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This tale, "The City of the Sun" is told to author by a sea captain about his visit to an island Taprobane. The Protagonist describes his search for this land where the labor is divided equally among people who work for common good and not for money. The novel certainly depicts the author's utopian vision and reflects the idealism and revolutionary trends of thought in the age of reason. Appealing!
David Greig has been described as 'one of the most interesting and adventurous British dramatists of his generation' (Daily Telegraph) and 'one of the most intellectually stimulating dramatists around' (Guardian). Since he began writing for theatre in the early nineties, his work has been both copious and remarkably varied, defying neat generalisations or attempts to pigeon-hole his work. Besides his original plays, he has adapated classics, is co-founder of the Suspect Culture Theatre Group and is currently Dramaturge for the National Theatre of Scotland. This Critical Companion provides an analytical survey of his work, from his early plays such as Europe and The Architect through to more recent works Damascus, Dunsinane and Ramallah; it also considers the plays produced with Suspect Culture and his work for young audiences. As such it is the first book to provide a critical account of the full variety of his work and will appeal to students and fans of contemporary British theatre. Clare Wallace provides a detailed analysis of a broad selection of plays and their productions, reviews current discourses about his work and offers a framework for enquiry. The Companion features an interview with David Greig and a further three essays by leading academics offering a variety of critical perspectives.
The Golden Thread by David Clare,Fiona McDonagh,Justine Nakase Pdf
This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting the explosion of new work by contemporary writers. The plays in this volume explore women's experiences at the intersections of class, sexuality, disability, and ethnicity, pushing at the boundaries of how we define not only Irish theatre, but Irish identity more broadly.
Hope, Form, and Future in the Work of James Joyce by David P. Rando Pdf
Hope and future are not the terms with which James Joyce has usually been read, but this book paints a picture of Joyce's fiction in which hope and future assume the primary colours. Rando explores how Joyce's texts, as early as Dubliners and A Portrait of the Artist as a Young Man, delineate a complex hope that is oriented toward the future with restlessness, dissatisfaction, and invention. He examines how Joyce envisions alternatives to the prevailing conventions of hope throughout his works and, in Ulysses and Finnegans Wake, develops formal techniques of spatializing hope to contemplate it from all sides. Casting fresh light on the ways in which hope animates key aspects of Joyce's approach to literary content and form, Rando moves beyond the limitations of negative critique and literary historicism to present a Joyce who thinks agilely about the future, politics, and possibility.
Twelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play. Throughout the book chapters explore such issues as the play's critical reception from John Manningham's account of one of its first performances to major current comentators like Stephen Greenblatt; the performance history of the play, from Shakespeare's day to the present and key themes in current scholarship, from issues of gender and sexuality to the study of comedy and song. Twelfth Night: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's enduring comedy.
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.
ACROSS BORDERS AND TIME: JONATHAN SWIFT by Csaba Maczelka,David Clare,Andrew C. Rouse,Gabriella Hartvig Pdf
The volume Across Borders and Time: Jonathan Swift contains the papers delivered at the conference The World of Swift; Swift and his World, which was dedicated to the 350th anniversary of the birth of Jonathan Swift. The conference was held on 24-25 November 2017, at the House of Arts and Literature, Pécs, and jointly organised by the Institute of English Studies of Pécs University and SPECHEL, the latter of which is also the publisher of this volume in its series, SPECHEL e-ditions. It also benefited from the support provided by the Irish Embassy in Budapest. That year also marked the 650th anniversary of Hungary’s first university, founded in Pécs in 1367, and so the conference honoured that event, too. In this, the fifth SPECHEL e-dition, series editor Rouse joins up once again with SPECHEL member Gabriella Hartvig, an internationally respected scholar of the period and colleague at Pécs University, together with Irish Swiftian scholar David Clare. The volume comprises a selection of essays emanating from papers delivered at the conference celebrating the 350th anniversary of the Anglo-Irish writer Jonathan Swift, held in the anniversary year of 2017, and includes a paper delivered by the Irish Ambassador to Hungary that opened the conference. We are grateful to the Irish Embassy for their financial support, as well as to a number of local businesses and the Mayor’s Office of Pécs. The conference was organised by SPECHEL as part of the British and Irish Autumn 2017 series of events, and included a recital of the music of the Irish harper Turlough O’Carolan (1670-1738).
