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Louis Armstrong's New Orleans by Thomas Brothers,Thomas David Brothers Pdf
A rags-to-riches narrative of the eminent jazz artist's early life describes how his childhood was marked by such challenges as poverty, Jim Crow legislation, and vigilante terrorism but how his musical prowess was shaped by the culturally rich African-American traditions of New Orleans. Reprint.
Louis Armstrong, in His Own Words by Louis Armstrong Pdf
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. Louis Armstrong: In His Own Words introduces readers to a little-known facet of this master trumpeter, bandleader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence, autobiographical writings, magazine articles, and essays.
Gary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.
Louis Armstrong, Master of Modernism by Thomas Brothers,Thomas David Brothers Pdf
Picking up where Louis Armstrong's New Orleans left off, this biographical account of the legendary jazz trumpet virtuoso highlights the historical role Armstrong played in the creation of modern music and also his encounters with racism.
Louis Armstrong's New Orleans by Thomas Brothers Pdf
"The best book ever produced about Louis Armstrong by anyone other than the man himself."—Terry Teachout, Commentary In the early twentieth century, New Orleans was a place of colliding identities and histories, and Louis Armstrong was a gifted young man of psychological nimbleness. A dark-skinned, impoverished child, he grew up under low expectations, Jim Crow legislation, and vigilante terrorism. Yet he also grew up at the center of African American vernacular traditions from the Deep South, learning the ecstatic music of the Sanctified Church, blues played by street musicians, and the plantation tradition of ragging a tune. Louis Armstrong's New Orleans interweaves a searching account of early twentieth-century New Orleans with a narrative of the first twenty-one years of Armstrong's life. Drawing on a stunning body of first-person accounts, this book tells the rags-to-riches tale of Armstrong's early life and the social and musical forces that shaped him. The city and the musician are both extraordinary, their relationship unique, and their impact on American culture incalculable. Some images in this ebook are not displayed owing to permissions issues.
Author : Charles B. Hersch Publisher : University of Chicago Press Page : 304 pages File Size : 52,8 Mb Release : 2008-09-15 Category : Music ISBN : 9780226328690
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, “I figure singing and playing is the same,” or, “Singing was more into my blood than the trumpet.” Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.
Nearly 50 years after his death, Louis Armstrong remains one of the 20th century's most iconic figures. Popular fans still appreciate his later hits such as "Hello, Dolly!" and "What a Wonderful World," while in the jazz community, he remains venerated for his groundbreaking innovations in the 1920s. The achievements of Armstrong's middle years, however, possess some of the trumpeter's most scintillating and career-defining stories. But the story of this crucial time has never been told in depth until now. Between 1929 and 1947, Armstrong transformed himself from a little-known trumpeter in Chicago to an internationally renowned pop star, setting in motion the innovations of the Swing Era and Bebop. He had a similar effect on the art of American pop singing, waxing some of his most identifiable hits such as "Jeepers Creepers" and "When You're Smiling." However as author Ricky Riccardi shows, this transformative era wasn't without its problems, from racist performance reviews and being held up at gunpoint by gangsters to struggling with an overworked embouchure and getting arrested for marijuana possession. Utilizing a prodigious amount of new research, Riccardi traces Armstrong's mid-career fall from grace and dramatic resurgence. Featuring never-before-published photographs and stories culled from Armstrong's personal archives, Heart Full of Rhythm tells the story of how the man called "Pops" became the first "King of Pop."
Who Was Louis Armstrong? by Yona Zeldis McDonough,Who HQ Pdf
If not for a stint in reform school, young Louis Armstrong might never have become a musician. It was a teacher at the Colored Waifs Home who gave him a cornet, promoted him to band leader, and saw talent in the tough kid from the even tougher New Orleans neighborhood called Storyville. But it was Louis Armstrong's own passion and genius that pushed jazz into new and exciting realms with his amazing, improvisational trumpet playing. His seventy-year life spanned a critical time in American music as well as black history.
Certain to be the definitive word on Louis Armstrong, "Pops" paints a gripping portrait of the man, his world, and his music. Drawing on a cache of new sources, the author has crafted a sweeping new narrative biography of this towering figure.
The first autobiography of a jazz musician, Louis Armstrong's Swing That Music is a milestone in jazz literature. Armstrong wrote most of the biographical material, which is of a different nature and scope than that of his other, later autobiography, Satchmo: My Life in New Orleans (also published by Da Capo/Perseus Books Group). Satchmo covers in intimate detail Armstrong's life until his 1922 move to Chicago; but Swing That Music also covers his days on Chicago's South Side with ”King” Oliver, his courtship and marriage to Lil Hardin, his 1929 move to New York, the formation of his own band, his European tours, and his international success. One of the most earnest justifications ever written for the new style of music then called ”swing” but more broadly referred to as ”Jazz,” Swing That Music is a biography, a history, and an entertainment that really ”swings.”
