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On Whit Monday 1828 a strange youth, barely able to speak and hardly able to walk appeared in Nuremberg. This new case of a 'wild man' excited widespread curiosity, and many prominent figures wanted to test their pedagogical and medical theories on such a promising subject. Who was he? Was he, as many claimed, the rightful heir to the Grand Duchy of Baden, or was he simply an ingenious fraud? This book examines the many ramifications of this fascinating case, and offers many insights into the social, political and intellectual life of Biedermeier Germany.
Kaspar Hauser, Child of Europe by Eckart Böhmer Pdf
‘From time to time in the history of humanity, extraordinary individualities appear, carrying with them great tasks which are difficult to assess. Through this lens, the events around Kaspar Hauser (1812-1833) can be seen as signposts to one of the most important mysteries of modern times, which will radiate far into the future. Kaspar’s appearance and the essence of his being are deeply connected with the question of the identity of the human being itself.’ – From the Foreword This book offers a unique, creative approach to the mystery of Kaspar Hauser – the teenage boy who was found abandoned on the streets of Nuremberg, barely able to walk, speak or write. Introducing the subject with a historical overview, Eckart Böhmer goes on to offer multiple artistic approaches to comprehending the enigma of Kaspar Hauser’s brief and tragic life. He presents poems from his cycle I not human, I Kaspar, a short story entitled ‘Crossing the Border’, and a play about Hauser’s mentor, ‘Feuerbach or an Example of a Crime Against the Human Consciousness Soul’. These are followed by transcripts of two lectures held during the Kaspar Hauser Festival in New York, which reflect on esoteric research carried out in the last twenty years. The volume concludes with short meditations followed by an interview with the author on his biographical connections to the theme. Inspired by the Kaspar Hauser Festival in Ansbach and the Kaspar Hauser Research Circle, this valuable book offers many imaginative gems for deeper contemplation.
In 1828 a teenage boy was discovered on the streets of Nuremberg. Barely able to walk, he clutched a letter in his hand. This youth, Kaspar Hauser, who couldn't properly speak or write, was soon to become an international phenomenon known as "the Child of Europe." The story of Kaspar Hauser presents many mysteries. According to his account, the young boy spent most of his life confined in a darkened space. Unable to stand up, and with no knowledge of his captors, he was fed a diet of bread and water. Eventually released from this macabre prison, he survived an assassination attempt only to be stabbed to death in 1833. Why was a child kept in such squalid circumstances? Who were his parents? Who was responsible for such a cruel attack on childhood? Who murdered him? In this seminal work Peter Tradowsky addresses these questions through the insights of Anthroposophy. His analysis reveals some of the secrets of Kaspar Hauser's short life, and the occult significance of his incarnation, spiritual nature and individuality.
Kaspar Hauser Speaks for Himself by Kaspar Hauser,Georg Friedrich Daumer Pdf
In 1828, a young man mysteriously appeared in Nuremberg. He could hardly speak or walk and yet began to exhibit remarkable qualities that made a deep impression on everyone he met. This book contains the extraordinary letters, essays, and observations written by Kaspar Hauser himself, along with notes by Georg Daumer, who became his teacher, guardian, and friend. These striking documents show not only an exceptional destiny but also are a moving testament to the power of a pedagogical relationship.
From Lolita to The Sixth Sense, the figure of the child in cinematic works has been a contested site of symbolism and controversy. Childhood and Cinema examines how the child in film has ultimately been used to embody the anxieties and aspirations of modern life. Vicky Lebeau investigates how films use children to probe such themes as sexuality, death, imagination, the terrors of childhood, and hope. The book ranges over the whole history of Western cinema, from the Lumière brothers’ 1895 Feeding the Baby to Walt Disney’s animation classics to Truffaut’s L’enfant sauvage and recent works such as Capturing the Friedmans and Kids. The figure of the child in film, Lebeau argues, is fundamentally ambivalent—always hovering on the edge between hope and despair, vulnerability and violence, or pleasure and trauma—and it ultimately offers a unique way of thinking about the significance of cinema itself. By turns engaging, thought-provoking, and informative, Childhood and the Cinema challenges us to reconsider the child figure as a conduit for critical reflection on what it means to be human.
