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In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
One of the most original thinkers of the twentieth century, Julia Kristeva has been driving forward the fields of literary and cultural studies since the 1960s. This volume is an accessible, introductory guide to the main themes of Kristeva's work, including her ideas on: *semiotics and symbolism *abjection *melancholia *feminism *revolt. McAfee provides clear explanations of the more difficult aspects of Kristeva's theories, helpfully placing her ideas in the relevant theoretical context, be it literary theory, psychoanalysis, linguistics, gender studies or philosophy, and demonstrates the impact of her critical interventions in these areas. Julia Kristeva is the essential guide for readers who are approaching the work of this challenging thinker for the first time, and provides the ideal opportunity for those with more knowledge to re-familiarise themselves with Kristeva's key terms.
The Seventh Function of Language by Laurent Binet Pdf
From the prizewinning author of HHhH, “the most insolent novel of the year” (L’Express) comes a romp through the French intelligentsia of the twentieth century. Paris, 1980. The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered? In The Seventh Function of Language, Laurent Binet spins a madcap secret history of the French intelligentsia, starring such luminaries as Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva—as well as the hapless police detective Jacques Bayard, whose new case will plunge him into the depths of literary theory (starting with the French version of Roland Barthes for Dummies). Soon Bayard finds himself in search of a lost manuscript by the linguist Roman Jakobson on the mysterious “seventh function of language.” A brilliantly erudite comedy, The Seventh Function of Language takes us from the cafés of Saint-Germain to the corridors of Cornell University, and into the duels and orgies of the Logos Club, a secret philosophical society that dates to the Roman Empire. Binet has written both a send-up and a wildly exuberant celebration of the French intellectual tradition.
Abjection, Melancholia and Love by John Fletcher,Andrew Benjamin Pdf
This volume begins with a new essay by Julia Kristeva, ‘The Adolescent Novel’, in which she examines the relation between novelistic writing and the experience of adolescence as an ‘open structure’. It is this blend of the literary with the psychoanalytic that places Kristeva’s work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva’s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva’s persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva’s entire oeuvre.
Kristeva begins with the personal and moves outward by examining world literature and philosophy. She discusses the foreigner in Greek tragedy, in the Bible, and in the literature of the Middle Ages, Renaissance, Enlightenment, and the twentieth century.
As a linguist, Julia Kristeva has pioneered a revolutionary theory of the sign in its relation to social and political emancipation; as a practicing psychoanalyst, she has produced work on the nature of the human subject and sexuality, and on the "new maladies" of today's neurotic. The Portable Kristeva is the only fully comprehensive compilation of Kristeva's key writings. The second edition includes added material from Kristeva's most important works of the past five years, including The Sense and Non-Sense of Revolt, Intimate Revolt, and Hannah Arendt. Editor Kelly Oliver has also added new material to the introduction, summarizing Kristeva's latest intellectual endeavors and updating the bibliography.
Author : Sara Beardsworth Publisher : State University of New York Press Page : 321 pages File Size : 50,9 Mb Release : 2012-02-01 Category : Philosophy ISBN : 9780791484531
Honorable Mention, 2006 Goethe Award for Psychoanalytic Scholarship presented by the Section on Psychoanalysis of the Canadian Psychological Association This is the first systematic overview of Julia Kristeva's vision and work in relation to philosophical modernity. It provides a clear, comprehensive, and interdisciplinary analysis of her thought on psychoanalysis, art, ethics, politics, and feminism in the secular aftermath of religion. Sara Beardsworth shows that Kristeva's multiple perspectives explore the powers and limits of different discourses as responses to the historical failures of Western cultures, failures that are undergone and disclosed in psychoanalysis.
Julia Kristeva (RLE Feminist Theory) by John Lechte Pdf
A leading literary critic and psychoanalyst, Julia Kristeva is one of the most significant French thinkers writing today. In this up-to-date survey of her work, John Lechte outlines fully and systematically her intellectual development. He traces it from her work on Bakhtin and the logic of poetic language in the 1960s, through her influential theories of the ‘symbolic’ and the ‘semiotic’ in the 1970s, to her analyses of horror, love, melancholy and cosmopolitanism in the 1980s. He provides an insight into the intellectual and historical context which gave rise to Kristeva’s thought, showing how thinkers such as Roland Barthes, Emile Benviste and Georges Bataille have been important in stimulating her own reflections. He concludes with an overall assessment of Kristeva’s work, looking in particular at her importance for feminism and postmodern thought in general. Essential reading for all those who wish to extend their understanding of this important thinker, this first full-length study of Kristeva’s work will be of interest to students of literature, sociology, critical theory, feminist theory, French studies and psychoanalysis.
