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Hello from Japan. Not much new here. My four-year-olds attacked me, my crazy female stalkers jumped on the desk and professed their love for me, my depressed coworkers fist-fought each other at the all-you-can-drink karaoke bar, and I have no idea what I ate yesterday but it was uncooked and squishy. Pretty much the usual. What's new from home? Ben took the teaching job in Japan because he wasn't quite ready to figure out what he wanted to do with his life. Instead, his efforts were put towards figuring out his new students, coworkers, and dinner. He is a "gaijin," the Japanese word for "foreigner." From festivals and temples to bicycles and cleaning supplies, Memoirs of a Gaijin: Emails from Japan is the one-year collection of emails and journals that chronicle Ben's experiences in the comedic and confusing country of Japan. "A witty, honest work. Ben Hesse's Memoirs of a Gaijin should be a required read for those college grads who are contemplating the increasingly popular first 'real life' step of teaching English abroad."-C.J. Renner, author of Tried to Say
G e o r g e L a v r o v George Lavrov was born and raised in Yokohama, Japan, where he attended St. Joseph grade and high school. He is a graduate of San Francisco State University, with a major in international trade management with area specialization in Japan and the Pacific Rim. He is the author of The Pacific Rim--Threat or Promise, as well as various other articles dealing with Asian and international business. Being trilingual, he speaks English, Russian and Japanese. During 1975 to 1986, Lavrov was based in Tokyo where he represented American insurance interests. Since returning to the U.S., he has continued to work in the international arena, especially related to Asia and the Pacific Rim. Yokohama Gaijin is George Lavrov's personal story, told from his own eyewitness account. It recounts the horror of WWII carpet bombings of Japanese cities, including the tragic loss of his elder brother, Konstantin, who was killed instantly when a bomb from an American B-29 bomber made a direct hit on the Lavrov residence in Yokohama, Japan, on May 29th, 1945, the harsh wartime treatment of gaijin (foreign) residents of Japan and much more. It is the true story of a stateless White Russian and his family, as they coped through some of the most difficult times of the 20th century--the WWII period in Japan and the postwar years that followed. But it's also a story of faith and hope in the future--a future that spelled A M E R I C A and a successful career in the international business world.
Japan is one of the great loves of my life, but it wasnat always that way. As little as six years ago, Japan wasnat even on my list of places that I wanted to visit, let alone live. It seemed too aoriental.a Yet, through a weird twist of fate (and, as it turned out, luck), I ended up living there two separate times, most recently as an English teacher. Life as a agaijina (literally translated, aoutside persona) in Japan was oftentimes frustrating (especially when, time and again, people looked into your shopping cart at the grocery store to see what a gaijin would buy) and at the same time side-splittingly hilarious. This is a humorous collection of my experiences written while I was living in Yamagata Mura, Iwate Ken, Japan. I hope you enjoy reading them (and laughing at them) as much as I enjoyed living them.
The Only Gaijin in the Village by Iain Maloney Pdf
In 2016 Scottish writer Iain Maloney and his Japanese wife Minori moved to a village in rural Japan. This is the story of his attempt to fit in, be accepted and fulfil his duties as a member of the community, despite being the only foreigner in the village. Even after more than a decade living in Japan and learning the language, life in the countryside was a culture shock. Due to increasing numbers of young people moving to the cities in search of work, there are fewer rural residents under the retirement age – and they have two things in abundance: time and curiosity. Iain's attempts at amateur farming, basic gardening and DIY are conducted under the watchful eye of his neighbours and wife. But curtain twitching is the least of his problems. The threat of potential missile strikes and earthquakes is nothing compared to the venomous snakes, terrifying centipedes and bees the size of small birds that stalk Iain's garden. Told with self-deprecating humour, this memoir gives a fascinating insight into a side of Japan rarely seen and affirms the positive benefits of immigration for the individual and the community. It's not always easy being the only gaijin in the village.
