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The FSG Book of Twentieth-Century Latin American Poetry by Ilan Stavans Pdf
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
This study considers the ways Spanish American and Brazilian poets differ from their European counterparts by considering 'Latin American' as more than a perfunctory epithet. It sets the orthodox Latin tradition of the subcontinent against others that have survived or grown up after the conquest then pays attention to those poets who, from Independence, have striven to express a specifically American moral and geographical identity. Dr Brotherson focuses on Modernismo, or the 'coming of age' of poetry in Spanish America and Brazil, and the importance of the movements associated with it. He considers César Vallejo and Pablo Neruda, probably the greatest of the selection, Octavio Paz, and modern poets who have reacted differently to the idea that Latin America might now be thought to have not just a geographical but a nascent political identity of its own. Poems are liberally quoted, and treated as entities in their own right.
Author : Jill S. Kuhnheim,Melanie Nicholson Publisher : Modern Language Association Page : 264 pages File Size : 43,8 Mb Release : 2019-11-01 Category : Language Arts & Disciplines ISBN : 9781603294102
Teaching Modern Latin American Poetries by Jill S. Kuhnheim,Melanie Nicholson Pdf
The essays in this book, groundbreaking for its focus on teaching Latin American poetry, reflect the region's geographic and cultural heterogeneity. They address works from Mexico, Chile, Peru, Ecuador, Colombia, Cuba, Brazil, Argentina, Guatemala, Nicaragua, and Uruguay, as well as from indigenous communities found within these national distinctions, including the Kaqchikel Maya and Zapotec. The volume's essays help instructors teach poetry written from the second half of the twentieth century on, meaningfully connecting this contemporary corpus with older poetic traditions. Contributors address teaching various topics, from the silva and the long poem to Afro-descendant poetry, in ways that bring performance, digital approaches, queer theory, and translation into action. The insights offered here will demonstrate how Latin American poetry can become a part of classes in African diasporic studies, indigenous studies, history, and anthropology.
The Gathering of Voices by Mike Gonzalez,Dave Treece Pdf
A guide to the history of poetic debate and practice in 20th-century Latin America. The book argues that the possibility of universal emancipation is evoked in the transformation of language. Each chapter focuses on key texts by poets such as Cardenal, Neruda, Vallejo and the Andrades.
Messengers of Rain and Other Poems from Latin America by Claudia M. Lee Pdf
An anthology of poems translated into English presents traditional pre-Columbian work alongside contemporary poetry collected from nineteen Latin American countries, ranging from nature and nonsense to politics and magic.
Anthology of Contemporary Latin-American Poetry by Dudley Fitts Pdf
A bilingual edition of major poets representing the many movements and varied spirits of contemporary Latin American literary ferment. The book begins with poems published after the death of Ruben Dario in 1916, with this esteemed poet serving as a demarcation of older tradition.
Modern Latin American Literature: A Very Short Introduction by Roberto Gonzalez Echevarria Pdf
This Very Short Introduction chronicles the trends and traditions of modern Latin American literature, arguing that Latin American literature developed as a continent-wide phenomenon, not just an assemblage of national literatures, in moments of political crisis. With the Spanish American War came Modernismo, the end of World War I and the Mexican Revolution produced the avant-garde, and the Cuban Revolution sparked a movement in the novel that came to be known as the Boom. Within this narrative, the author covers all of the major writers of Latin American literature, from Andr?s Bello and Jos? Mar?a de Heredia, through Borges and Garc?a M?rquez, to Fernando Vallejo and Roberto Bola?o.