Julia Kristeva and Feminist Thought by Birgit Schippers Pdf
This book appraises the relationship between contemporary feminism and Julia Kristeva, a major figure in Continental thought. It addresses the conflicting range of feminist responses to Kristeva's key ideas and Kristeva's equally conflicting as well as ambiguous position vis-a-vis feminism. Schippers argues that this complex relationship can only be understood by positioning Kristeva along the fissures and fault lines which run through feminism. By attending to feminism's internal debates and disputes, and addressing the philosophical commitments and attachments held by Kristeva's critics, the book clarifies the diverse Kristeva reception within feminism and illuminates how her ideas trouble contemporary feminist thought. And despite Kristeva's fundamental ambiguity towards all matters feminist, Schippers makes a case for Kristeva's important contribution to a feminist project which is sympathetic towards her account of fluid subjectivity and her critique of identity politics. In doing so, the author advances the scholarly understanding of Kristeva and of contemporary feminist thought.
The Philosophy of Julia Kristeva by Sara G. Beardsworth Pdf
The Philosophy of Julia Kristeva is the latest addition to the highly acclaimed series, The Library of Living Philosophers. The book epitomizes the objectives of this acclaimed series; it contains critical interpretation of one of the greatest philosophers of our time, and pursues more creative regional and world dialogue on philosophical questions. The format provides a detailed interaction between those who interpret and critique Kristeva’s work and the seminal thinker herself, giving broad coverage, from diverse viewpoints, of all the major topics establishing her reputation. With questions directed to the philosopher while they are alive, the volumes in The Library of Living Philosophers have come to occupy a uniquely significant place in the realm of philosophy. The inclusion of Julia Kristeva constitutes a vital addition to an already robust list of thinkers. The Philosophy of Julia Kristeva exemplifies world-class intellectual work closely connected to the public sphere. Kristeva has been said to have “inherited the intellectual throne left vacant by Simone de Beauvoir,” and has won many awards, including the Hannah Arendt Prize for Political Thought. Julia Kristeva’s autobiography provides an excellent introduction to her work, situating it in relation to major political, intellectual, and cultural movements of the time. Her upbringing in Soviet-dominated Bulgaria, her move to the French intellectual landscape of the 1960s, her visit to Mao’s China, her response to the fall of the Berlin Wall, her participation in a papal summit on humanism, her appointment by President Chirac as President of the National Council on Disability, and her setting up of the Simone de Beauvoir prize, honoring women in active and creative fields, are all major moments of this fascinating life. The major part of the book is comprised of thirty-six essays by Kristeva’s foremost interpreters and critics, together with her replies to the essays. These encounters cover an exceptionally wide range of theoretical and literary writing. The strong international and multidisciplinary focus includes authors from over ten countries, and spans the fields of philosophy, semiotics, literature, psychoanalysis, feminist thought, political theory, art, and religion. The comprehensive bibliography provides further access to Kristeva’s writings and thought. The preparation of this volume, the thirty-sixth in the series, was supported by a major grant from the National Endowment for the Humanities.
Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Author : Julia Kristeva Publisher : Columbia University Press Page : 288 pages File Size : 40,9 Mb Release : 2024-02-20 Category : Language Arts & Disciplines ISBN : 9780231561402
Revolution in Poetic Language by Julia Kristeva Pdf
In Revolution in Poetic Language, Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelationships. Linking the psychosomatic to the literary and the literary to a larger political horizon, she questions the premises of linguistic, psychoanalytic, philosophical, and literary theories.
Marriage as a Fine Art by Julia Kristeva,Philippe Sollers Pdf
"We found so much to say, to share, to learn.... For it wasn't just the Marquis de Sade profile and the sporty thighs-and-calves that seduced me. It was even more, perhaps, or certainly just as much, the speed at which you used to read, and still do."—Julia Kristeva "We're married, Julia and I, that's a fact, but we each have our own personalities, our own name, activities, and freedom. Love is the full recognition of the other in their otherness. If this other is very close to you, as in this case, it seems to me that what's at stake is harmony within difference. The difference between men and women is irreducible; there's no possibility of fusion."—Philippe Sollers Marriage as a Fine Art is an enchanting series of exchanges in which Julia Kristeva and Philippe Sollers, married for fifty years, speak candidly about their love. Though they live separately, Kristeva and Sollers are fully committed to each other. Their bond is intellectual and psychological, passionate and mundane. They share everything when together, and lose themselves in their interests when apart. Their marriage is art, rich with history and meaning, idiosyncratic, and dynamic in its expression. Yet it is also as common as they come. Kristeva and Sollers have lived through the same challenges, peaks, and lulls as all married couples do. With humor and honesty, they elaborate on these moments, turning marriage's familiar aspects into exceptional examples of relating, struggling, transcending, and being. Marriage as a Fine Art is a rare chance to know these intellectuals—and marriage—more intimately.
Julia Kristeva examines melancholia across art, literature, philosophy, the history of religion and culture, and psychoanalysis. She describes the depressive as one who perceives the sense of self as a crucial pursuit and a nearly unattainable goal and explains how the love of a lost identity of attachment lies at the very core of depression’s dark heart. Kristeva analyzes Holbein’s controversial 1522 painting The Body of the Dead Christ in the Tomb and considers the works of Marguerite Duras, Dostoyevsky, and Nerval. Black Sun takes the view that depression is a discourse with a language to be learned, rather than strictly a pathology to be treated.
