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An intriguing story, with a tragic main character. It paints a picture of obsession, jealousy and excess during the wild later sixties leading into the “Anything Goes” seventies, particularly when it comes to Broadway, riches and fame. -Nikki Busch, Editor Keywords: Excess, Show business, Sixties, Drugs, Obsession, Love, Hate, Fame
The name is French and it has connections to German expressionist cinema, but film noir was inspired by the American Raymond Chandler, whose prose was marked by the gripping realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions, cul-de-sac apartments, corporate boardrooms, and flop houses of America. Chandler and the other writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer, Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible for the creation of the film noir genre and its common plots and themes, are the main focus of this work. It correlates the rise of film noir with the new appetites of the American public after World War II and explains how it was developed by smaller studios and filmmakers as a result of the emphasis on quality within a deliberately restricted element of cities at night. The author also discusses how RKO capitalized on films such as Murder, My Sweet and Out of the Past--two of film noir's most famous titles--and film noir's connection to British noir and the great international triumph of Sir Carol Reed in The Third Man.
For more than eighty years, the famous unsolved murder of William Desmond Taylor, the legendary bisexual film director, has generated debate and controversy. Now, best-selling author Charles Higham has solved the crime. Higham uncovers the corruption and intrigue of Los Angeles in the Roaring Twenties—and the film industry moguls’ complete domination of the city’s authorities. When it was discovered that a famous star of the day had probably killed Taylor, a massive cover-up began—from the removal of crucial evidence to the naming of innocent people as killers—which has continued until now to protect the truth. Murder in Hollywood goes beyond the killing to unearth unknown details about the life of Taylor before his arrival in Hollywood, as well as the stories and histories buried by the crooked authorities and criminals involved the case. The author’s exclusive interviews with the culpable star, his unique possession of long-vanished police records, and the support of the present-day Los Angeles county coroner—who examined the evidence as if the murder had taken place now—have ensured a hair-raising thriller. Charles Higham successfully presents the most plausible and convincing solution yet to the mystery. In the process he paints a vivid portrait of Hollywood in the 1920s—from its major stars to its bisexual subculture. The result is a compelling answer to a long-standing mystery and a fascinating study of a place, and an industry that, as today, let people reinvent themselves. Murder in Hollywood is more extraordinary than any crime of fiction and more exciting than any action adventure movie.
Who were the 35 actors that performed with stars Bud Abbott and Lou Costello in radio’s The Abbott and Costello Show? Do scripts survive for the old Burns and Allen shows or the children’s crime fighter series The Green Hornet? Serious researchers and curious browsers interested in Golden Age radio will find a wealth of information in this reference collection. Most are from the 1930s, 1940s and 1950s, though subsequent decades are included for long-running shows. Crime series, whodunits, romances, situation comedies, variety shows, soap operas, quiz show series and others are included. Casual browsers will find tidbits on the radio careers of notables from other media (Humphrey Bogart, Ginger Rogers), mention of adaptations by famous authors (Jack London, Ray Bradbury), curious episode titles (“The Gorilla That Always Said Yeh-ah”) and series titles (Whispering Streets), and interesting sponsors (Insect-O-Blitz). The first section is an alphabetical list of T.O. Library’s significant radio script collections, with notes on their content and format. The second section is the guide to series scripts by program title. Entries include title and basic information, including collection(s) in which they are found; producers, directors, writers, musicians and regular cast; sponsors; and holdings by date, episode number and title. Increasing the book's usefulness for researchers are indexes by name, program and sponsor.
