Music And The Aesthetics Of Modernity

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Music And The Aesthetics Of Modernity

Author : Karol Berger,Anthony Newcomb
Publisher : Unknown
Page : 300 pages
File Size : 44,5 Mb
Release : 2005-04
Category : Music
ISBN : 0674017838

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Music And The Aesthetics Of Modernity by Karol Berger,Anthony Newcomb Pdf

For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

Music and the Aesthetics of Modernity

Author : Karol Berger,Anthony Newcomb
Publisher : Harvard University Press
Page : 438 pages
File Size : 51,9 Mb
Release : 2005
Category : Music
ISBN : UOM:39015061451574

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Music and the Aesthetics of Modernity by Karol Berger,Anthony Newcomb Pdf

This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

New Music and the Claims of Modernity

Author : Alastair Williams
Publisher : Routledge
Page : 187 pages
File Size : 41,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556477

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New Music and the Claims of Modernity by Alastair Williams Pdf

Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring issues and problems presented by post-war music. Part one examines the German philosopher, Theodor Adorno's portrayal of modernity and his understanding of modernism in music. This is followed by a survey of the developments in music from late Beethoven to Schoenberg, the two composers whose works provided the main anchor points for Adorno's philosophy of music. Parts two and three indicate the ways in which Adorno's aesthetics are pertinent to an understanding of new music. Part two comprises a close examination of the music of Pierre Boulez and John Cage, composers who represent extreme, though related, aspects of contemporary music thought: the primacy of structure versus dissolution. Williams' views the music of Ligeti as an exploration of the interface between these two extremes, personifying Adorno's advocation of an aesthetic which attempts to embrace all its dissimilar parts. In part three the consequences of modernism and the aesthetic approaches of Derrida and de Mann are considered, together with the music of Wolfgang Rihm. Williams concludes with a survey of contemporary music and the postmodernist desire to include a range of compositional references.

Pop-Rock Music

Author : Motti Regev
Publisher : John Wiley & Sons
Page : 298 pages
File Size : 44,6 Mb
Release : 2013-07-10
Category : Music
ISBN : 9780745670904

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Pop-Rock Music by Motti Regev Pdf

Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.

New Music and the Crises of Materiality

Author : Samuel Wilson
Publisher : Routledge
Page : 182 pages
File Size : 48,5 Mb
Release : 2021-07-05
Category : Music
ISBN : 9781000405972

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New Music and the Crises of Materiality by Samuel Wilson Pdf

This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently.

Aesthetics and Modernity

Author : Agnes Heller
Publisher : Lexington Books
Page : 243 pages
File Size : 41,8 Mb
Release : 2011
Category : Philosophy
ISBN : 9780739141311

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Aesthetics and Modernity by Agnes Heller Pdf

"Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment. The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary periods. Heller's recent work on aesthetics explores the complex status of artworks within the context of the history of modernity, and she engages this task with a critical recognition of modernity's pitfalls. This collection highlights these pitfalls in the context of continuing possibilities for aesthetics and our relationship with works of art, and it throws light on Heller's theory of emotions and feelings and her theory of modernity. Aesthetics and Modernity collects the essential essays of Agnes Heller and is a must-read for anyone interested in Heller's major contributions to philosophy. John Rundell is associate professor of social theory at the University of Melbourne. "--Book jacket.

Aesthetic Technologies of Modernity, Subjectivity, and Nature

Author : Richard Leppert
Publisher : Univ of California Press
Page : 368 pages
File Size : 42,6 Mb
Release : 2015-10-06
Category : Music
ISBN : 9780520287372

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Aesthetic Technologies of Modernity, Subjectivity, and Nature by Richard Leppert Pdf

Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumasÑcultural, social, and personalÑassociated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.

