Modernism And Popular Music

Author : Ronald Schleifer
Publisher : Cambridge University Press
Page : 255 pages
File Size : 52,9 Mb
Release : 2011-05-26
Category : Literary Criticism
ISBN : 9781139497473

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Modernism and Popular Music by Ronald Schleifer Pdf

Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether.

Author : Melissa L. Mednicov
Publisher : Routledge
Page : 142 pages
File Size : 45,6 Mb
Release : 2018-06-14
Category : Art
ISBN : 9781351187374

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Pop Art and Popular Music by Melissa L. Mednicov Pdf

This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop’s history that have been neglected—its sounds, its women, its queerness, and its black subjects—come into focus.

Author : Ronald Schleifer
Publisher : Unknown
Page : 233 pages
File Size : 44,6 Mb
Release : 2011
Category : Jazz
ISBN : 1139090305

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Modernism and Popular Music by Ronald Schleifer Pdf

"Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether"--

Author : Björn Heile,Charles Wilson
Publisher : Routledge
Page : 518 pages
File Size : 42,5 Mb
Release : 2018-10-29
Category : Music
ISBN : 9781317042457

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The Routledge Research Companion to Modernism in Music by Björn Heile,Charles Wilson Pdf

Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Author : Erling E. Guldbrandsen,Julian Johnson
Publisher : Cambridge University Press
Page : 369 pages
File Size : 51,9 Mb
Release : 2015-10-26
Category : Art
ISBN : 9781107127210

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Transformations of Musical Modernism by Erling E. Guldbrandsen,Julian Johnson Pdf

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

Author : Edward P. Comentale
Publisher : University of Illinois Press
Page : 299 pages
File Size : 46,7 Mb
Release : 2013-02-28
Category : Music
ISBN : 9780252094576

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Sweet Air by Edward P. Comentale Pdf

Sweet Air rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life. Comentale examines these rural genres as they translated the traumas of local experience--the racial violence of the Delta, the mass exodus from the South, the Dust Bowl of the Texas panhandle--into sonic form. Considering the accessibility of these popular music forms, he asserts the value of music as a source of progressive cultural investment, linking poor, rural performers and audiences to an increasingly vast network of commerce, transportation, and technology.

Author : Barry J. Faulk
Publisher : Routledge
Page : 192 pages
File Size : 44,7 Mb
Release : 2016-05-23
Category : Music
ISBN : 9781317171522

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British Rock Modernism, 1967-1977 by Barry J. Faulk Pdf

British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols, and television films such as the Beatles' Magical Mystery Tour and the Rolling Stones' Rock and Roll Circus that defined rock's early high art moment. Faulk argues that these 'texts' disclose the primary strategies by which British rock groups, mostly comprised of young working and lower middle-class men, made their bid for aesthetic merit by sampling music hall sounds. The result was a symbolically charged form whose main purpose was to unsettle the hierarchy that set traditional popular culture above the new medium. Rock groups engaged with the music of the past in order both to demonstrate the comparative vitality of the new form and signify rock's new art status, compared to earlier British pop music. The book historicizes punk rock as a later development of earlier British rock, rather than a rupture. Unlike earlier groups, the Sex Pistols did not appropriate music hall form in an ironic way, but the band and their manager Malcolm McLaren were obsessed with the meaning of the past for the present in a distinctly modernist fashion.

Author : Daniel Albright
Publisher : University of Chicago Press
Page : 446 pages
File Size : 55,9 Mb
Release : 2004-02-03
Category : Music
ISBN : 0226012662

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Modernism and Music by Daniel Albright Pdf

If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.

Author : Eduardo de la Fuente
Publisher : Routledge
Page : 193 pages
File Size : 45,6 Mb
Release : 2010-09-13
Category : Music
ISBN : 9781136927430

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Twentieth Century Music and the Question of Modernity by Eduardo de la Fuente Pdf

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Author : Katherine O'Callaghan
Publisher : Routledge
Page : 296 pages
File Size : 46,6 Mb
Release : 2018-01-12
Category : Literary Criticism
ISBN : 9781351865883

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Essays on Music and Language in Modernist Literature by Katherine O'Callaghan Pdf

This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.

Author : Gemma Moss
Publisher : EUP
Page : 280 pages
File Size : 41,8 Mb
Release : 2023-02-18
Category : Literary Criticism
ISBN : 1474429912

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Modernism, Music and the Politics of Aesthetics by Gemma Moss Pdf

Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms. Re-assessing music in James Joyce, Ezra Pound and Sylvia Townsend Warner, this book re-shapes temporal, aesthetic and political understandings of modernism, by arguing that music plays a crucial role in ongoing attempts to investigate language, rational thought and ideology using aesthetic forms.

Author : David Metzer
Publisher : Cambridge University Press
Page : 0 pages
File Size : 41,9 Mb
Release : 2011-08-11
Category : Music
ISBN : 1107402808

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Musical Modernism at the Turn of the Twenty-First Century by David Metzer Pdf

Providing an interesting approach to developments in modernist music - from 1980 onwards - this study also presents an intriguing perspective on the larger history of modernism. Far from being supplanted by a postmodern period, argues David Metzer, modernist idioms remain vital in the contemporary scene. The vitality comes from the ways in which those idioms have extended impulses of modernist styles from the early twentieth century. Since that time, works have participated in lines of inquiry into various compositional and aesthetic topics, particularly the explorations of how to build pieces around such aesthetic ideals as purity and silence and how to deliver and manipulate expressive utterances. Metzer shows how these inquiries have played crucial roles in defining directions taken since 1980, and how, through the inquiries, we can gain a clearer idea of what makes the decades after 1980 a distinct period in the history of modernism.

Author : Robert P. McParland
Publisher : Cambridge Scholars Publishing
Page : 224 pages
File Size : 47,9 Mb
Release : 2008-12-11
Category : Music
ISBN : 9781443802246

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Music and Literary Modernism by Robert P. McParland Pdf

In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein,Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composers such as George Antheil, Pierre Boulez, Olivier Messaein, and The Beatles. Contributors explore the role of music and literary modernism in the postmodern sublime, sound and "music" in language, the uneasy alliance of jazz and pop song in high modernist work, the Beatles as modernists, and other topics.

Author : Kenneth Gloag
Publisher : Cambridge University Press
Page : 223 pages
File Size : 45,6 Mb
Release : 2012-06-21
Category : Music
ISBN : 9780521151573

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Postmodernism in Music by Kenneth Gloag Pdf

What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.

Author : Simon Shaw-Miller
Publisher : Manchester University Press
Page : 208 pages
File Size : 43,5 Mb
Release : 1993
Category : Music
ISBN : 0719036097

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The Last Post by Simon Shaw-Miller Pdf