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Musik - Politik - Identität by Matthew Gardner,Hanna Walsdorf Pdf
Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part concentrates on musical identity and political reality, discussing ideological values in musical discourses.The second part deals with (musical) constructions, drawing on diverse national connections within our own and foreign identity.
Musik - Politik - Identität by Matthew Gardney,Hanna Walsdorf Pdf
Musik ist immer auch Spiegel und Kristallisationspunkt gesellschaftlicher Paradigmen und politisch-nationaler Identitätsdiskurse. Der vorliegende Sammelband vereint Beiträge zu historischen und gegenwärtigen Fragestellungen, die um das Verhältnis von Politik und musikalischem Schaffen kreisen. Im ersten Teil sind Beiträge zusammengefasst, die sich mit "Musikalischer Identität und politischer Realität" befassen und dabei ideologische Zuschreibungsprozesse im Musikdiskurs thematisieren. Der zweite Teil des Bandes umfasst Betrachtungen über "(Musikalische) Konstruktionen von eigener und fremder Identität" aus verschiedensten nationalen Zusammenhängen.
Author : Celia Applegate,Pamela Potter Publisher : University of Chicago Press Page : 346 pages File Size : 52,9 Mb Release : 2002-08 Category : History ISBN : 0226021300
Music and German National Identity by Celia Applegate,Pamela Potter Pdf
Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
The Routledge Handbook of Music and Migration by Wolfgang Gratzer,Nils Grosch,Ulrike Präger,Susanne Scheiblhofer Pdf
The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics. 24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research.
Music, Modernity, and Publicness in India by Tejaswi Niranjana Pdf
With the onset of modernity in twentieth-century India, new social arrangements gave rise to new forms of music-making. The musicians were no longer performing exclusively in the princely courts or in the private homes of the wealthy. Not only did the act of listening to and appreciating music change, it became an important feature of public life, thus influencing how modernity shaped itself. This volume attempts to study the connections between music and the creation of new ideas of publicness during the early twentieth century. How was music labelled as folk or classical? How did music come to play such a catalytic role in forming identities of nationhood, politics, or ethnicity? And how did twentieth-century technologies of sound reproduction and commercial marketing contribute to changing notions of cultural distinction? Exploring these interdisciplinary questions across multiple languages, regions, and musical genres, the essays provide fresh perspectives on the history of musicians and migration in colonial India, the formation of modern spaces of performance, and the articulation of national as well as nationalist traditions.
Die Macht der Töne by Tillmann Bendikowski,Dirk Pöppmann Pdf
Musik und Emotion : zu Wirkung und Wirkort von Musik / Michael Grossbach, Eckart Altenmüller -- Öffentliches Singen als politisches Ereignis : die Herausforderung einer historischen Quelle für die Geschichtswissenshcaft / Tillmann Bendikowski -- Amerikanische Gewerkschaftslieder und die New Deal-Politik / Sabine Gillmann -- Ruth Crawford Seeger : zwischen Avantgarde, Agitation und folk music / Kirsten Reese -- Identitätsrettung durch Rückzug in die Komposition : Stefan Wolpe und sein Exil in Palästina und den USA 1934-1953 / Reinhard Voigt -- Diener zweier Diktaturen : der Komponist Rudolf Wagner-Régeny / Christoph Schwandt -- Musik zur Schaffen des neuen sozialistischen Menschen : offizielle Musikpolitik des Zentralkommitees der SED in der DDR in den 50er Jahren / David Tompkins -- Komponieren nach Auschwitz : die Verarbeitung des Holocaust in der Musik / Dirk Pöppmann -- Die Huber-Gottwald-Kontroverse : die Inszenierung der Neuen Musik als politische Manifestation / Beate Kutschke -- "Keiner oder alle, Alles oder nichts" : zur Aporie der politischen Avantgarde-Musik in den 60er/70er Jahren / Frank Sielecki -- "Hurra, hurra, ein Nigger brennt" : Funktion und Bedeuting der Musik für den Rechtsextremismus in Deutschland / Thomas Pfeiffer
21st Century Innovation in Music Education by Kun Setyaning Astuti,Gary G. McPherson,Bambang Sugeng,Nila Kurniasari,Tutut Herawan,Christopher Drake,Ashadi,Endah Retnowati,Adi Cilik Pierewan Pdf
Music is an expression of feelings of the soul conveyed through the medium of sound. But not all sounds are music. It might be said that only an organised sound or series of sounds can be called music. Thus, music is connected to the eternal and constant flow and order of the universe, to the laws and rhythms of nature. It can also be said that musical order is comparable to the natural order of the universe. There are laws of a certain nature in the natural sciences and likewise in music there are structures and procedures, or even rules, that should be followed to produce beautiful music. The International Conference "Innovations for 21st Century Music Education and Research" provided a timely opportunity to take stock of the latest developments in music education and brought together educators, researchers and members of the broader community in a welcoming forum in which they were able to express theoretical and practical views, concepts, research results and principles to help support the further development of music education.
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
Das politische Lied in Ost- und Südosteuropa by Stefan Michael Newerkla,Fedor B. Poljakov,Oliver Jens Schmitt,Hansfrieder Vogel,Armina Galijaš Pdf
Zur Entstehung des Bandes: Der Band stellt die erste Veröffentlichung im Rahmen der im Jahre 2009 gegründeten Forschungsplattform "Wiener Osteuropaforum" dar. Darin sind jene Beiträge versammelt, die aus einer im Sommersemester 2009 in Zusammenarbeit der Institute für Slawistik und für Osteuropäische Geschichte der Universität Wien gehaltenen Ringvorlesung hervorgingen. Die Absicht der Herausgeber war es, die Verbindung der Dimensionen Gesellschaft, Text und Musik und deren Bedeutung für politische Mobilisierung und politisches Handeln in Ost- und Südosteuropa darzustellen. Als Zeitraum wurde dabei die Epoche vom ausgehenden 19. Jahrhundert bis zur Gegenwart gewählt. Räumlich wurden die Beiträge nach nationalen Gesellschaften in ihrer staatlichen Verfasstheit gegliedert.
The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.
Music, Power, and Politics by Annie J. Randall Pdf
Essays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest.
Perspectives on German Popular Music by Michael Ahlers,Christoph Jacke Pdf
In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Identity and Pleasure: The Politics of Indonesian Screen Culture critically examines what media and screen culture reveal about the ways urban-based Indonesians attempted to redefine their identity in the first decade of this century. Through a richly nuanced analysis of expressions and representations found in screen culture (cinema, television and social media), it analyses the waves of energy and optimism, and the disillusionment, disorientation and despair, that arose in the power vacuum that followed the dramatic collapse of the militaristic New Order government. While in-depth analyses of identity and political contestation within the nation are the focus of the book, trans-national engagements and global dimensions are a significant part of the story in each chapter. The author focuses on contemporary cultural politics in Indonesia, but each chapter contextualizes current circumstances by setting them within a broader historical perspective.