Modernism, Music and the Politics of Aesthetics

Author : Gemma Moss
Publisher : EUP
Page : 280 pages
File Size : 49,6 Mb
Release : 2023-02-18
Category : Literary Criticism
ISBN : 1474429912

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Modernism, Music and the Politics of Aesthetics by Gemma Moss Pdf

Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms. Re-assessing music in James Joyce, Ezra Pound and Sylvia Townsend Warner, this book re-shapes temporal, aesthetic and political understandings of modernism, by arguing that music plays a crucial role in ongoing attempts to investigate language, rational thought and ideology using aesthetic forms.

Transformations of Musical Modernism

Author : Erling E. Guldbrandsen,Julian Johnson
Publisher : Cambridge University Press
Page : 369 pages
File Size : 43,6 Mb
Release : 2015-10-26
Category : Art
ISBN : 9781107127210

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Transformations of Musical Modernism by Erling E. Guldbrandsen,Julian Johnson Pdf

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

Adorno, Modernism and Mass Culture

Author : Max Paddison
Publisher : Unknown
Page : 164 pages
File Size : 52,7 Mb
Release : 2004
Category : Music
ISBN : STANFORD:36105114335495

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Adorno, Modernism and Mass Culture by Max Paddison Pdf

In examining the work of Theodor Adorno, this collection of essays focuses on the German philosopher's ideas in the field of musicology. Though it addresses complex theories, this inquiry maintains a lucid style, describing the nuances of Adorno's thought while not relying on a great deal of prior knowledge to shed light on his contributions to music theory. Included is a discussion of the applicability of Adorno's ideas to popular music and an assessment of Adorno's continuing relevance in light of other commentaries.

Coming to Terms with Our Musical Past

Author : Edmund Joseph Goehring
Publisher : Boydell & Brewer
Page : 223 pages
File Size : 45,8 Mb
Release : 2018
Category : History
ISBN : 9781580469302

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Coming to Terms with Our Musical Past by Edmund Joseph Goehring Pdf

A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.

Modernism and Popular Music

Author : Ronald Schleifer
Publisher : Cambridge University Press
Page : 255 pages
File Size : 46,6 Mb
Release : 2011-05-26
Category : Literary Criticism
ISBN : 9781139497473

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Modernism and Popular Music by Ronald Schleifer Pdf

Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether.

Music, Philosophy, and Modernity

Author : Andrew Bowie
Publisher : Cambridge University Press
Page : 444 pages
File Size : 43,8 Mb
Release : 2009-02-05
Category : Philosophy
ISBN : 0521107822

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Music, Philosophy, and Modernity by Andrew Bowie Pdf

Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.

Out of Time

Author : Julian Johnson
Publisher : Oxford University Press, USA
Page : 401 pages
File Size : 43,5 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780190233273

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Out of Time by Julian Johnson Pdf

"In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new." -- Publisher's description

The Aesthetics of Survival

Author : George Rochberg
Publisher : University of Michigan Press
Page : 292 pages
File Size : 41,9 Mb
Release : 2004
Category : Music
ISBN : 0472030264

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The Aesthetics of Survival by George Rochberg Pdf

A revised paperback edition of composer George Rochberg's landmark essays "Rochberg presents the rare spectacle of a composer who has made his peace with tradition while maintaining a strikingly individual profile. . . . [H]e succeeds in transforming the sublime concepts of traditional music into contemporary language." ---Washington Post "An indispensable book for anyone who wishes to understand the sad and curious fate of music in the twentieth century." ---Atlantic Monthly "The writings of George Rochberg stand as a pinnacle from which our past and future can be viewed." ---Kansas City Star As a composer, George Rochberg has played a leading role in bringing about a transformation of contemporary music through a reassessment of its relation to tonality, melody, and harmony. In The Aesthetics of Survival, the author addresses the legacy of modernism in music and its related effect on the cultural milieu, particularly its overemphasis on the abstract, rationalist thinking embraced by contemporary science, technology, and philosophy. Rochberg argues for the renewal of holistic values in order to ensure the survival of music as a humanly expressive art. A renowned composer, thinker, and teacher, George Rochberg has been honored with innumerable awards, including, most recently, an Alfred I. du Pont Award for Outstanding Conductors and Composers, and an André and Clara Mertens Contemporary Composer Award. He lives in Pennsylvania.