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Details decorative art created to memorialize and commemorate death from the 1600s through World War I. Outstanding examples of mourning jewelry, portrait miniatures, pottery and glassware, paintings and sculpture, posthumous photographs, hair-work memorials, and more. Includes background information on mourning practices, current values, glossary, and bibliography. An excellent resource for Victoriana, Georgian and Victorian memorial arts, and antique jewelry.
Fashionable Mourning Jewelry, Clothing & Customs by Mary Brett Pdf
A fascinating text explains the many popular nineteenth century traditions associated with death and mourning. Over 300 color photographs display jewelry, photography, clothing, customs, and symbolism. Over 70 pages of a Victorian hair jewelry catalog are included.
In Death Lamented: The Tradition of Anglo-American Mourning Jewelry illustrates and explains prime examples of rings, bracelets, brooches, and other pieces of mourning jewelry from the seventeenth, eighteenth, and nineteenth centuries. Like the exhibition at the Massachusetts Historical Society, this volume showcases the materials in the Society’s collection and that of Sarah Nehama, a jeweler and private collector who co-curated the event at the MHS. These elegant and evocative objects are presented in context, including written explanations of the history, use, and meaning of the jewelry, as well as related pieces of material culture, such as broadsides, photographs, portraits, and trade cards. The jewelry included illustrates some of the most exemplary types, from early gold bands with death’s head iconography to jeweled brooches and intricately woven hairwork pieces of the Civil War era. Distributed for the Massachusetts Historical Society
Mourning is the new black... The tradition of Victorian mourning jewelry began with Queen Victoria after the death of her husband, Prince Albert. Without photography, mementos of personal remembrance were used to honor the dead so that their loved ones could commemorate their memory and keep their spirits close. Ashes were placed within rings, and necklaces were made out of hair, and the concept of death photography, small portraitures of the deceased, were often encased behind glass. Mourning jewelry became a fashion statement as much as a way to cope with grief, and as their pain evolved over the years, so did their jewelry. But what about the sadness and the memories that they kept close to them at all times? The death-day visions and the reoccurring nightmares? Wytovich explores the horror that breeds inside of the lockets, the quiet terror that hides in the center of the rings. Her collection shows that mourning isn't a temporary state of being, but rather a permanent sickness, an encompassing disease. Her women are alive and dead, lovers and ghosts. They live in worlds that we cannot see, but that we can feel at midnight, that we can explore at three a.m. Wytovich shows us that there are hearts to shadows and pulses beneath the grave. To her, Mourning Jewelry isn't something that you wear around your neck. It's not fashion or a trend. It's something that you carry inside of you, something that no matter how much it screams, that you can just can't seem to let out.
Modern Loss by Rebecca Soffer,Gabrielle Birkner Pdf
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity’s newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph—Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho—the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
The Culture and Art of Death in 19th Century America by D. Tulla Lightfoot Pdf
Nineteenth-century Victorian-era mourning rituals--long and elaborate public funerals, the wearing of lavishly somber mourning clothes, and families posing for portraits with deceased loved ones--are often depicted as bizarre or scary. But behind many such customs were rational or spiritual meanings. This book offers an in-depth explanation at how death affected American society and the creative ways in which people responded to it. The author discusses such topics as mediums as performance artists and postmortem painters and photographers, and draws a connection between death and the emergence of three-dimensional media.
Collector's Encyclopedia of Hairwork Jewelry by Jeanenne Bell Pdf
The early Victorians regarded hair as one's crowning glory and the most delicate and lasting part of a person. This sentimental, romantic temperament gave rise to the fashion for making and wearing jewelry made of hair. Whether you consider the idea of jewelry and memorials made from human hair repulsive or utterly fascinating, this book should answer any questions about this delicate art form. Jeanenne Bell, a certified appraiser and jewelry dealer, has written an exhaustive text devoted to hairwork jewelry. More than 500 gorgeous color photos together with vintage illustrations and images from our past fill this tender, informative guide. Insight is given on how this came into fashion, the basic techniques used, as well as information about what pieces are most collectible and valuable. A list of criteria for evaluating these unique pieces will aid the reader in identifying and pricing the items still being found at shops and estate sales today. 8.5 X 11. Current values.
Encyclopedia of American Folk Art by Gerard C. Wertkin Pdf
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Women and the Material Culture of Death by BethFowkes Tobin Pdf
Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.
