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Master Drawings from the Cleveland Museum of Art by Diane DeGrazia,Cleveland Museum of Art,Carter E. Foster Pdf
"The volume has been produced to accompany an exhibition of these rarely seen works, which will be presented in Cleveland and then travel to the Morgan Library in New York. It will be a treasured addition to the library of every lover of the art of drawing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Carter E. Foster,Sylvain Bellenger,Patrick Shaw Cable,Cleveland Museum of Art
Author : Carter E. Foster,Sylvain Bellenger,Patrick Shaw Cable,Cleveland Museum of Art Publisher : Hudson Hills Page : 170 pages File Size : 40,8 Mb Release : 2001 Category : Art ISBN : 0940717670
French Master Drawings from the Collection of Muriel Butkin by Carter E. Foster,Sylvain Bellenger,Patrick Shaw Cable,Cleveland Museum of Art Pdf
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Master Drawings from the Smith College Museum of Art by Smith College. Museum of Art,Ann H. Sievers,Linda D. Muehlig,Nancy Rich Pdf
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Author : Los Angeles County Museum of Art,Bruce Davis Publisher : Hudson Hills Page : 256 pages File Size : 53,7 Mb Release : 1997 Category : Architecture ISBN : 155595152X
Master Drawings in the Los Angeles County Museum of Art by Los Angeles County Museum of Art,Bruce Davis Pdf
More than 100 masterworks from the collection, all in full color, each with a text about the artist and drawing as well as full documentation. 105 colour illustrations
Michelangelo by Emily J. Peters,Michelangelo Buonarroti,Julian Brooks,Edina Adam,Marjan Scharloo,Carel van Tuyll van Serooskerken Pdf
"Michelangelo: Mind of the Master will be published in conjunction with the exhibition of the same title, on view at the Cleveland Museum of Art from 09/22/2019 to 01/05/2020 and the J. Paul Getty Museum from 02/25 to 06/07/2019. The exhibition has been organized in collaboration with the Teylers Museum and features works from its collection"--
Drawings in Midwestern Collections by Burton Lewis Dunbar,Edward J. Olszewski Pdf
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy by Evelyn Karet Pdf
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Yale University (New Haven, Conn.). Art Gallery,Suzanne Boorsch,John Marciari,Nicole Bensoussan,Yale University. Art Gallery,Margaret E. Hadley,Elisabeth Hodermarsky,Rena Hoisington,Jan Leja,Edgar Munhall
Author : Yale University (New Haven, Conn.). Art Gallery,Suzanne Boorsch,John Marciari,Nicole Bensoussan,Yale University. Art Gallery,Margaret E. Hadley,Elisabeth Hodermarsky,Rena Hoisington,Jan Leja,Edgar Munhall Publisher : Yale University Press Page : 316 pages File Size : 48,7 Mb Release : 2006-01-01 Category : Art ISBN : 9780300114331
Master Drawings from the Yale University Art Gallery by Yale University (New Haven, Conn.). Art Gallery,Suzanne Boorsch,John Marciari,Nicole Bensoussan,Yale University. Art Gallery,Margaret E. Hadley,Elisabeth Hodermarsky,Rena Hoisington,Jan Leja,Edgar Munhall Pdf
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Michelangelo, Drawing, and the Invention of Architecture by Cammy Brothers Pdf
By following steps by which Michelangelo arrived at his inventions, the author questions conventional notions of spotaneity as a function of genius. Rather, she explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas.
Ger Luijten,Museum Boymans-Van Beuningen,A. W. F. M. Meij,Art Services International
Author : Ger Luijten,Museum Boymans-Van Beuningen,A. W. F. M. Meij,Art Services International Publisher : Museum Page : 276 pages File Size : 42,8 Mb Release : 1990-01-01 Category : Drawing ISBN : 9061791170
""Rick Barton should have been a San Francisco legend," wrote author and artist Etel Adnan in a 1998 essay. Barton (American, 1928-1992) was born and raised in New York and settled in the Bay Area in the 1950s. Working primarily in pen or brush and ink, in a kaleidoscopic linear style, Barton ceaselessly recorded the world around him. His intricate sheets capture the intimate interiors and social spaces, lovers and friends, and architectural and botanical subjects that fascinated him. Bringing together more than sixty drawings, two accordion-folded sketchbooks, and printed books and portfolios, this catalogue presents the work of a significant and, until now, unheralded figure of the Beat era. Complementing the images are a deeply researched essay by Rachel Federman, curator of the accompanying exhibition at the Morgan Library & Museum, and an excerpt of Adnan's essay, the first and previously the only published account of Barton"--
Master Drawings from the Worcester Art Museum by Worcester Art Museum,David Acton Pdf
One of the finest collections of master drawings in America is at the Worcester Art Museum in Massachusetts. To celebrate the museum's centennial, the collection's greatest masterpieces of draftsmanship are being exhibited in Worcester, followed by a tour. These one hundred works, in a broad variety of media, are reproduced in full color, each accompanied by a comprehensive essay. They range from a medieval illuminated choir book page; through old masters Rubens, Guercino, Ribera, the Tiepolos, Boucher, Copley, Prud'hon, David, and Rowlandson; nineteenth-century masters Ingres, Millet, Degas, Gauguin, van Gogh, and Homer; modernist masters Kirchner, Modigliani, Sargent, Grosz, Rivera, Marin, Noguchi, and Giacometti; to recent works by David Hockney and Sam Francis - seven centuries in all, the entire spectrum of Western draftsmanship.
This exhibition highlights more than 150 master drawings from the Thaw Collection, one of the world?s finest private collections containing over 400 sheets. Assembled over the last fifty years, and made a promised gift to the Morgan in 1975, the collection has now been given in full to the museum by Life Trustee Eugene V. Thaw and his wife, Clare. 'Drawn to Greatness' focuses on pivotal artists and key moments in the history of draftsmanship. Works by major masters from the Renaissance to the modern era will be on view, including Mantegna, Rubens, Rembrandt, Canaletto, Piranesi, Watteau, Fragonard, Goya, Ingres, Turner, Daumier, Redon, Degas, Cézanne, Gauguin, van Gogh, Matisse, Picasso, and Pollock. 00Exhibition: Morgan Library and Museum, New York, USA (29.09.2017-07..01.2018) / Clark Art Institute, Williamstown, USA (03.02.-29.04.2018).
From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.