The Cambridge History of Latin American Literature by Roberto Gonzalez Echevarría,Enrique Pupo-Walker Pdf
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
Contemporary Hispanic Poets: Cultural Production in the Global, Digital Age by John Burns Pdf
Poets writing in Spanish by the end of the twentieth century had to contend with globalization as a backdrop for their literary production. They could embrace it, ignore it or potentially re-imagine the role of the poet altogether. This book examines some of the efforts of Spanish-language poets to cope with the globalizing cultural economy of the late twentieth century. This study looks at the similarities and differences in both text and context of poets, some major and some minor, writing in Chile, Mexico, the Mexican-American community and Spain. These poets write in a variety of styles, from highly experimental approaches to poetry to more traditional methods of writing. Included in this study are Chileans Raúl Zurita and Cecilia Vicuña, Spaniards Leopoldo María Panero and Luis García Montero, Mexicans Silvia Tomasa Rivera and Guillermo Gómez Peña, and Mexican-American Juan Felipe Herrera. Some of them embrace (and are even embraced by) media both old and new whereas others eschew it. Some continue their work in the vein of national traditions while others become difficult to situate within any one single national tradition. Exploring the varieties of strategies these writers employ, this book makes it clear that Spanish-language poets have not been exempt from the process of globalization. Individually, these poets have been studied to varying degrees. Globalization has been studied extensively from a variety of disciplinary approaches, particularly in the context of the Latin American region and Spain. However, it is a relative rarity to see poets being studied, as they are in this work, in terms of their relationship to globalization. Taken as a sample or snapshot of writing tendencies in Latin American and Spanish poetry of the late twentieth century, this book studies them as part of a greater circuit of cultural production by establishing their literary as well as extra-literary genealogies and connections. It situates these poets in terms of their writing itself as well as in terms of their literary traditions, their methods of contending with neoliberal economic models and global information flows from the television and Internet. Although many literary critics attempt to study the connections and relationships between poetry and the world beyond the page, few monographs go about it the way this one does. It takes a transatlantic approach to contemporary Spanish-language poetry, focusing on poets on poets from Spain and the American continent, emphasizing their connections, commonalities and differences across increasingly porous borders in the age of information. The relationship between text and context is explored with a cultural studies approach, more often associated with media studies than with literary studies. Literature is not treated as a privileged object of isolated study, but rather as a system of ideas and images that is deeply interwoven with other forms of human expression that have arisen in the last decades of the twentieth century. The result is a suggestive analysis of the figure of the poet in the broader globalized marketplace of cultural goods and ideas. Contemporary Hispanic Poets: Cultural Production in the Global, Digital Age is an important book for library collections in Spanish, Latin American and Iberian Studies, Chicano Studies.
Twentieth-Century Latin American Poetry by Stephen Tapscott Pdf
"Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Josâe Martâi to Marjorie Agosâin. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluctuation in quality. For detailed discussion of translations, see Charles Tomlinson in Times Literary Supplement, May 9, 1997; and Eliot Weinberger in Sulfur, 40, Spring 1997"--Handbook of Latin American Studies, v. 58.
"This barrio angel teaches us how to see behind the appearance of things and how to embrace reality with all the senses." --Isabel Allende "Laura Restrepo breathes life into a singular amalgam of journalistic investigation and literary creation. Her fascination with popular culture and the play of her impeccable humor, of that biting but at the same time tender irony . . . infuses them with unmistakable reading pleasures." --Gabriel García Márquez Winner of Mexico's Sor Juana Inés de la Cruz Prize, and France's Prix France Culture, The Angel of Galilea introduces a refreshing new voice in Latin American literature to the English speaking audience. Mona is a jaded reporter for a Colombian tabloid sent on assignment to investigate an angel sighting in one of Bogotá's most devastated barrios, where she encounters a community torn apart by a passionate conflict over a beautiful man who walks the fine line between sanity and sainthood. For the people of Galilea, this mysterious and sensual "angel without a name" represents their hope amidst desperate circumstances; for Mona, he awakens her desire to love and gives her a reason to believe. When the barrio's priest leads a revolt against the fallen angel, Mona risks everything to protect him from the gang that threatens to destroy him. "Restrepo is a writer to treasure." --Alastair Reid "Sharply resonant." --The New York Times Book Review "Surprising, wonderful, and, for me, deeply moving." --Alvaro Mutis