At the age of eighteen, Chad Rowan left his home in rural Hawai'i for Tokyo with visions of becoming a star athlete in Japan's national sport, sumo. But upon his arrival he was shocked less by the city crowds and the winter cold than by having to scrub toilets and answer to fifteen-year-olds who had preceded him at the sumo beya. Rowan spoke no Japanese. Of Japanese culture, he knew only what little his father, a former tour bus driver in Hawai'i, had been able to tell him as they drove to the airport. And he had never before set foot in a sumo ring. Five years later, against the backdrop of rising U.S.–Japan economic tension, Rowan became the first gaijin (non-Japanese) to advance to sumo's top rank, yokozuna. His historic promotion was more a cultural accomplishment than an athletic one, since yokozuna are expected to embody highly prized Japanese values such as hard work, patience, strength, and hinkaku, a special kind of dignity thought to be available only to Japanese. He was promoted ahead of his two main rivals, the brothers Koji and Masaru Hanada, who had been raised in the sumo beya run by their father, the former sumo great Takanohana I. Perhaps the defining moment of the gaijin's unique success occurred at the 1998 Nagano Olympics, when Rowan, chosen to personify "Japanese" to one of the largest television audiences in history, performed a sacred sumo ritual at the opening ceremony. Gaijin Yokozuna chronicles the events leading to that improbable scene at Nagano and beyond, tracing Rowan's life from his Hawai'i upbringing to his 2001 retirement ceremony. Along the way it briefly examines the careers of two Hawai'i-born sumotori who paved the way for Rowan, Jesse Kuhaulua (Takamiyama) and Salevaa Atisanoe (Konishiki). The author shares stories from family members, coaches, friends, fellow sumo competitors, and of course Rowan himself, whom he accompanied on three Japan-wide exhibition tours. The work is further informed by volumes of secondary source material on sumo, Japanese culture, and local Hawai'i culture.
Honor. Sacrifice. Friendship. Tradition. Love. Cultures clash and hearts open in this exciting memoir set in 1970s Japan. What happens when an Italian-American airman stationed in Tokyo breaks free from expectations and fully opens to embrace-and be embraced-by Japan's traditional way of living and loving? Other books and movies have shown us the politically authorized view, the Hollywood view, the Americanized view of Japan. For the first time, in Cultured Gaijin (foreigner), you will discover the REAL Japan. Whether you are already a lover of The Land of the Rising Sun, or you have been curious and want to go beyond the guidebooks and documentaries, this book is your gateway to an immersion that is as humorous as it is thought-provoking. Through the eyes, mind, and spirit of a U.S. Air Force serviceman willing to step deeply into Bushido, the moral code of the samurai warrior, while staying true to himself, you will journey from Japanese countryside to city, from mountains to temples, and meet real-life characters who will enliven and enlighten you long after you have read the last page of this respectful, revealing, romantic, and raw autobiography.
Fiction. Asian & Asian American Studies. Edited by Susan Gardner. These twenty-three short stories reaffirm author Gordon Ball's absorption with, and illumination of, "vanished" people, places, and times. Following on the heels of three memoirs, ON TOKYO'S EDGE re-creates the texture of life among a rarefied group of relatively isolated foreigners in American-Occupied Japan and the decade following Occupation. Peopling these interrelated short fictions are a great range of vivid characters, including schoolmates, lovers, military men, chemistry teachers, maids, a lustful preacher, and a missionary of exemplary character. Many of the tales focus on young Robert La Salle, suddenly transplanted at age five to a culture 8,000 miles distant and who, as year follows year, confronts levels of "foreignness" within himself and his family as well as the strange larger world around him. "ON TOKYO'S EDGE is a wonderful collection of stories about a young boy coming of age in a foreign land. The stories draw us into his world and let us learn with him what happens when two cultures collide. Ball's gentle, patient nature and his affection for this vanished world shines through vivid and undimmed by time. Beautifully written, it's a book I couldn't put down." -- Bill Morgan "ON TOKYO'S EDGE gorgeously evokes the privileged world of American expats in 1950's Occupied Japan. Among them is Robert La Salle, a young boy, uncomfortably aware of being an outsider in a defeated country and keenly alert to adult foibles. In crisp, ringing detail, the story reveals a tightly-knit American community that is reshaping Japan even as Japan refashions its place in the world. Like the re-emerging nation, Robert is coming of age. His progress is poignant, funny, and vastly entertaining." -- Cary Holladay "Gordon Ball has proven himself to be a first-rate memoirist, whether he's recalling his role as an observer/participant in the mid-Sixties New York alternative film community (66 Frames) or remembering his job at controlling the mayhem of Allen Ginsberg's upstate New York farm (East Hill Farm). In this collection of short stories, he has taken the shards of his memory as a youth growing up in Japan, shaped then with the tools of fiction, and crafted them into wonderful tales and anecdotes. He has accomplished what good fiction sets out to do." -- Michael Schumacher
Exquisite and excruciating, Gaijin is a blunt, alarmingly honest accounting of scars and blows to the spirit. Part memoir, part mythology, and part eulogy to a grandfather, Gaijin simultaneously tracks a personal rupture and a family, through the painful and awkward reclamation of the self after sexual violence and the evocation of a patriarch, half dreamed, half real. So powerful is the poetry and aching of Gaijin, it crushes the breath out of you as you read.
