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Osip Mandel'shtam (1891-1938) is considered by many to have been the best Russian poet of his era. This book is the first attempt to describe in a comprehensive way Mandel'shtam's intellectual world and its effect on his evolution as a thinker.
Centuries Encircle Me with Fire by Osip Mandelstam Pdf
Osip Mandelstam (1891-1938) is widely regarded as one of the twentieth century's most influential poets. This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam's most beloved and haunting poems. Both scholars and general readers will gain a deeper understanding of his poetics, as Probstein situates each poem in its historical and literary context. The English translations presented here are so deeply immersed in the Russian sources and language through the ear of a Russian-born Probstein who has spent most of his adult life in the US, that they provide reader's with a Mandelstam unseen any translations that precede it.
"Friedin writes just the kind of criticism Mandelstam wrote and which he would have loved: grounded in careful reading but never timid, quirky but never merely eccentric, the product of a mind and sensibility keenly alive to the times, both historical and critical. . . . Nothing I have read on Mandelstam has so provoked my own thinking as has Freidin's work. . . . It is stimulating in every sense of the word and will move the study of Mandelstam off the point at which it has been stuck for far too long." - John E. Malmstad, Harvard University "Combining as it does sensitive close readings of the Mandelstam texts with an uncommonly wide range of literary and sociocultural reference, A Coat of Many Colors is a welcome and significant addition to the body of scholarship bearing on one of our century's finest poets." -Victor Erlich, Yale University
Rightly appreciated as a 'poet's poet', Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is 'as firmly rooted in both an historical and cultural context as real as Joyce's Ulysses or Eliot's Waste Land.' Great lyric poets offer a cross-section of their times, and Mandelstam's poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam's writings are the subject of this book, showing how engaged the poet was with the history, social movements, political ideology, and aesthetics of his time. The importance of the book also lies in showing how literature, no less than history and philosophy, enables readers to confront the huge upheaval in outlook can demand of us; thinking with poetry is to think through the moral compromise and tension felt by individuals in public and private contexts, and to create out of art experience in itself. The book further innovates by integrating a new, comprehensive discussion of the Voronezh Notebooks, one of the supreme achievements of Russian poetry. This book considers the full political dimension of works that explore the role of the poet as a figure positioned within society but outside the state, caught between an ideal of creative independence and a devotion to the original, ameliorative ideals of the revolution.
Osip Mandelstam, who died anonymously in a Siberian transit-camp in 1938, is now generally considered to be among the four or five greatest Russian poets of the twentieth century. The essays in this volume, presented in an exceptionally scrupulous and true translation, were selected because they represent Mandelstam's major poetic themes and his thought on literature, language and culture, and the work and place of the poet. Mandelstam's views on literature are profound and original, and they are expressed in striking and dramatic, if sometimes difficult, prose. These essays deal with such topics as the poetic process and the relationship of poetry to politics, culture, the traditions of the past, and the demands of the present. Sidney Monas's lively introduction to the work and life of Mandelstam combines the virtues of both the critical essay and detached scholarship. Keeping biographical detail to a minimum, Monas concentrates on the pattern that runs through the essays and lends them that coherence often noted in Mandelstam's poetry.
The Poems of Osip Mandelstam by Osip Mandelstam Pdf
Selected poems by Osip Mandelstam in English translation. Translated and with a postface by Ilya Bernstein. Most of the poems are from the 1930s, mostly from the "Voronezh Notebooks" (1935-1937).
The personal and political life of the iconic Russian poet Osip Mandelstam is graphically portrayed in this lavishly illustrated book This is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism. The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation. His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment. The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina.
Ethics and Dialogue engages with four of the most complex authors of the twentieth century--Levinas, Bakhtin, Mandel'shtam, and Celan--in a hermeneutically and methodologically innovative manner. Construing Levinas's ethical philosophy in conjunction with Bakhtin's philosophy of the act and metalinguistics, as an interpretative framework for making sense of Celan's dialogue with Mandel'shtam, the author develops a highly sophisticated mode of reading poetry--poethics--which takes into account both the ethical significance of poetry and the poetic significance of ethical philosophy. While documenting the viability of Levinas's and Bakhtin's philosophies, Eskin's analyses of Celan's and Mandel'shtam's poetry in the light of its philosophical underpinnings open hitherto unseen vistas on to the workings of twentieth-century poetry in general and on to European modernist and post-World War II poetry in particular.
The Manipulation of Literature (Routledge Revivals) by Theo Hermans Pdf
First published in 1985, the essays in this edited collection offer a representative sample of the descriptive and systematic approach to the study of literary translation. The book is a reflection of the theoretical thinking and practical research carried out by an international group of scholars who share a common standpoint. They argue the need for a rigorous scientific approach the phenomena of translation – one of the most significant branches of Comparative Literature – and regard it as essential to link the study of particular translated texts with a broader methodological position. Considering both broadly theoretical topics and particular cases and traditions, this volume will appeal to a wide range of students and scholars across disciplines.
Osip Mandelstam, who died in 1938 in one of Stalin's labour camps, is one of the greatest poets of this century. Brown's 1978 volume is a very full and important book which tells of Mandelstam's earlier life and gives an introduction to the poetry. Professor Brown tells as much as will probably ever be known about Mandelstam's early life, his studies, his literary relationships; and recreates in piquant detail the intellectual world of prerevolutionary St Petersburg. Indeed, the criticism of Mandelstam's three collections of poetry, quoted both in Russian and in translation, manages the seemingly impossible: the reader with no Russian begins to grasp - as though at first hand - how this poetry makes its effects, and he senses its originality and importance and its place in European literature. Professor Brown here presents the first critical study of the life and works.
Poetry and the Leningrad Religious-Philosophical Seminar 1974-1980 by Josephine von Zitzewitz Pdf
The Religious-Philosophical Seminar, meeting in Leningrad between 1974-1980, was an underground study group where young intellectuals staged debates, read poetry and circulated their own typewritten journal, called ‘37’. The group and its journal offered a platform to poets who subsequently entered the canon of Russian verse, such as Viktor Krivulin (1944-2001) and Elena Shvarts (1948-2010). Josephine von Zitzewitz’s new study focuses on the Seminar’s identification of culture and spirituality, which allowed Leningrad’s unofficial culture to tap into the spirit of Russian modernism, as can be seen in ‘37’. This book is thus a study of a major current in twentieth-century Russian poetry, and an enquiry into the intersection between literary and spiritual concerns. But it also presents case studies of five poets from a special generation: not only Krivulin and Shvarts, but also Sergei Stratanovskii (1944-), Oleg Okhapkin (1944-2008) and Aleksandr Mironov (1948-2010).