Kept in a dungeon for his entire childhood, Kaspar Hauser appeared in Nuremberg, Germany, in 1828 at age sixteen, barely able to walk or talk. When he was killed in 1833, his true identity and the motives for his unsolved murder became the subjects of intense speculation. This provocative essay sheds new light on this mystery and delves into fundamental questions about the long-term effects of child abuse.
First published in 1904, this volume contains a collection of 12 essays written by Scottish author Andrew Lang dealing with various baffling historical mysteries, including the famous Gowrie conspiracy and much-investigated case of Elizabeth Canning. A fantastic collection of detailed examinations concerning some the world's most unsolvable secrets not to be missed by mystery lovers and those with an interest in true crime and history. Contents include: “The Case of Elizabeth Canning”, “The Murder of Escovedo”, “The Campden Mystery”, “The Case of Allan Breck”, “The Cardinal's Necklace”, “The Mystery of Kaspar”, “Hauser: The Child of Europe”, “The Gowrie Conspiracy”, “The Strange Case of Daniel Dunglas Home”, “The Case of Captain Green”, “Queen Oglethorpe”, “The Chevalier D'éon”, “Saint-Germain the Deathless”, etc. Andrew Lang FBA (1844–1912) was a Scottish novelist, poet, literary critic, and anthropologist most famous for as a collector of fairy tales and folklore. Other notable works by this author include: “The Blue Fairy Book” (1889), “Ballades and Rhymes” (1911), and “Method in the Study of Totemism” (1911). Read & Co. History is proudly republishing this classic work now in a brand new edition complete with a specially-commissioned new biography of the author.
Delphi Works of Andrew Lang (Illustrated) by Andrew Lang Pdf
As well as editing the famous Fairy Books, Andrew Lang created a diverse oeuvre of short story collections, novels, poetry and a scholarly corpus of essays and non-fiction books. This Delphi edition offers a comprehensive range of Lang’s prolific works, with thousands of beautiful illustrations, as well as the usual bonus texts. (Current version: 2) * the complete Fairy Books, all fully-illustrated with their original Victorian artwork – first time in digital print * special contents table for the Fairy Books * ALL the novels, with contents tables * images of how the books first appeared, giving your eReader a taste of the Victorian texts * many short story collections, with beautiful illustrations * ARABIAN NIGHTS fully illustrated – first time in digital print * 13 poetry collections, with contents tables and illustrations * special chronological and alphabetical contents tables for the poetry – find that special poem quickly and easily! * features 29 non-fiction books, each with contents tables * includes two biographical essays on Lang – explore the writer’s literary life! * many images relating to Lang’s life and works * scholarly ordering of texts in chronological order and literary genres, allowing easy navigation around Lang’s immense oeuvre CONTENTS: The Fairy Books THE BLUE FAIRY BOOK THE RED FAIRY BOOK THE GREEN FAIRY BOOK THE YELLOW FAIRY BOOK THE PINK FAIRY BOOK THE GREY FAIRY BOOK THE VIOLET FAIRY BOOK THE CRIMSON FAIRY BOOK THE BROWN FAIRY BOOK THE ORANGE FAIRY BOOK THE OLIVE FAIRY BOOK THE LILAC FAIRY BOOK The Fairy Tales LIST OF THE TALES IN CHRONOLOGICAL ORDER LIST OF THE TALES IN ALPHABETICAL ORDER Other Story Collections MUCH DARKER DAYS IN THE WRONG PARADISE AND OTHER STORIES HE THE GOLD OF FAIRNILEE PRINCE PRIGIO THE TRUE STORY BOOK PRINCE RICARDO OF PANTOUFLIA ANGLING SKETCHES THE BOOK OF DREAMS AND GHOSTS ARABIAN NIGHTS THE DISENTANGLERS THE RED TRUE STORY BOOK TALES OF TROY AND GREECE THE ANIMAL STORY BOOK THE BOOK OF ROMANCE THE RED ROMANCE BOOK THE RED BOOK OF HEROES by Mrs. Lang TALES OF ROMANCE THE STRANGE STORY BOOK by Mrs. Lang The Novels THE MARK OF CAIN THE WORLD’S DESIRE PARSON KELLY The Poetry Collections BALLADS, LYRICS, AND POEMS OF OLD FRANCE THE ODYSSEY THEOCRITUS BION AND MOSCHUS BALLADS IN BLUE CHINA HELEN OF TROY THE ILIAD RHYMES A LA MODE AUCASSIN AND NICOLETE A COLLECTION OF BALLADS GRASS OF PARNASSUS BAN AND ARRIERE BAN THE NURSERY RHYME BOOK NEW COLLECTED RHYMES The Poetry LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Non-Fiction OXFORD THE LIBRARY and many more - too many to list The Biographies ANDREW LANG by Edmund Gosse SPENCER WALPOLE AND ANDREW LANG by Horace G. Hutchinson
