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Mislaid & The Wallcreeper: The Nell Zink Collection by Nell Zink Pdf
‘Nell Zink is a writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know.’ Jonathan Franzen Startlingly radical, dazzlingly witty, unlike anything that has come before – these are the two most exciting novels published this year.
The incredible breakout novel by one of the sharpest, funniest, most inventive writers of our time. “Who is Nell Zink? She claims to be an expatriate living in northeast Germany. Maybe she is; maybe she isn’t. I don’t know. I do know that this first novel arrives with a voice that is fully formed: mature, hilarious, terrifyingly intelligent, and wicked. The novel is about a bird-loving American couple that moves to Europe and becomes, basically, eco-terrorists. This is strange, and interesting, but in between is some writing about marriage, love, fidelity, Europe, and saving the earth that is as funny and as grown-up as anything I’ve read in years. And there are some jokes in here that a young Don DeLillo would kill to have written. I hope he doesn’t kill Nell Zink.” (Keith Gessen)
‘Nell Zink is a writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know.’ Jonathan Franzen
One of Huffington Post’s 20 Fall 2016 Books You’ll Need for Your Bookshelf Featured in New York Magazine’s Fall 2016 Preview An Entertainment Weekly Fall 2016 Must-Read Featured in LitHub’s 2016 Bookseller’s Fall Preview Featured in The Guardian‘s Fall 2016 Books Preview: The Best American Writing From the “wonderfully talented” (Dwight Garner, New York Times) author of Mislaid and The Wallcreeper comes a fierce and audaciously funny new novel, dazzling in its energy and ambition: a story of obsession, idealism, and ownership, centered around a young woman who inherits her bohemian father’s childhood home. Recent business school graduate Penny Baker has rebelled against her family her whole life-by being the conventional one. Her mother, Amalia, was a member of an Amazonian tribe called the Kogi; her much older father, Norm, long ago attained cult-like deity status among a certain group of aging hippies while operating a ‘healing center’ in New Jersey. And she’s never felt particularly close to her much-older half-brothers from Norm’s previous marriage-one wickedly charming and obscenely rich (but mostly just wicked), one a photographer on a distant tropical island. But all that changes when her father dies, and Penny inherits his childhood home in New Jersey. She goes to investigate the property and finds it not overgrown and abandoned, but rather occupied by a group of friendly anarchist squatters whom she finds unexpectedly charming, and who have renamed the property Nicotine House. The residents of Nicotine House (defenders of smokers’ rights) possess the type of passion and fervor Penny feels she’s desperately lacking, and the other squatter houses in the neighborhood provide a sense of community Penny’s never felt before, and she soon moves into a nearby residence, becoming enmeshed in the political fervor and commitment of her fellow squatters. As the Baker family’s lives begin to converge around the fate of the Nicotine House, Penny grows ever bolder and more desperate to protect it-and its residents-until a fateful night when a reckless confrontation between her old family and her new one changes everything.
From the brilliant and incisive author of Mislaid—"a writer of extraordinary talent and range" (Jonathan Franzen) whose "capacity for inventions is immense" (BookForum)—comes a new collection of her earliest work: two wildly funny novellas (Sailing Towards the Sunset by Avner Shats and European Story for Avner Shats) available in one compact volume. Years ago, Nell Zink resolved to write a book for her friend, the Israeli novelist Avner Shats, that would mirror his remarkable style. Unable to read his Hebrew, she was forced to start from scratch. Now, this tongue-in-cheek homage is available to Nell’s growing readership for the first time, accompanied by a second dazzling and imaginative work that breathes—at Shats’s request—the perfumed air of the Old Europe and stars a figure very much like Shats. Sailing Towards the Sunset by Avner Shats is Zink’s faux-translation of Shats’s 1998 novel Lashut El Hashkia ("Sailing Towards the Sunset"). It flows with a narrative spin only the singular Zink could pull off—including both authentic and fictional versions of characters from Shats’s life and work such as the author herself. A fast-moving portrait of expat artists, authors, and academics on fellowships at the Villa Romana in Florence, European Story for Avner Shats centers on a trio of three indelible characters: an Israeli writer vaguely reminiscent of Shats, a German specialist in ancient lint, and a beautiful and fraudulent Russian performance artist. Demonstrating the hallmarks of Zink’s unique talent, Private Novelist is an intimate look into this acclaimed novelist’s early work that will please her coterie of admirers and further burnish her lustrous reputation.
