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Local legend Luke Cage, invincible, unstoppable, unflappable, finds that out the hard way when he returns to the mean streets of Prohibition-era Harlem after a ten-year stretch in Ryker's Island. All he wants is to be back in the loving arms of his woman, but certain powerful men have different plans for Cage. Cage is about to learn that coming home is never easy, and to survive he might just have to kill a whole lot of people. Collects Luke Cage Noir #1-4.
Power Man no more! Harlem's favorite son is ripping up the silk shirt and getting back in the game as Luke Cage, Hero for Hire - and he's working overtime! With Chicago as his new home, it's no surprise Luke soon has his hands full with the Untouchables! And that puts him square in the Punisher's sights. Bullets are one thing for a guy with steel-hard skin, but he'll need a power upgrade before locking horns with the Rhino and butting heads with the Hulk! It's far from a sweet Christmas when a new foe strikes - one with ties to one of his greatest enemies! With his family's lives at stake, Luke sure is a friend in need. Good thing Iron Fist is his friend indeed! Collecting Cage (1992) #1-12 and material from Marvel Comics Presents (1988) #82.
Collects Hero for Hire (1972) #1-16, Power Man (1974) #17-23. Luke Cage burst onto the comics scene in 1972 as the “Hero for Hire!” Equal parts Marvel Method and Blaxploitation boldness, Cage was a new kind of hero for a new era, the historic first African American character to headline his own series. Cage’s adventures depicted New York City’s 1970s grit and the plight of its people with a realism that was gripping in its time, all while incorporating larger-than-life villains, including Black Mariah and Doctor Doom! This Epic Collection presents page after page of classic Luke Cage adventures, including his amazing origin, his growing relationship with Claire Temple, the first appearance of Cottonmouth, a battle against Iron Man and a fight to the finish with a classic Marvel foe for the name Power Man!
CollectsÿCage! #1-4. The award-winning animator behind Dexter's Laboratory, Samurai Jack and Hotel Transylvania brings his visionary talents to Marvel! On the mean streets of Harlem, shoes are big, shirts are large, bottoms are belled and crime is rampant! But in the heart of the city, the world's hardest-working, smack-talking, chain-wearing super hero is on the streets and on the case! And his rates are reasonable! He's Cage! Dig it! But what happens when he's out of his element, trapped in a jungle a thousand miles from home, and hunted by savage beasts that walk like men?
The steel-skinned Avenger shows exactly why he's one of Earth's Mightiest Heroes! Discover how young Carl Lucas, imprisoned for a crime he didn't commit, gained his powers and became the hero he is today! As CIVIL WAR rages, Luke picks a side and makes a stand--but it might just divide him from his wife, Jessica Jones! When their daughter, Danielle, is captured by Skrulls, Luke will make a deal with the devil to save her. Then, a ghost from Luke's past takes him back to the Hero For Hire biz--and a classic street level team-up pits Luke, best pal Iron Fist, Daredevil, Moon Knight and Spider-Man against the Kingpin and Killgrave the Purple Man! COLLECTING: AVENGERS ORIGINS: LUKE CAGE, NEW AVENGERS (2005) 22 & 49, NEW AVENGERS: LUKE CAGE 1-3, MARVEL TEAM-UP ANNUAL 4
Collects Luke Cage MDO Digital Comic #1-3. With Harlem in the grips of an unprecedented heat wave, the people look to their herothe unbreakable man, Luke Cage! But the heat wave turns out to be the least of Harlems worries. Someone has their sights set on the citys 1%, and the rich and powerful are dropping dead from mysterious illnesses. Its up to Luke Cage to stop the Everyman Killereven though hes just received a grim diagnosis of his own By the time Luke discovers the true identity of the Everyman Killer hes too late to stop them from abducting one of the most important people in his life. Can Luke neutralize the killer in time to save his beloved city?
Investigating the murder of a teenage girl, Cage suddenly learns that a three-way gang war is underway for control of the turf he calls home. And what better way to disrupt the stalemate than offering his services to the highest bidder?
Shaolin Brew: Race, Comics, and the Evolution of the Superhero looks at how the comic book industry developed from a white perspective and how minority characters were and are viewed through a stereotypical white gaze. Further, the book explores how voices of color have launched a shift in the industry, taking nonwhite characters who were originally viewed through a white lens and situating them outside the framework of whiteness. The financial success of Blaxploitation and Kung Fu films in the early 1970s led to major comics publishers creating, for the first time, Black and Asian superhero characters who headlined their own comics. The introduction of Black and Asian main characters, who previously only served as guest stars or sidekicks, launched a new kind of engagement between comics companies and minority characters and readers. However, scripted as they were by white writers, these characters were mired in stereotypes. Author Troy D. Smith focuses on Asian, Black, and Latinx representation in the comic industry and how it has evolved over the years. Smith explores topics that include Orientalism, whitewashing, Black respectability politics, the model minority myth, and political controversies facing fandoms. In particular, Smith examines how fans take the superheroes they grew up with—such as Luke Cage, Black Lightning, and Shang Chi—and turn them into the characters they wished they had as children. Shaolin Brew delves into the efforts of fans of color who urged creators to make these characters more realistic. This refining process increased as more writers and artists of color broke into the industry, bringing their own perspectives to the characters. As many of these characters transitioned from page to screen, a new generation of writers, artists, and readers have cooperated to evolve one-dimensional stereotypes into multifaceted, dynamic heroes.
