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Did Napoleon provide the model for Hitler's Final Solution?140 years before the Holocaust, Napoleon used gas to exterminate the civil population of the Antilles, he created concentration camps in Corsica and Alba, and he re-established the slave trade, provoking the deaths of over 200,000 Africans in the French colonies. In this riveting and controversial expose, Ribbe reveals Napoleon's shocking legacy to the atrocities of the twentieth century.
A NEW YORK TIMES NOTABLE BOOK From the bestselling, acclaimed author of A Spy Among Friends, The Spy and the Traitor, and Rogue Heroes, the vastly entertaining saga of Adam Worth, the most notorious bank thief of Victorian society and the inspiration for Sir Arthur Conan Doyle's Professor Moriarty. The Victorian era's most infamous and iconic thief, Adam Worth, was known as the Napoleon of Crime. Suave, cunning, and fearless, Worth learned early that the best way to succeed was to steal—and steal he did. Following a strict code of honor, Worth won the respect of Victorian society. He also aroused its fear by becoming a chilling phantom, mingling undetected with the upper classes, whose valuables he brazenly stole. His most celebrated heist: Gainsborough's grand portrait of the Duchess of Devonshire—ancestor of Diana, Princess of Wales—a painting Worth adored and often slept beside for twenty years. With a brilliant and colorful gang, Worth secretly ran operations from New York to London, Paris, and South Africa—until betrayal and a Pinkerton man finally brought him down. Here is a grand, dazzling tour into the gaslit underworld of the nineteenth century, and into the doomed genius of a criminal mastermind.
The Murder of Napoleon by Ben Weider,David Hapgood Pdf
The history books say that Napoleon died of natural causes. Napoleon himself, expiring at 51 after a lifetime of robust health, suspected otherwise and ordered a thorough autopsy. His suspicions were well-founded. So clever was the crime, however, that until recent developments in forensic science, it was impossible to prove a case of murder, let alone name the killer. Now, the authors of this fascinating book assert, it has been done-by a brilliant man whose 20-year inquest, a feat of detection, has produced one of history’s greatest surprises. What the critics say: "History at its most electrifying" - Newsweek "A nonfiction whodunit based on modern scientific technique" - New York Times "A spellbinding whodunit about one of history's greatest crimes" - History Book Club "Sensational ... as gripping as a detective novel yet scrupulously observant of historical fact" - Publishers Weekly "Thoroughly convincing... A major Odyssey in historical research" - Harold C. Deutsch, professor of military history, U.S. Army War College
On December 1, 1851, Charras[1] shrugged his shoulder and unloaded his pistols. In truth, the belief in the possibility of a coup d'état had become humiliating. The supposition of such illegal violence on the part of M. Louis Bonaparte vanished upon serious consideration. The great question of the day was manifestly the Devincq election; it was clear that the Government was only thinking of that matter. As to a conspiracy against the Republic and against the People, how could any one premeditate such a plot? Where was the man capable of entertaining such a dream? For a tragedy there must be an actor, and here assuredly the actor was wanting. To outrage Right, to suppress the Assembly, to abolish the Constitution, to strangle the Republic, to overthrow the Nation, to sully the Flag, to dishonor the Army, to suborn the Clergy and the Magistracy, to succeed, to triumph, to govern, to administer, to exile, to banish, to transport, to ruin, to assassinate, to reign, with such complicities that the law at last resembles a foul bed of corruption. What! All these enormities were to be committed! And by whom? By a Colossus? No, by a dwarf. People laughed at the notion. They no longer said "What a crime!" but "What a farce!" For after all they reflected; heinous crimes require stature. Certain crimes are too lofty for certain hands. A man who would achieve an 18th Brumaire must have Arcola in his past and Austerlitz in his future. The art of becoming a great scoundrel is not accorded to the first comer. People said to themselves, Who is this son of Hortense? He has Strasbourg behind him instead of Arcola, and Boulogne in place of Austerlitz. He is a Frenchman, born a Dutchman, and naturalized a Swiss; he is a Bonaparte crossed with a Verhuell; he is only celebrated for the ludicrousness of his imperial attitude, and he who would pluck a feather from his eagle would risk finding a goose's quill in his hand. This Bonaparte does not pass currency in the array, he is a counterfeit image less of gold than of lead, and assuredly French soldiers will not give us the change for this false Napoleon in rebellion, in atrocities, in massacres, in outrages, in treason. If he should attempt roguery it would miscarry. Not a regiment would stir. Besides, why should he make such an attempt? Doubtless he has his suspicious side, but why suppose him an absolute villain? Such extreme outrages are beyond him; he is incapable of them physically, why judge him capable of them morally? Has he not pledged honor? Has he not said, "No one in Europe doubts my word?" Let us fear nothing. To this could be answered, Crimes are committed either on a grand or on a mean scale. In the first category there is Caesar; in the second there is Mandrin. Caesar passes the Rubicon, Mandrin bestrides the gutter. But wise men interposed, "Are we not prejudiced by offensive conjectures? This man has been exiled and unfortunate. Exile enlightens, misfortune corrects."