Winner of the 2018 Anthony Award for Best First Novel Winner of the 2017 Agatha Award for Best First Novel Also a Lefty Award Winner and a Barry Award-Nominated Title The Surprise Hit of the Season! Actress Dayna Anderson's Deadly New Role: Homicide Detective Dayna Anderson doesn't set out to solve a murder. All the semifamous, mega-broke actress wants is to help her parents keep their house. So after witnessing a deadly hit-and-run, she pursues the fifteen grand reward. But Dayna soon finds herself doing a full-on investigation, wanting more than just money—she wants justice for the victim. She chases down leads at paparazzi hot spots, celeb homes, and movie premieres, loving every second of it—until someone tries to kill her. And there are no second takes in real life. Praise: "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene. Readers will look forward to Day's further adventures."—Publishers Weekly (starred review) "A smart, sassy debut, introducing an appealing protagonist with amusing friends."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series...this will be an entertaining entry into the amateur sleuth genre."—RT Book Reviews "Fun, smart, endearingly flawed, and impressively determined, Dayna Anderson is a heroine readers will fall in love with...I relished every unexpected twist and turn of this highly entertaining mystery!"—Kyra Davis, New York Times bestselling author
Author : Karla Oeler Publisher : University of Chicago Press Page : 300 pages File Size : 47,9 Mb Release : 2009-12-15 Category : Performing Arts ISBN : 9780226617961
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
One evening, spying on his Hollywood Hills neighbours through his $4,000 electronic telescope, Bobby witnesses a beautiful woman making love to a handsome Latin actor called Ramon. As their pillow talk turns ugly, Bobby watches in horror as the woman appears to bludgeon her lover to death with his own acting trophy. Instead of rushing to the cops, Bobby decides to find out more about the events that led up to the crime, and to use the material for his next movie screenplay. However, when he sneaks into the actor's apartment, the discovery he makes changes his life forever. Empowered by his secret knowledge, Bobby is able to seduce the beautiful woman, while forging a unique friendship with Detective Dennis Farentino, the cop in charge of the investigation. Before long Bobby has dragged the detective, his wife, his lover, and his agent into a Hollywood fun-house hall of mirrors, where only the most manipulative player will survive.
Murder Hollywood Style by Samuel Marx,Joyce Vanderveen Pdf
Paul Bern was married to the world's leading sex-symbol, Jean Harlow, and was a top MGM producer. When his body was found early on the morning of 5th September 1932 in Benedict Canyon, South California, a frantic cover-up had been so artfully structured that it was all in place before the police were allowed to arrive - seven hours later. Everything seemed to point to suicide.
This heavily illustrated book recounts the many tragic events that have haunted the Hollywood movie community from its early-20th-century beginnings to the present day. Here are accounts of the sudden, premature deaths of stars and celebrities, some of whom became more famous in death than in life.
Hollywood Homicide by Gemma Halliday,Anne Marie Stoddard Pdf
From New York Times bestselling author Gemma Halliday comes a reality show turned true-crime drama! Can one undercover tabloid reporter catch the celebrity killer... Cameron Dakota, photographer and paparazza for the L.A. Informer tabloid, thinks her relationship with movie star Trace Brody is her very own Hollywood happily-ever-after. That is until Trace proposes that the couple go on the reality TV show, Celebrity Relationship Rehab. While Trace assures her that it's just for publicity, and all the arguments are faked, Cam has her reservations. Reservations that prove to be well-founded when the host of the reality show winds up dead, and Cam suddenly finds herself in the middle of a real-life crime drama! Cam knows the police are on the wrong trail, and when the producers make the decision to keep filming despite the murder, it's up to her to ferret out the killer in their midst. Between a rap star with a reputation for violence, an aging soap opera actor with a hidden past, a Kardashian-wanna-be, and the show's co-host and not-so-grieving widow, there are no shortage of people who would want the victim dead. Trapped in a house full of over-the-top suspects, forced into doing ridiculously hilarious relationship-saving drills, and with her every move watched by dozens of hidden cameras, Cam works to catch the story of her career and a cold blooded killer...before she finds herself canceled permanently! What critics are saying: "The latest in the Hollywood Headlines series is 320 pages of pure fun. Halliday has created yet another laugh-out-loud whodunit. She breathes life into her mystery with a rich cast of vivid, pulp-fiction type characters and a heroine worth rooting for. 4 1/2 stars!" ~ RT Book Reviews "Gemma Halliday's witty, entertaining writing style shines through in her new book! I look forward to seeing lots more as this series continues. A fun read!" ~ Fresh Fiction "Halliday writes the kind of books that just make you smile and put you in a great mood. They're just so enjoyable and I would without a doubt recommend this book to romance and mystery readers alike." ~ Enchanted By Books "Very well written with smart and funny dialogue. It is a well-paced story that is thoroughly enjoyable with a mystery, a little romance, and a lot of laughs. Readers are sure to enjoy this delightful tale which is highly recommended." ~ RR Today
The riveting true account of the 2001 murder of Bonny Lee Bakley, starring Robert Blake—the Hollywood icon accused of killing his wife in cold blood In May 2001 Bonny Lee Bakley was shot to death in a car parked on a dark Hollywood side street. Eleven months later Robert Blake—her husband, the father of her child, and the star of the classic film In Cold Blood and the popular 1970s TV detective series Baretta—was arrested for murder, conspiracy, and solicitation. Did Blake kill his wife? Did he hire someone to do the job for him? Award-winning journalist Dennis McDougal and entertainment-media expert Mary Murphy recount a real-life crime story more shocking and bizarre than any movie, chronicling the parallel worlds of Blake and Bakley, from their troubled youths to their sham of a marriage. By the late 1990s Blake was coasting on his past success. Bakley was a con artist who concocted online sex scams and victimized unsuspecting men, netting big money and dangerous enemies. In true noir style, McDougal and Murphy lay bare the stories of two violent people whose lives collided in a tragic tangle of abuse, betrayal, and love gone horribly wrong.