The gripping story of a boy, a dog and a hurricane Saint is a boy with confidence as big as his name is long. A budding musician, he earns money playing clarinet for the New Orleans tourists. His best friend is a stray dog named Shadow, and it's because of Shadow that Saint's still in town when Hurricane Katrina hits. Saint's not worried about the hurricane at first--he plans to live to be a hundred just to defy his palm-reader friend Jupi, who told him he had a short life line. But now the city has been ordered to evacuate and Saint won't leave without Shadow. His search brings him to his elderly neighbor's home and the three of them flee to her attic when the waters rise. But when Miz Moran's medication runs out, it's up to Saint to save her life--and his beloved Shadow's.
Author : Mary Pope Osborne Publisher : Random House Books for Young Readers Page : 146 pages File Size : 46,6 Mb Release : 2011-07-26 Category : Juvenile Fiction ISBN : 9780375856495
Make story time a little spookier with the #1 bestselling chapter book series of all time! Every visit to the magic tree house leads to a time-travel adventure! Jack and Annie are on a mission to find—and inspire—a musician that brings happiness to millions of people. After traveling to New Orleans, Jack and Annie come head to head with some real ghosts, and discover the world of jazz when they meet a young Louis Armstrong. Formerly numbered as Magic Tree House #42, the title of this book is now Magic Tree House Merlin Mission #14: A Good Night for Ghosts. Did you know that the Magic Tree House series has two levels? MAGIC TREE HOUSE: Perfect for readers 6-9 who are just beginning to read chapter books—includes this boxed set! MERLIN MISSIONS: More challenging adventures for experienced readers ages 7-10 The Magic Tree House series has been a classroom favorite for over 25 years and is sure to inspire a love of reading—and adventure—in every child who joins Jack and Annie!
Louis Armstrong, Blues Music, and the Artistic, Political, and Philosophical Debate During the Harlem Renaissance by Dr. Michael Decuir Pdf
In Louis Armstrong, Blues Music, and the Artistic, Political, and Philosophical Debate During the Harlem Renaissance, Dr. Michael Decuir explores the interrelationship of the literary, visual, and performing arts; politics; and opposing philosophies during the Harlem Renaissance. His research documents the West African roots of blues and jazz music to New Orleans and Louis Armstrong. Drawing on his own experiences growing up in New Orleans, Decuir details the related cultural behaviors and their manifestations during the Harlem Renaissance. Specifically, blues music’s importation to New Orleans and the incorporation of the West African stratified rhythmic and improvisational approach to its performance. Decuir connects historical events such as James Reese Europe’s creativity during World War I and its relevance to the events of the summer of 1919 and subsequent rebirth of the New Negro ideology. The research examines how the New Negro spirit helped infuse an examination and debate about the quality and validity of the period’s arts. Decuir expounds on the impact of the discussion in some of the period’s salient authors and essayists’ writings. They include Alain Locke, W. E. B. Du Bois, George Schuyler, and Langston Hughes, among others. Decuir discusses the correlation between the debate and the increasing popularity of blues music and Armstrong’s role as one of the arts’ principal aquifers. Specifically, Armstrong’s salient recordings, “Texas Moaner Blues,” “St. Louis Blues” (accompanying Bessie Smith), “Black and Blue,” “West End Blues,” and “Blue Yodel No. 9” (with Jimmie Rodgers). Decuir also explores blues music as an existential idiom indicative of the African American use of music for more than entertainment or aesthetic fulfillment. Specifically, the enslaved use of song texts to relay messages of escape and danger, the use of field songs to ease the burden of labor, and blues music’s role as a vehicle to identify and solve the ills of life in an oppressive existence.
Louis Armstrong's Hot Five and Hot Seven Recordings by Brian Harker Pdf
For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the discs were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. Through a careful analysis of seven seminal recordings in this compact and engaging book, author Brian Harker recaptures the perspective of Armstrong's original audience without abandoning that of today's listeners. The world of vaudeville and show business provide crucial context to his readings, revealing how the demands of making a living in a competitive environment catalyzed Armstrong's unique artistic gifts. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, Louis Armstrong's Hot Five and Hot Seven Recordings offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of work.