Author : Matthew K. Gold,Lauren F. Klein Publisher : U of Minnesota Press Page : 722 pages File Size : 40,6 Mb Release : 2019-04-30 Category : Social Science ISBN : 9781452961675
Debates in the Digital Humanities 2019 by Matthew K. Gold,Lauren F. Klein Pdf
The latest installment of a digital humanities bellwether Contending with recent developments like the shocking 2016 U.S. Presidential election, the radical transformation of the social web, and passionate debates about the future of data in higher education, Debates in the Digital Humanities 2019 brings together a broad array of important, thought-provoking perspectives on the field’s many sides. With a wide range of subjects including gender-based assumptions made by algorithms, the place of the digital humanities within art history, data-based methods for exhuming forgotten histories, video games, three-dimensional printing, and decolonial work, this book assembles a who’s who of the field in more than thirty impactful essays. Contributors: Rafael Alvarado, U of Virginia; Taylor Arnold, U of Richmond; James Baker, U of Sussex; Kathi Inman Berens, Portland State U; David M. Berry, U of Sussex; Claire Bishop, The Graduate Center, CUNY; James Coltrain, U of Nebraska–Lincoln; Crunk Feminist Collective; Johanna Drucker, U of California–Los Angeles; Jennifer Edmond, Trinity College; Marta Effinger-Crichlow, New York City College of Technology–CUNY; M. Beatrice Fazi, U of Sussex; Kevin L. Ferguson, Queens College–CUNY; Curtis Fletcher, U of Southern California; Neil Fraistat, U of Maryland; Radhika Gajjala, Bowling Green State U; Michael Gavin, U of South Carolina; Andrew Goldstone, Rutgers U; Andrew Gomez, U of Puget Sound; Elyse Graham, Stony Brook U; Brian Greenspan, Carleton U; John Hunter, Bucknell U; Steven J. Jackson, Cornell U; Collin Jennings, Miami U; Lauren Kersey, Saint Louis U; Kari Kraus, U of Maryland; Seth Long, U of Nebraska, Kearney; Laura Mandell, Texas A&M U; Rachel Mann, U of South Carolina; Jason Mittell, Middlebury College; Lincoln A. Mullen, George Mason U; Trevor Muñoz, U of Maryland; Safiya Umoja Noble, U of Southern California; Jack Norton, Normandale Community College; Bethany Nowviskie, U of Virginia; Élika Ortega, Northeastern U; Marisa Parham, Amherst College; Jussi Parikka, U of Southampton; Kyle Parry, U of California, Santa Cruz; Brad Pasanek, U of Virginia; Stephen Ramsay, U of Nebraska–Lincoln; Matt Ratto, U of Toronto; Katie Rawson, U of Pennsylvania; Ben Roberts, U of Sussex; David S. Roh, U of Utah; Mark Sample, Davidson College; Moacir P. de Sá Pereira, New York U; Tim Sherratt, U of Canberra; Bobby L. Smiley, Vanderbilt U; Lauren Tilton, U of Richmond; Ted Underwood, U of Illinois, Urbana-Champaign; Megan Ward, Oregon State U; Claire Warwick, Durham U; Alban Webb, U of Sussex; Adrian S. Wisnicki, U of Nebraska–Lincoln.
Islam, Christianity and the Making of Czech Identity, 1453-1683 by Laura Lisy-Wagner Pdf
Unlike many narratives about the Czech lands, which place them on the periphery of their own history, this study considers Czechs as central characters, looking both east and west to find their place in the early modern world. Islam, Christianity and the Making of Czech Identity, 1453-1683 works through the descriptive and ethnographic texts produced by Czech speakers about Islam and the Ottoman Empire to show how they used this discourse to create Czech identities. Rather than simply constructing identity in opposition to the Islamic Other, Laura Lisy-Wagner shows how these authors played the Holy Roman and Ottoman Empires off each other, creating an autonomous space for themselves in between. Lisy-Wagner introduces sources that are new to English-language historiography and uses them in a way that is new to Czech historiography as well. The chapters are organized based on different categories of agents-travelers, ethnographers, religious leaders, artists, and political revolutionaries-whose voices cast ideas of Europe and Czech identity in the early modern period in a new and different light.
Zdenek Stribrny, an internationally respected Shakespeare scholar, was Professor of English and American Studies at Charles University, Prague, until the Russian occupation of 1968. He was reinstated after the Velvet Revolution of 1989. This volume, prefaced by a new autobiographical introduction, collects papers on Shakespeare, most of which were written originally in English, from various periods of his eventful career. Their two main themes are the role of Time and the Czech critical and theatrical response to Shakespeare, with special emphasis on the various ways in which, during an era of censorship, productions offered coded political readings of the plays. Zdenek Stribrny is Professor Emeritus of English and American Studies at Charles University, Prague. Lois Potter is Ned B. Allen Professor of English at the University of Delaware.
Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.