Contemporary Hollywood Masculinities by Susanne Kord,Elisabeth Krimmer Pdf
Kord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.
By reprinting over 400 items from contemporary newspapers, magazines, and trade journals, this book reveals Taylor's life in Hollywood--from his arrival as a minor actor in 1912 until his death in 1922 as one of Hollywood's top directors.
This is Hollywood, 1948. You are a beautiful young actress. He is a ruthless and powerful film producer. He can make you a star or send you back to the sticks, and you have something he wants, right now. What are you willing to do? How much of yourself are you willing to give?"What's a Poor Girl to Do" is the new edition of my previously released book "Pamela Carr." The new title and cover better indicate the nature of the characters, and the time and place of the story. "Poor Girl" is a stand-alone book that shares a couple of characters with and briefly refers to my previous Hollywood murder mystery, "Lily Torrence." It is set at the end of World War II in Germany, New York and Hollywood. Though there are a couple of deaths, a sleuth, some tough cops and lying suspects, this is not so much a murder mystery as a catalogue of deadly sins, particularly lust, ambition, and arrogance, all of which are most especially seen in the pattern of abuse and denial that we now call #metoo, and that in 1948 they called business as usual.The year is 1947. Priscilla Preston and her husband Ken are struggling New York actors when Priscilla is picked as the lead in a new picture for Blackwell Studios. Morton Blackwell is the obsessive, despotic, charming monster who tries to control every aspect of his movies and everyone around him. Anna Andrzejewski (pron. Ahn-jrey-evski) is a recent immigrant from the ashes of bombed-out Berlin trying to succeed in a Hollywood that may not be ready to accept a blonde, Nordic beauty with a complicated past. Screenwriter/mystery author Lyman becomes involved in the lives and problems of both Priscilla and Anna while he tries to find a reason to live after the death of this wife. Morton takes Priscilla to Hollywood, changes her name to Pamela Carr, and makes her his lover. While pursuing this adulterous affair, Mort has her starring in his new movie "Angeline" about a virginal 16th Century Italian nun. Husband Kenny Preston is upset and troublesome about the loss of his wife until he conveniently dies from an overdose of booze and pills. But was it an accident, a suicide, or perhaps something else? Anna is just getting started at Blackwell Studios when Morton turns an interview into an attempted rape. Anna's bind: how can she punish him when he controls her future and no one else cares? When a story appears in the tabloid "Star" hinting that Mort was involved in the death of Ken Preston the same night that he raped Anna, she lies to incriminate him in the death, knowing that his only true alibi is to admit his assault on her. The source of the story is unknown, but it is not Anna, who finally admits the truth to Lyman and the police. Morton is questioned by the police and admits the rape. This gets him off the hook for Ken's death. He is not prosecuted for the rape.Life goes on. Lyman gets a new screenwriting job. "Angeline" is completed and Pamela is determined that her affair with Morton is over, but he is not easily put off. Anna meets Marlene Dietrich, who introduces her to a group of Hollywood women who are also victims of the town's rampant sexual predators. "Angeline" and Pamela are nominated for Oscars. Mort's studio is saved, Anna gets a satisfactory revenge on Mort, and Lyman belatedly realizes who killed Kenny Preston.
Hailed for its dramatic expressionist visuals, film noir is one of the most prominent genres in Hollywood cinema. Yet, despite the "boom" in sound studies, the role of sonic effects and source music in classic American noir has not received the attention it deserves. Siren City engagingly illustrates how sound tracks in 1940s film noir are often just as compelling as the genre's vaunted graphics. Focusing on a wide range of celebrated and less well known films and offering an introductory discussion of film sound, Robert Miklitsch mobilizes the notion of audiovisuality to investigate period sound technologies such as the radio and jukebox, phonograph and Dictaphone, popular American music such as "hot" black jazz, and "big numbers" featuring iconic performers such as Lauren Bacall, Veronica Lake, and Rita Hayworth. Siren City resonates with the sounds and source music of classic American noir-gunshots and sirens, swing riffs and canaries. Along with the proverbial private eye and femme fatale, these audiovisuals are central to the noir aesthetic and one important reason the genre reverberates with audiences around the world.