A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.
“The poet David Mura brings an intriguing perspective to the New World quest for enlightenment from this ancient and ascendant culture” (The New York Times). Award-winning poet David Mura’s critically acclaimed memoir Turning Japanese chronicles how a year in Japan transformed his sense of self and pulled into sharp focus his complicated inheritance. Mura is a sansei, a third-generation Japanese-American who grew up on baseball and hot dogs in a Chicago suburb where he heard more Yiddish than Japanese. Turning Japanese chronicles his quest for identity with honesty, intelligence, and poetic vision, and it stands as a classic meditation on difference and assimilation and is a valuable window onto a country that has long fascinated our own. Turning Japanese was a New York Times Notable Book and winner of an Oakland PEN Josephine Miles Book Award. This edition includes a new afterword by the author. “A dizzying interior voyage of self-discovery and splintered identity.” —Chicago Tribune “There is brilliant writing in this book, observations of Japanese humanity and culture that are subtly different from and more penetrating than what we usually get from Westerners.” —The New Yorker “Turning Japanese reads like a fascinating novel you can’t put down . . . Mura’s story is a universal one, and one that is accessible to everyone, even those whose experience in the U.S. is not that of a person of color.” —Asian Week “[Mura] paints a portrait of Japan that is rich and satisfying . . . a refreshingly kindly and tolerant study, a powerful antidote to the venomous anti-Japanese mood that seems, distressingly, to be seizing some corners of the American mind.” —Conde Nast Traveler
Learning to Bow has been heralded as one of the funniest, liveliest, and most insightful books ever written about the clash of cultures between America and Japan. With warmth and candor, Bruce Feiler recounts the year he spent as a teacher in a small rural town. Beginning with a ritual outdoor bath and culminating in an all-night trek to the top of Mt. Fuji, Feiler teaches his students about American culture, while they teach him everything from how to properly address an envelope to how to date a Japanese girl.
This memoir is by a translator who has introduced two generations of English-language audiences to the masterpieces of classical and modern Japanese literature. His patient rendering of novels ranging from the 11th-century Tale of Genji to works of such modern masters as Junichiro Tanizaki, Yukio Mishima and Nobel-Prize winner Yasunari Kawabata has earned him the National Book Award as well as the Order of the Rising Sun, Japan's highest honour for foreigners.
The brave, wry, irresistible journey of a fiercely independent American woman who finds everything she ever wanted in the most unexpected place. Shufu: in Japanese it means “housewife,” and it’s the last thing Tracy Slater ever thought she’d call herself. A writer and academic, Tracy carefully constructed a life she loved in her hometown of Boston. But everything is upended when she falls head over heels for the most unlikely mate: a Japanese salary-man based in Osaka, who barely speaks her language. Deciding to give fate a chance, Tracy builds a life and marriage in Japan, a country both fascinating and profoundly alienating, where she can read neither the language nor the simplest social cues. There, she finds herself dependent on her husband to order her food, answer the phone, and give her money. When she begins to learn Japanese, she discovers the language is inextricably connected with nuanced cultural dynamics that would take a lifetime to absorb. Finally, when Tracy longs for a child, she ends up trying to grow her family with a Petri dish and an army of doctors with whom she can barely communicate. And yet, despite the challenges, Tracy is sustained by her husband’s quiet love, and being with him feels more like “home” than anything ever has. Steadily and surely, she fills her life in Japan with meaningful connections, a loving marriage, and wonder at her adopted country, a place that will never feel natural or easy, but which provides endless opportunities for growth, insight, and sometimes humor. A memoir of travel and romance, The Good Shufu is a celebration of the life least expected: messy, overwhelming, and deeply enriching in its complications.