New Music And The Claims Of Modernity

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New Music and the Claims of Modernity

Alastair Williams
New Music and the Claims of Modernity Book PDF

Author : Alastair Williams
Publisher : Routledge
Page : 187 pages
File Size : 42,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556477

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New Music and the Claims of Modernity by Alastair Williams Pdf

Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring issues and problems presented by post-war music. Part one examines the German philosopher, Theodor Adorno's portrayal of modernity and his understanding of modernism in music. This is followed by a survey of the developments in music from late Beethoven to Schoenberg, the two composers whose works provided the main anchor points for Adorno's philosophy of music. Parts two and three indicate the ways in which Adorno's aesthetics are pertinent to an understanding of new music. Part two comprises a close examination of the music of Pierre Boulez and John Cage, composers who represent extreme, though related, aspects of contemporary music thought: the primacy of structure versus dissolution. Williams' views the music of Ligeti as an exploration of the interface between these two extremes, personifying Adorno's advocation of an aesthetic which attempts to embrace all its dissimilar parts. In part three the consequences of modernism and the aesthetic approaches of Derrida and de Mann are considered, together with the music of Wolfgang Rihm. Williams concludes with a survey of contemporary music and the postmodernist desire to include a range of compositional references.

New Music and the Claims of Modernity

Alastair Williams
New Music and the Claims of Modernity Book PDF

Author : Alastair Williams
Publisher : Routledge
Page : 176 pages
File Size : 50,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556484

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New Music and the Claims of Modernity by Alastair Williams Pdf

Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring issues and problems presented by post-war music. Part one examines the German philosopher, Theodor Adorno's portrayal of modernity and his understanding of modernism in music. This is followed by a survey of the developments in music from late Beethoven to Schoenberg, the two composers whose works provided the main anchor points for Adorno's philosophy of music. Parts two and three indicate the ways in which Adorno's aesthetics are pertinent to an understanding of new music. Part two comprises a close examination of the music of Pierre Boulez and John Cage, composers who represent extreme, though related, aspects of contemporary music thought: the primacy of structure versus dissolution. Williams' views the music of Ligeti as an exploration of the interface between these two extremes, personifying Adorno's advocation of an aesthetic which attempts to embrace all its dissimilar parts. In part three the consequences of modernism and the aesthetic approaches of Derrida and de Mann are considered, together with the music of Wolfgang Rihm. Williams concludes with a survey of contemporary music and the postmodernist desire to include a range of compositional references.

Music, Philosophy, and Modernity

Andrew Bowie
Music Philosophy and Modernity Book PDF

Author : Andrew Bowie
Publisher : Cambridge University Press
Page : 444 pages
File Size : 54,7 Mb
Release : 2009-02-05
Category : Philosophy
ISBN : 0521107822

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Music, Philosophy, and Modernity by Andrew Bowie Pdf

Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.

Dissonances of Modernity

Irene Gómez-Castellano,Aurélie Vialette
Dissonances of Modernity Book PDF

Author : Irene Gómez-Castellano,Aurélie Vialette
Publisher : UNC Press Books
Page : 322 pages
File Size : 55,8 Mb
Release : 2021-03-15
Category : Literary Criticism
ISBN : 9781469651934

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Dissonances of Modernity by Irene Gómez-Castellano,Aurélie Vialette Pdf

Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.