A Cheerful and Comfortable Faith by Lauren F. Winner Pdf
"A very satisfying book, persuasive in showing how material culture and household devotion are central to the workings of `lived' Anglicanism in eighteenth-century Virginia." David D. Hall, Harvard Divinity School.
Women and the Material Culture of Death by BethFowkes Tobin Pdf
Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.
We live more intimately with nonhuman animals than ever before in history. The change in the way we cohabitate with animals can be seen in the way we treat them when they die. There is an almost infinite variety of ways to help us cope with the loss of our nonhuman friends—from burial, cremation, and taxidermy; to wearing or displaying the remains (ashes, fur, or other parts) of our deceased animals in jewelry, tattoos, or other artwork; to counselors who specialize in helping people mourn pets; to classes for veterinarians; to tips to help the surviving animals who are grieving their animal friends; to pet psychics and memorial websites. But the reality is that these practices, and related beliefs about animal souls or animal afterlife, generally only extend, with very few exceptions, to certain kinds of animals—pets. Most animals, in most cultures, are not mourned, and the question of an animal afterlife is not contemplated at all. Mourning Animals investigates how we mourn animal deaths, which animals are grievable, and what the implications are for all animals.
Death and the Body in the Eighteenth-Century Novel by Jolene Zigarovich Pdf
Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period's rising funeral and mourning culture, as well as the increasing commodification of death and mourning typically associated with nineteenth-century practices. Drawing on a variety of historical discourses--such as wills, undertaking histories, medical treatises and textbooks, anatomical studies, philosophical treatises, and religious tracts and sermons--the book contributes to a fuller understanding of the history of death in the Enlightenment and its narrative transformation. Death and the Body in the Eighteenth-Century Novel not only offers new insights about the effect of a growing secularization and commodification of death on the culture and its productions, but also fills critical gaps in the history of death, using narrative as a distinct literary marker. As anatomists dissected, undertakers preserved, jewelers encased, and artists figured the corpse, so too the novelist portrayed bodily artifacts. Why are these morbid forms of materiality entombed in the novel? Jolene Zigarovich addresses this complex question by claiming that the body itself--its parts, or its preserved representation--functioned as secular memento, suggesting that preserved remains became symbols of individuality and subjectivity. To support the conception that in this period notions of self and knowing center upon theories of the tactile and material, the chapters are organized around sensory conceptions and bodily materials such as touch, preserved flesh, bowel, heart, wax, hair, and bone. Including numerous visual examples, the book also argues that the relic represents the slippage between corpse and treasure, sentimentality and materialism, and corporeal fetish and aesthetic accessory. Zigarovich's analysis compels us to reassess the eighteenth-century response to and representation of the dead and dead-like body, and its material purpose and use in fiction. In a broader framework, Death and the Body in the Eighteenth-Century Novel also narrates a history of the novel that speaks to the cultural formation of modern individualism.
The strong-willed, heroic wife of Alexander Hamilton tells her story in this historical novel by the bestselling author of The Secret Wife of Aaron Burr. As the daughter of a respected general, Elizabeth Schuyler is accustomed to socializing with dignitaries and soldiers. But no visitor to her parents’ home has affected her so strongly as Alexander Hamilton, a charismatic, ambitious aide to George Washington. They marry quickly, and despite the tumult of the American Revolution, Eliza is confident in her husband and in her role as his helpmate. But it is in the aftermath of war, as Hamilton becomes one of the country’s most important figures, that she truly comes into her own In the new capital, Eliza becomes an adored member of society, respected for her fierce devotion to Hamilton as well as her grace. Behind closed doors, she astutely manages their expanding household and assists her husband with his political writings. Yet some challenges are impossible to prepare for. Through scandal, betrayal, heartbreak, and tragedy, she is tested again and again. In the end, it will be Eliza’s strength that makes her not only Hamilton’s most crucial ally in life, but also his most loyal advocate after his death, determined to preserve his legacy while pursuing her own path through the nation they helped shape together. “Scott expertly handles the complex history and complicated romance, moving the personal and political plots briskly. Readers will be captivated by the affecting portrait Scott has painted of Eliza as an American patriot who was witness and counsel to Alexander's enduring legacy.” —Publishers Weekly (starred review) “Your next Hamilton obsession.” —Bustle