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Author : Charles Le Brun
Publisher : Unknown
Page : 170 pages
File Size : 49,5 Mb
Release : 1702
Category : Emotions in art
ISBN : BSB:BSB11341360
Author : Charles Le Brun
Publisher : Georg Olms Verlag
Page : 124 pages
File Size : 44,7 Mb
Release : 2024-06-30
Category : Anatomy, Artistic
ISBN : 3487410672
Author : Charles Le Brun
Publisher : Unknown
Page : 47 pages
File Size : 43,5 Mb
Release : 1982
Category : Electronic
ISBN : OCLC:468378296
Author : CHARLES LE. BRUN
Publisher : Unknown
Page : 0 pages
File Size : 44,6 Mb
Release : 2018
Category : Electronic
ISBN : 1033245666
Author : Charles Le Brun
Publisher : Unknown
Page : 47 pages
File Size : 45,8 Mb
Release : 1982
Category : Electronic
ISBN : OCLC:233666772
Author : Charles Le Brun
Publisher : Legare Street Press
Page : 0 pages
File Size : 44,8 Mb
Release : 2022-10-26
Category : Art
ISBN : 1015606849
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Joseph R. Roach
Publisher : University of Michigan Press
Page : 260 pages
File Size : 50,6 Mb
Release : 1993
Category : History
ISBN : 0472082442
Explores the historical and cultural evolution of the theoretical language of the stage
Author : Moshe Barasch
Publisher : Psychology Press
Page : 404 pages
File Size : 44,6 Mb
Release : 2000
Category : Aesthetics
ISBN : 0415926270
Author : P. M. S. Hacker
Publisher : John Wiley & Sons
Page : 472 pages
File Size : 54,7 Mb
Release : 2017-10-11
Category : Philosophy
ISBN : 9781118954744
A survey of astonishing breadth and penetration. No cognitive neuroscientist should ever conduct an experiment in the domain of the emotions without reading this book, twice. Parashkev Nachev, Institute of Neurology, UCL There is not a slack moment in the whole of this impressive work. With his remarkable facility for making fine distinctions, and his commitment to lucidity, Peter Hacker has subtly characterized those emotions such as pride, shame, envy, jealousy, love or sympathy which make up our all too human nature. This is an important book for philosophers but since most of its illustrative material comes from an astonishing range of British and European literature, it is required reading also for literary scholars, or indeed for anyone with an interest in understanding who and what we are. David Ellis, University of Kent Human beings are all subject to boundless flights of joy and delight, to flashes of anger and fear, to pangs of sadness and grief. We express our emotions in what we do, how we act, and what we say, and we can share our emotions with others and respond sympathetically to their feelings. Emotions are an intrinsic part of the human condition, and any study of human nature must investigate them. In this third volume of a major study in philosophical anthropology which has spanned nearly a decade, one of the most preeminent living philosophers examines and reflects upon the nature of the emotions, advancing the view that novelists, playwrights, and poets – rather than psychologists and cognitive neuroscientists – elaborate the most refined descriptions of their role in human life. In the book’s early chapters, the author analyses the emotions by situating them in relation to other human passions such as affections, appetites, attitudes, and agitations. While presenting a detailed connective analysis of the emotions, Hacker challenges traditional ideas about them and criticizes misconceptions held by philosophers, psychologists, and cognitive neuroscientists. With the help of abundant examples and illustrative quotations from the Western literary canon, later sections investigate, describe, and disentangle the individual emotions – pride, arrogance, and humility; shame, embarrassment, and guilt; envy and jealousy; and anger. The book concludes with an analysis of love, sympathy, and empathy as sources of absolute value and the roots of morality. A masterful contribution, this study of the passions is essential reading for philosophers of mind, psychologists, cognitive neuroscientists, students of Western literature, and general readers interested in understanding the nature of the emotions and their place in our lives.
Author : Shearer West
Publisher : OUP Oxford
Page : 256 pages
File Size : 41,5 Mb
Release : 2004-04-08
Category : Art
ISBN : 9780191518034
This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context. Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.
Author : James Harriman-Smith
Publisher : Cambridge University Press
Page : 249 pages
File Size : 53,5 Mb
Release : 2021-03-18
Category : Drama
ISBN : 9781108835497
Recovers eighteenth-century appreciation of transition as a critical tool for analysing the expression and reception of emotion in theatre.
Author : Michel Delon
Publisher : Routledge
Page : 1512 pages
File Size : 51,6 Mb
Release : 2013-12-04
Category : History
ISBN : 9781135959982
This acclaimed translation of Michel Delon's Dictionnaire Europen des Lumires contains more than 350 signed entries covering the art, economics, science, history, philosophy, and religion of the Enlightenment. Delon's team of more than 200 experts from around the world offers a unique perspective on the period, providing offering not only factual information but also critical opinions that give the reader a deeper level of understanding. An international team of translators, editors, and advisers, under the auspices of the French Ministry of Culture, has brought this collection of scholarship to the English-speaking world for the first time.
Author : Susan Lewis Hammond
Publisher : Routledge
Page : 664 pages
File Size : 53,8 Mb
Release : 2015-09-15
Category : Music
ISBN : 9781135017255
Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.
Author : Blair Hoxby
Publisher : Oxford University Press
Page : 336 pages
File Size : 43,8 Mb
Release : 2015-10-01
Category : Literary Criticism
ISBN : 9780191065996
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
Author : Edward Nye
Publisher : Cambridge University Press
Page : 339 pages
File Size : 49,5 Mb
Release : 2011-07-21
Category : Drama
ISBN : 9781139497497
The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