Marvel Masterworks by Archie Goodwin,Steve Englehart,Tony Isabella,Gerry Conway,Billy Graham Pdf
Luke Cage burst onto the comics scene in 1972 as the "Hero for Hire." Equal parts Marvel Method and Blaxploitation boldness, he was a new kind of hero for a new era. Now, the Marvel Masterworks proudly presents the complete Luke Cage, Hero for Hire - the historic first title to headline an African-American super hero - in one hardcover volume! Cage's adventures depicted New York City's 1970s grit and the plight of its people unlike any other, all while incorporating larger-than-life villains including Black Mariah and Dr. Doom. COLLECTING: Luke Cage, Hero for Hire (1972) 1-16
When anold friend from Luke Cage's past is put in the hospital by a vicious attack, Cage leaves his New York City, Avengers Assemblin' adventure-filled life for the cold, harsh and mean streets of North Philadelphia. But what's brought HAMMERHEAD to town as well? JOHN ARCUDI (Wednesdays Comics) and ERIC CANETE (AMAZING SPIDER-MAN) team up to bring you this hard-t\hitting, two-fisted look at the seedier sides of the Marvel U as the original Hero for Hire gets back to work in NEW AVENGERS: LUKE CAGE!COLLECTING: Avengers: Luke Cage #1-3, Daredevil: Cage Match, Hero for Hire #1
When a black man is murdered by a police officer in New York City, Luke Cage is called to action. But what can a good man do when protecting the streets puts him at odds with his own people? A cadre of crooked cops called the Regulators are out to terrorize ordinary citizens. And with Daredevil determined to bring them down, and Mayor Fisk equally determined to use them to tighten his grip on the Big Apple, it's up to Cage to keep the city from completely going up in flames! Joined by an exciting trio of artists, celebrated creator Ho Che Anderson (King: A Comics Biography of Martin Luther King, Jr.; Scream Queen) makes his Marvel debut with an ambitious, hard-hitting story unlike any you've seen in the Marvel Universe before! COLLECTING: Luke Cage: City Of Fire (2021) 1-3
e-Pedia: Captain America: Civil War by Contributors, Wikipedia Pdf
This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, and Daniel Brühl. In Captain America: Civil War, disagreement over international oversight of the Avengers fractures them into opposing factions—one led by Steve Rogers and the other by Tony Stark. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 634 related (linked) Wikipedia articles to the title article. This book does not contain illustrations.
Collecting Luke Cage (2017) #1-5. The man who made Luke Cage into the unbreakable hero he is today, Dr. Noah Burstein, is dead. But when Luke heads to New Orleans for the funeral, it turns out that there may be more to his father figure's death than he realized. Shady billionaires, amped-up gangs, and a shadowy figure from his past propel Luke into a world of mystery. The hunt he begins may end up destroying him...but when Cage is looking for answers, it's a bad day for anyone in his way!
Working-Class Comic Book Heroes by Marc DiPaolo Pdf
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
How colonial categories of race and religion together created identities and hierarchies that today are vehicles for multicultural nationalism and social critique in the Caribbean and its diasporas. When the British Empire abolished slavery, Caribbean sugar plantation owners faced a labor shortage. To solve the problem, they imported indentured “coolie” laborers, Hindus and a minority Muslim population from the Indian subcontinent. Indentureship continued from 1838 until its official end in 1917. The Deepest Dye begins on post-emancipation plantations in the West Indies—where Europeans, Indians, and Africans intermingled for work and worship—and ranges to present-day England, North America, and Trinidad, where colonial-era legacies endure in identities and hierarchies that still shape the post-independence Caribbean and its contemporary diasporas. Aisha Khan focuses on the contested religious practices of obeah and Hosay, which are racialized as “African” and “Indian” despite the diversity of their participants. Obeah, a catch-all Caribbean term for sub-Saharan healing and divination traditions, was associated in colonial society with magic, slave insurrection, and fraud. This led to anti-obeah laws, some of which still remain in place. Hosay developed in the West Indies from Indian commemorations of the Islamic mourning ritual of Muharram. Although it received certain legal protections, Hosay’s mass gatherings, processions, and mock battles provoked fears of economic disruption and labor unrest that led to criminalization by colonial powers. The proper observance of Hosay was debated among some historical Muslim communities and continues to be debated now. In a nuanced study of these two practices, Aisha Khan sheds light on power dynamics through religious and racial identities formed in the context of colonialism in the Atlantic world, and shows how today these identities reiterate inequalities as well as reinforce demands for justice and recognition.