The Selected Works of Andrew Lang by Andrew Lang Pdf
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
In a series of vibrant and lively essays, Steffen Hartmann focuses on a little-known but critically important theme relating to the teachings of Rudolf Steiner. Steiner described the collaboration between human souls connected to the Platonic and Aristotelian ‘schools’ or groupings – both here on Earth and in the spiritual world. These groupings of souls work within a wider metaphysical collective known as the ‘Michael School’, led by the ruling Spirit of our age, Michael. Prior to their births, millions of human souls were prepared within this School to help them face the challenges of the twentieth and twenty-first centuries. We may have forgotten these pre-existence experiences, but they can be reawakened within us, says Hartmann. Indeed, it is possible consciously to reconnect to our earlier incarnations and to perceive our karma. The book begins with this theme and leads to Rudolf Steiner’s ‘Michael Prophecy’ of 1924 – to his vision of the millennium and the era in which we now live, especially the crucial period between 2012 and 2033. Dealing with the ‘anthroposophical block’ in the emerging holistic building of humanity, the author contextualizes the topic with reference to direct personal experiences. The sharing of such considered experiences can help to stimulate self-reflection in the anthroposophical movement and contribute real spiritual substance to contemporary culture. This little book provides stimulation to spiritual seekers who carry within them deeper questions about life in the modern world.
Features an introductory essay by Jack WomackLo! Welcome to the worlds of Charles Fort, chronicler of the odd, the weird, the strange, the unexpected, and the inexplicable. In words at times as beautiful as anything ever written in English, Fort reveals the marvels of an age, questions the nature of what we think we know for certain, and provides the reader with leads on how not to be fooled by shaggy dog stories. Here youll find rains of the unexpected, fish, snakes, and other items from the _super-Sargasso seaÓ of the unexplained that circles the Earth. Here are accounts of UFOs, accounts of odd animals seen at sea or on land, mysterious attacks by what appear to have been animals, mysterious appearances of things and people in places they could not be. Here Forts epic account of spontaneous combustion, lights in the sky, poltergeists, unseen. murderous wild animals, mysterious disappearances, manifestations of psychotic mania, speaking in tongues¾and, of course, the cow that gave birth to two lambs. All of this Fortean wonder is prefaced by a magnificent new introductory essay by Jack Womack, winner of the Philip K. Dick Award and lifetime Fortean. This Ebook is part of the Baen Books Charles Fort Ebook Collection At the publisher's request, this title is sold without DRM (Digital Rights Management).
The Kaspar Hauser Syndrome of "psychosocial Dwarfism" by John Money Pdf
Money (medical psychology and emeritus pediatrics, Johns Hopkins U. Hospital) gathers together a century's worth of information on the physical, social, and mental effects of child abuse and neglect. The work concludes with a review by Joshua Kendall of the Kaspar Hauser figure in 19th- and 20th-century prose, poetry, and drama. Contentious and fascinating. Annotation copyright by Book News, Inc., Portland, OR
The Cultural Construction of Monstrous Children by Simon Bacon,Leo Ruickbie Pdf
The Cultural Construction of Monstrous Children raises important questions at the heart of society and culture, and through an interdisciplinary, trans-cultural analysis presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the 21st, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the 16th century to the present, spanning real-life and popular culture, to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil. The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the historic ways in which each discipline intersects and influences the other.
