepburn) and depicts the intense moral panic that ensues. Produced in the social climate of the Lavender Scare, the film reveals deep insights into the politics of sexuality and censorship in midcentury America, only a few years before more visible struggles for queer liberation. The director, William Wyler, lobbied hard to get the film made after an earlier straight-washed version in 1936. The tense road to production included debates about whether to eliminate mentions of lesbianism from the script and how implicitly queer subject matter might conflict with the Production Code, by then weakened but still in force. Julia Erhart’s reading of the film’s conception, production, and reception advances a nuanced case of censorship as a productive force. While contests between Hellman and Wyler suppressed scenes of overt affection between main characters Karen and Martha, reception was comparatively fixated on the characters’ lesbianism: it threatened middlebrow movie critics in the mainstream press and resonated with queer audiences. Erhart’s attentive interpretation of both the script and the sonic landscape yields a detailed analysis of the soundtrack as an original pro-lesbian element. As issues of queer censorship continue to permeate life and culture more than fifty years later, Erhart demonstrates that The Children’s Hour is as salient to social and political tensions around gender and sexuality today as it was in the 1960s.

Queer European Cinema

Author : Leanne Dawson
Publisher : Routledge
Page : 262 pages
File Size : 50,9 Mb
Release : 2018-12-07
Category : Social Science
ISBN : 9781351711579

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Queer European Cinema by Leanne Dawson Pdf

Queer European Cinema commences with an overview of LGBTQ representation throughout cinematic history, interwoven with socio-political reality in Europe and beyond, to consider trends including the boarding school film, the gay road movie, and queer horror such as the lesbian vampire tale, before analysing case studies from the ‘low culture’ of pornography to the ‘high culture’ of arthouse cinema. This collection of essays explores borders and boundaries of geography, temporality, ethnicity, class, gender, sexuality, and desire in a range of European films at a time when both LGBTQ politics and the concept of Europe are under intense scrutiny in representation and reality, to demonstrate how LGBTQ film can serve as a political tool to create visibility and acceptance as well as providing entertainment. Chapters include an analysis of both trans and femme identities in Academy Award-winning Boys Don’t Cry alongside German film, Unveiled; the intersection of lesbian visibility and the notion of nation on the Croatian screen at its point of entry into the European Union and during the gay marriage referendum; music and its relation to camp in Italian transnational cinema; European lesbian feminist pornography; and an analysis of liminal spaces and citizenship in queer French-language road movies. This book was originally published as a special issue of Studies in European Cinema.