Out of Time

Julian Johnson
Out of Time Book PDF

Author : Julian Johnson
Publisher : Oxford University Press, USA
Page : 401 pages
File Size : 47,8 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780190233273

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Out of Time by Julian Johnson Pdf

"In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new." -- Publisher's description

A Million Years of Music

Gary Tomlinson
A Million Years of Music Book PDF

Author : Gary Tomlinson
Publisher : MIT Press
Page : 367 pages
File Size : 40,9 Mb
Release : 2015-02-27
Category : Music
ISBN : 9781935408659

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A Million Years of Music by Gary Tomlinson Pdf

What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. Starting at a period of human prehistory long before Homo sapiens or music existed, Tomlinson describes the incremental attainments that, by changing the communication and society of prehuman species, laid the foundation for musical behaviors in more recent times. He traces in Neandertals and early sapiens the accumulation and development of these capacities, and he details their coalescence into modern musical behavior across the last hundred millennia

Out of Time

Julian Johnson
Out of Time Book PDF

Author : Julian Johnson
Publisher : Oxford University Press
Page : 400 pages
File Size : 54,6 Mb
Release : 2015-02-27
Category : Music
ISBN : 9780190233297

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Out of Time by Julian Johnson Pdf

What does music have to say about modernity? How can this apparently unworldly art tell us anything about modern life? In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art, philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.

Music and the Aesthetics of Modernity

Karol Berger,Anthony Newcomb
Music and the Aesthetics of Modernity Book PDF

Author : Karol Berger,Anthony Newcomb
Publisher : Harvard University Press
Page : 438 pages
File Size : 45,8 Mb
Release : 2005
Category : Music
ISBN : UOM:39015061451574

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Music and the Aesthetics of Modernity by Karol Berger,Anthony Newcomb Pdf

This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

Constructing Musicology

Alastair Williams
Constructing Musicology Book PDF

Author : Alastair Williams
Publisher : Routledge
Page : 151 pages
File Size : 46,7 Mb
Release : 2020-07-18
Category : Music
ISBN : 9781000152265

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Constructing Musicology by Alastair Williams Pdf

This title was first published in 2001: Unlike many other academic disciplines, musicology has been somewhat reluctant to explore the possibilities that critical theory might offer to our understanding of music and the ways in which we study it. In recent years, however, both the general impact of theory on humanities research and the wider repertoires now studied on music degree courses have urged a paradigm shift in musicology. Looking at both these trends, Alastair Williams examines and explains the theoretical issues raised by different musics, including the Western canon, popular music, folk music and music by women. A theoretically informed musicology, he argues, can reflect on its own procedures and create strategies for particular problems as they arise. In this sense the book offers a musicology under construction. To appreciate how theoretical discourses function and the interests they serve, it is important to understand their roots. Chapter One begins with a presentation of traditional musicology in the context of Joseph Kerman's call for a shift from fact-finding to critical interpretation. Discussion then moves to the scrutiny of the bourgeois tradition by Adorno and Dahlhaus. Chapter Two explores Kerman's critique of structural analysis, together with the impact of poststructuralism on musicology. Awareness of new repertoire and its consequences becomes evident as the book unfolds, with Chapter Three considering music by women and examining how gender is constructed in music. Chapter Four extends this discussion to the field of popular music and the ways in which this genre negotiates identity. Challenges to the dominant values are further explored as Chapter Five looks at how non-European cultures are presented in European music and reflects on perceptions of self and other in ethnomusicology. Chapter Six charts the emergence of modern subjectivity and its formations in music, arguing that musicology should not lose sight of modernity's critical resources.

Twentieth Century Music and the Question of Modernity

Eduardo de la Fuente
Twentieth Century Music and the Question of Modernity Book PDF

Author : Eduardo de la Fuente
Publisher : Routledge
Page : 192 pages
File Size : 51,6 Mb
Release : 2010-09-13
Category : Music
ISBN : 9781136927423

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Twentieth Century Music and the Question of Modernity by Eduardo de la Fuente Pdf

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Music and Modernity Among First Peoples of North America

Victoria Levine Lindsay Levine,Dylan Robinson
Music and Modernity Among First Peoples of North America Book PDF

Author : Victoria Levine Lindsay Levine,Dylan Robinson
Publisher : Wesleyan University Press
Page : 361 pages
File Size : 40,6 Mb
Release : 2021-02-01
Category : Music
ISBN : 9780819578648