Pam, Daniel, and Joe might be the worst punk band on the Lower East Side. Struggling to scrape together enough cash and musical talent to make it, they are waylaid by surprising arrivals, a daughter for Pam and Daniel; a solo hit single for Joe. As the '90s wane, the three friends share in one another's successes, working together to elevate Joe's superstardom and raise baby Flora. On September 11, 2001, the city's unfathomable devastation coincided with a shattering personal loss for the trio. In the aftermath, Flora comes of age, navigating a charged political landscape and discovering a love of the natural world. Joining the ranks of those fighting for ecological conservation, Flora works to bridge the wide gap between powerful strategists and ordinary Americans, becoming entangled ever more intimately with her fellow activists along the way.
A NEW YORK TIMES BEST BOOK OF THE YEAR • A profound and singular story about a young woman searching for her place in the world, from one of America’s most original voices—the irresistible story of one teenager’s reckoning with society at large and her search for a personal utopia. “Effulgent and clever.... What fun.” —The New York Times Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family. And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots. Exceedingly rich, ecstatically dark, and delivered with masterful humor, Avalon is a poignant portrait of a young woman who, against all odds, is determined to find her place in the world and find clarity in its remote corners.
The Aesthetics of Degradation by Adrian Nathan West Pdf
Pornography keeps getting more extreme. Manufacturers, defenders and consumers of porn rely on a mix of wilful ignorance and bad faith to avoid serious discussion. When we do talk about violence against women in the porn world, the debate all too often becomes technical, complicated by legalities and outrage. But what are the moral and psychological consequences of the mercantilization of abuse? In this studied and ruthless examination of the place of pornography in contemporary life, translator and critic Adrian Nathan West treads dangerous literary and social ground, transcending cliches about free expression and the demands of the market to look at the moral discomfort of violent pornography from the perspective of the viewer. Collapsing distinctions between novel, memoir, and essay, this book will not make for light reading. But at its core is an extraordinarily brave and honest concern for the women and men who have been hurt in the name of sexual gratification.
Amina Mazid is twenty-four when she moves from Bangladesh to Rochester, New York, for love. A hundred years ago, Amina would have been called a mail-order bride. But this is the twenty-first century: she is wooed by—and woos—George Stillman online. For Amina, George offers a chance for a new life for her and her parents, as well as a different kind of happiness than she might find back home. For George, Amina is a woman who doesn't play games. But each of them is hiding something: someone from the past they thought they could leave behind. It is only when Amina returns to Bangladesh that she and George find out if their secrets will tear them apart, or if they can build a future together.
'A reading experience that hums with an electric energy that never gets boring and feels shockingly, painfully real.' - The Times 'There's different ways to do it: I can slowly move closer step by step, or I can do it in one movement and bump into them. Easiest is in a pub then I can put my drink too close to theirs. Move my stool near theirs. Anything to cross the line.' Gary is a dipper, a burglar, a thief. He is still at junior school when his father first takes him out on the rob, and proves a fast learner: not much more than a child the first time he gets caught, he is a career criminal as soon as he is out again. But Gary is also fiercely intelligent - he often knows more about the antique furniture he is stealing than the people who own it, and is confident in his ability to trick his way out of any situation, always one step ahead. But all that changes when he falls for Mandy...
LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD A sharply observed, mordantly funny, and startlingly original novel from an exciting, unconventional new voice—the author of the acclaimed The Wallcreeper—about the making and unmaking of the American family that lays bare all of our assumptions about race and racism, sexuality and desire. Stillwater College in Virginia, 1966. Freshman Peggy, an ingénue with literary pretensions, falls under the spell of Lee, a blue-blooded poet and professor, and they begin an ill-advised affair that results in an unplanned pregnancy and marriage. The two are mismatched from the start—she’s a lesbian, he’s gay—but it takes a decade of emotional erosion before Peggy runs off with their three-year-old daughter, leaving their nine-year-old son behind. Worried that Lee will have her committed for her erratic behavior, Peggy goes underground, adopting an African American persona for her and her daughter. They squat in a house in an African-American settlement, eventually moving to a housing project where no one questions their true racial identities. As Peggy and Lee’s children grow up, they must contend with diverse emotional issues: Byrdie deals with his father’s compulsive honesty; while Karen struggles with her mother’s lies—she knows neither her real age, nor that she is “white,” nor that she has any other family. Years later, a minority scholarship lands Karen at the University of Virginia, where Byrdie is in his senior year. Eventually the long lost siblings will meet, setting off a series of misunderstandings and culminating in a comedic finale worthy of Shakespeare.
