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Noliwe M. Rooks's Ladies' Pages sheds light on the most influential African American women's magazines--Ringwood's Afro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence, and O, the Oprah Magazine--and their little-known success in shaping the lives of black women. Ladies' Pages demonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities.
Three Lords and Three Ladies of London by Anonim Pdf
An allegorical morality comedy about criminality and the rivalries between London, Lincoln and Spain. This play is an exercise by a young dramatist who is grappling with understanding philosophical and legal concepts by simplifying these into personifications. Three Lords of London (called Pleasure, Pomp and Policy) declare their superiority with puffing emblems and insist that they have an innate right to marry the three Ladies of London (Love, Lucre and Conscience). The Ladies have been imprisoned in the first part of this series (Three Ladies of London) for their sins, and Nemo has decided that he would only release them if precisely three suitors bid for all of their hands in marriage simultaneously. The Ladies are told to remain silent and to obey whoever is willing to marry them, or they would have to return to prison to be tortured by Sorrow. Thus, instead of the standard comedic objections from female characters to potential matches, the only obstacles to this pre-determined resolution are that the three Lords of Spain and the three Lords of Lincoln appear to also bid for the Ladies. The defeat of the Spaniards is presented in an exchange of insults about emblems and epithets during a meeting that alludes to the Spanish Armada attack. And the Lords of Lincoln are briskly defeated when they are told they merely deserve the symbolic stones the Ladies have been sitting on. The introductory remarks explain how Lords should be part of the main canon because it might be one of only three pre-“Shakespearean” British comedies. And a section presents an alternative explanation for the mystery of how the seven copies of Lords’ print-run ended up with strange combinations of varying typos. The annotations explain how the detail of Usury’s parents being Jewish has been misinterpreted by previous critics as anti-Semitic, when this passage actually summarizes the ethnic backgrounds of the actual members of the Ghostwriting Workshop, as the merchant-lender among them Sylvester was Jewish, and Percy was from a region near-Scotland and had been educated in France. And evidence is presented why the series that includes Lords and Ladies should be re-attributed away from “Robert Wilson” and to Percy. “Enhanced for academia with the inclusion of a 6 page listing of Acronyms, a 1 page Summary, a 23 page Exordium, 21 pages of Plot and Staging, a 104 page Text, and and 5 pages of Terms, References, Questions, and Exercises, The Three Lords and Three Ladies of London is Volume 10 of that Anaphora Literary Press British Renaissance Re-Attribution and Modernization series. A unique and unreservedly recommended addition to community, college, and university library Shakespeare, British, and Irish drama collections”. —Midwest Book Review, James Cox, The Theatre/Cinema Shelf Exordium Plot and Staging Text Terms, References, Questions, Exercises
'I'm not a woman. I'm a Conservative.' Edwina Currie's startling claim is in sharp contrast with another Tory woman's view: she too was a Thatcher supporter but precisely because 'women are stronger than men and have a different approach'. The voices of 'iron ladies' like these ring out everywhere, trenchant, anxious, determined, dutiful. The issues that concern them - sex and morality, law and order, defence, education, the family - are widely thought to unite them. Yet is there a representative Tory women's view? Tracing back to the first women active in party politics, Beatrix Campbell describes how the female members of the Primrose League, established in 1883, canvassed and campaigned so vigorously for their men that they were often thought 'unwomanly'. And through the inter-war years to the present day they've continued to work tirelessly for a party at once dependent on their dedication and support yet resistant to their asserting a clear agenda for themselves within it. Theirs is a state of responsibility without power. It is this issue which lies at the heart of Beatrix Campbell's exploration of Tory Party women - living under a politics of paternalism which appears to give women and their concerns a central place but denies them the possibility of real change.
Author : Christiana de Groot,Marion Ann Taylor Publisher : SBL Press Page : 256 pages File Size : 40,6 Mb Release : 2018-04-25 Category : History ISBN : 9781589838345
Recovering Nineteenth-Century Women Interpreters of the Bible by Christiana de Groot,Marion Ann Taylor Pdf
Women have been thoughtful readers and interpreters of scripture throughout the ages, yet the usual history of biblical interpretation includes few women’s voices. To introduce readers to this untapped source for the history of biblical interpretation, this volume presents forgotten works from the nineteenth century written by women—including Grace Aguilar, Florence Nightingale, and Harriet Beecher Stowe, among others—from various faith backgrounds, countries, and social classes engaging contemporary biblical scholarship. Due to their exclusion from the academy, women’s interpretive writings addressed primarily a nonscholarly audience and were written in a variety of genres: novels and poetry, catechisms, manuals for Bible study, and commentaries on the books of the Bible. To recover these nineteenth-century women interpreters of the Bible, each essay in this volume locates a female author in her historical, ecclesiastical, and interpretive context, focusing on particular biblical passages to clarify an author’s contributions as well as to explore how her reading of the text was shaped by her experience as a woman.
A Serious Proposal to the Ladies by Mary Astell Pdf
Mary Astell’s A Serious Proposal to the Ladies is one of the most important and neglected works advocating the establishment of women’s academies. Its reception was so controversial that Astell responded with a lengthy sequel, also in this volume. The cause of great notoriety, Astell’s Proposal was imitated by Defoe in his “An Academy for Women,” parodied in the Tatler, satirized on the stage, plagiarized by Bishop Berkeley, and later mocked by Gilbert and Sullivan in Princess Ida.
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.
Author : John Henry Hepp, IV Publisher : University of Pennsylvania Press Page : 289 pages File Size : 44,7 Mb Release : 2018-06-29 Category : History ISBN : 9780812204056
The classic historical interpretation of the late nineteenth and early twentieth centuries in America sees this period as a political search for order by the middle class, culminating in Progressive Era reforms. In The Middle-Class City, John Hepp examines transformations in everyday middle-class life in Philadelphia between 1876 and 1926 to discover the cultural roots of this search for order. By looking at complex relationships among members of that city's middle class and three largely bourgeois commercial institutions—newspapers, department stores, and railroads—Hepp finds that the men and women of the middle class consistently reordered their world along rational lines. According to Hepp, this period was rife with evidence of creative reorganization that served to mold middle-class life. The department store was more than just an expanded dry goods emporium; it was a middle-class haven of order in the heart of a frenetic city—an entirely new way of organizing merchandise for sale. Redesigned newspapers brought well-ordered news and entertainment to middle-class homes and also carried retail advertisements to entice consumers downtown via train and streetcar. The complex interiors of urban railroad stations reflected a rationalization of space, and rail schedules embodied the modernized specialization of standard time. In his fascinating investigation of similar patterns of behavior among commercial institutions, Hepp exposes an important intersection between the histories of the city and the middle class. In his careful reconstruction of this now vanished culture, Hepp examines a wide variety of sources, including diaries and memoirs left by middle-class women and men of the region. Following Philadelphians as they rode trains and trolleys, read newspapers, and shopped at department stores, he uses their accounts as individualized guidebooks to middle-class life in the metropolis. And through a creative use of photographs, floor plans, maps, and material culture, The Middle-Class City helps to reconstruct the physical settings of these enterprises and recreate everyday middle-class life, shedding new light on an underanalyzed historical group and the cultural history of twentieth-century America.