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Music and Modernity Among First Peoples of North America by Victoria Levine Lindsay Levine,Dylan Robinson Pdf

In this wide-ranging anthology, scholars offer diverse perspectives on ethnomusicology in dialogue with critical Indigenous studies. This volume is a collaboration between Indigenous and settler scholars from both Canada and the United States. The contributors explore the intersections between music, modernity, and Indigeneity in essays addressing topics that range from hip-hop to powwow, and television soundtracks of Native Classical and experimental music. Working from the shared premise that multiple modernities exist for Indigenous peoples, the authors seek to understand contemporary musical expression from Native perspectives and to decolonize the study of Native American/First Nations music. The essays coalesce around four main themes: innovative technology, identity formation and self-representation, political activism, and translocal musical exchange. Related topics include cosmopolitanism, hybridity, alliance studies, code-switching, and ontologies of sound. Featuring the work of both established and emerging scholars, the collection demonstrates the centrality of music in communicating the complex, diverse lived experience of Indigenous North Americans in the twenty-first century.

The Routledge Research Companion to Modernism in Music

Björn Heile,Charles Wilson
The Routledge Research Companion to Modernism in Music Book PDF

Author : Björn Heile,Charles Wilson
Publisher : Routledge
Page : 518 pages
File Size : 41,6 Mb
Release : 2018-10-29
Category : Music
ISBN : 9781317042457

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The Routledge Research Companion to Modernism in Music by Björn Heile,Charles Wilson Pdf

Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Theology, Music, and Modernity

Jeremy Begbie,Daniel K. L. Chua,Markus Rathey
Theology Music and Modernity Book PDF

Author : Jeremy Begbie,Daniel K. L. Chua,Markus Rathey
Publisher : Oxford University Press, USA
Page : 398 pages
File Size : 54,8 Mb
Release : 2021-02-02
Category : History
ISBN : 9780198846550

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Theology, Music, and Modernity by Jeremy Begbie,Daniel K. L. Chua,Markus Rathey Pdf

Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.

Music and the Modern Condition: Investigating the Boundaries

Ljubica Ilic
Music and the Modern Condition Investigating the Boundaries Book PDF

Author : Ljubica Ilic
Publisher : Routledge
Page : 132 pages
File Size : 53,6 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092322

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Music and the Modern Condition: Investigating the Boundaries by Ljubica Ilic Pdf

Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. This particular musical "language game" coincides with historical changes in the phenomenological understanding of space and selfhood. A key concept of the book concerns musical compositions that remain without proper conclusions: if the wholesome (musical) work is a manifestation of wholesome subjectivity, the pieces Ilic explores deny it, reflecting conflict of the individual with previous beliefs, with contexts, and even within the self as the basic modern condition. The musical work is, in this case, still bounded and well-defined, but fractured by the incapability or refusal to satisfactorily conclude: the implicit cut forced upon it changes the expected musical flow or - speaking in spatial terms - it influences the musical form. By using the metaphor of space, Ilic explores: how the existence of a separate self as a primary feature of Western modernity becomes negotiated through awareness of the subject's own independence and individuality; innerness as something entirely separate from its surroundings; and the collective space of social interaction. Seeing musical storytelling as a metaphoric representation of selfhood, and modernity as a historical continuum, Ilic examines the boundaries and relationships between the musical work, the subject, and modern European history.

Decentering Musical Modernity

Tobias Janz,Chien-Chang Yang
Decentering Musical Modernity Book PDF

Author : Tobias Janz,Chien-Chang Yang
Publisher : transcript Verlag
Page : 375 pages
File Size : 41,9 Mb
Release : 2019-06-30
Category : Music
ISBN : 9783839446492

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Decentering Musical Modernity by Tobias Janz,Chien-Chang Yang Pdf

This collection investigates the concept of modernity in music and its multiple interpretations in Europe and East Asia. Through contributions by both European and East Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while being attentive to the specificities of local music and their narratives in East Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.