On a hot day in late June, a young girl kneels outside a convent, then falls on her face. When the nuns take her in, they name her Dolores. Dolores adjusts to the rhythm of her new life -- to the nuns with wild hairs curling from their chins, the soup chewed as if it were meat, the bells that ring throughout the day. But in the dark, private theatre of her mind are memories -- of love motels lit by neon red hearts, discos in abandoned hospitals and a boy called Angelo. And inside her, a baby is growing.
The Colour of Milk is the new novel by Orange longlisted author and playwright Nell Leyshon. 'this is my book and i am writing it by my own hand' The year is eighteen hundred and thirty one when fifteen-year-old Mary begins the difficult task of telling her story. A scrap of a thing with a sharp tongue and hair the colour of milk, Mary leads a harsh life working on her father's farm alongside her three sisters. In the summer she is sent to work for the local vicar's invalid wife, where the reasons why she must record the truth of what happens to her - and the need to record it so urgently - are gradually revealed. 'Haunting, distinctive voices... Mary's spare simple words paint brilliant pictures in the reader's mind . . . Nell Leyshon's imaginative powers are considerable' Independent 'Brontë-esque undertones . . . a disturbing statement on the social constraints faced by 19th-century women' FT 'A small tour de force - a wonderfully convincing voice, and a devastating story told with great skill and economy' Penelope Lively 'I loved it. The Colour of Milk is charming, Brontë-esque, compelling, special and hard to forget. I loved Mary's voice - so inspiring and likeable. Such a hopeful book' Marian Keyes 'Brilliant, devastating and unforgettable' Easy Living Nell Leyshon's first novel, Black Dirt, was longlisted for the Orange Prize, and shortlisted for the Commonwealth prize. Her plays include Comfort me with Apples, which won an Evening Standard Award, and Bedlam, which was the first play written by a woman for Shakespeare's Globe. She writes for BBC Radio 3 and 4, and won the Richard Imison Award for her first radio play. Nell was born in Glastonbury and lives in Dorset.
A New York Times Editors' Choice Named a Best Book of 2018 by Bookforum, Nylon, Esquire, and Vulture "This artful and autumnal novel, published in high summer, is a gift to those who wish to receive it." —Dwight Garner, The New York Times "Hilarious, heartbreaking . . . A Terrible Country may be one of the best books you'll read this year." —Ann Levin, Associated Press "The funniest work of fiction I've read this year." —Christian Lorentzen, Vulture.com A literary triumph about Russia, family, love, and loyalty—from a founding editor of n+1 and author of Raising Raffi When Andrei Kaplan’s older brother Dima insists that Andrei return to Moscow to care for their ailing grandmother, Andrei must take stock of his life in New York. His girlfriend has stopped returning his text messages. His dissertation adviser is dubious about his job prospects. It’s the summer of 2008, and his bank account is running dangerously low. Perhaps a few months in Moscow are just what he needs. So Andrei sublets his room in Brooklyn, packs up his hockey stuff, and moves into the apartment that Stalin himself had given his grandmother, a woman who has outlived her husband and most of her friends. She survived the dark days of communism and witnessed Russia’s violent capitalist transformation, during which she lost her beloved dacha. She welcomes Andrei into her home, even if she can’t always remember who he is. Andrei learns to navigate Putin’s Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly—but surprisingly sharp!—grandmother, finds a place to play hockey, a café to send emails, and eventually some friends, including a beautiful young activist named Yulia. Over the course of the year, his grandmother’s health declines and his feelings of dislocation from both Russia and America deepen. Andrei knows he must reckon with his future and make choices that will determine his life and fate. When he becomes entangled with a group of leftists, Andrei’s politics and his allegiances are tested, and he is forced to come to terms with the Russian society he was born into and the American one he has enjoyed since he was a kid. A wise, sensitive novel about Russia, exile, family, love, history and fate, A Terrible County asks what you owe the place you were born, and what it owes you. Writing with grace and humor, Keith Gessen gives us a brilliant and mature novel that is sure to mark him as one of the most talented novelists of his generation.