Napoleon and the Art of Leadership by William Nester Pdf
This deep dive into the mind of the complex, controversial political and military leader is “a great addition to the field of Napoleonics” (Journal of Military History). No historical figure has provoked more controversy than Napoleon Bonaparte. Was he an enlightened ruler or brutal tyrant? An insatiable warmonger or a defender of France against the aggression of the other great powers? Kind or cruel, farsighted or blinkered, a sophisticate or a philistine, a builder or a destroyer? Napoleon was at once all that his partisans laud, his enemies condemn, and much more. He remains fascinating, because he so dramatically changed the course of history and had such a complex, paradoxical character. One thing is certain: If the art of leadership is about getting what one wants, then Napoleon was among history’s greatest masters. He understood and asserted the dynamic relationship among military, economic, diplomatic, technological, cultural, psychological—and thus political—power. War was the medium through which he was able to demonstrate his innate skills, leading his armies to victories across Europe. He overthrew France’s corrupt republican government in a coup, then asserted near dictatorial powers. Those powers were then wielded with great dexterity in transforming France from feudalism to modernity with a new law code, canals, roads, ports, schools, factories, national bank, currency, and standard weights and measures. With those successes, he convinced the Senate to proclaim him France’s emperor and even got the pope to preside over his coronation. He reorganized swaths of Europe into new states and placed his brothers and sisters on the thrones. This is Napoleon as has never been seen before. No previous book has explored his seething labyrinth of a mind more deeply and broadly or revealed more of its complex, provocative, and paradoxical dimensions. Napoleon has never before spoken so thoroughly about his life and times through the pages of a book, nor has an author so deftly examined the veracity or mendacity of his words. Within are dimensions of Napoleon that may charm, appall, or perplex, many buried for two centuries and brought to light for the first time. Napoleon and the Art of Leadership is a psychologically penetrating study of the man who had such a profound effect on the world around him that the entire era still bears his name.
"The History of a Crime" by Victor Hugo is a poignant non-fictional account that meticulously chronicles the infamous coup d'état of December 1851 in France, resulting in the ascension of Louis-Napoléon Bonaparte as Napoleon III. Written as a scathing denunciation of the political intrigue and authoritarian tendencies of the era, Hugo scrutinizes the societal, economic, and political forces that paved the way for Napoleon III's rise to power. In concise and evocative prose, Hugo vividly captures the volatile political atmosphere, revealing the underlying power struggles and ideologies that characterized mid-19th century France. Through his compelling narrative and astute analysis, Hugo brings to light the corruption and misuse of authority that plagued this pivotal period in French history. "The History of a Crime" remains a significant historical testament and literary critique, showcasing Hugo's enduring commitment to championing democratic values and exposing societal injustices.
Published in 1877, long after it was written, it is an account of the 1852 coup d'état that brought Napoleon into power and forced Hugo into an exile of eighteen years. The work covers those momentous early days of Napoleon rule that changed the course of French history. The deepest feelings and patriotic emotions of the author are reflected in these pages that chronicle the rise of Napoleon.On December 1, 1851, Charras[1] shrugged his shoulder and unloaded his pistols. In truth, the belief in the possibility of a coup d'état had become humiliating. The supposition of such illegal violence on the part of M. Louis Bonaparte vanished upon serious consideration. The great question of the day was manifestly the Devincq election; it was clear that the Government was only thinking of that matter. As to a conspiracy against the Republic and against the People, how could any one premeditate such a plot? Where was the man capable of entertaining such a dream? For a tragedy there must be an actor,
History of a Crime: Large Print by Victor Hugo Pdf
Published in 1877, long after it was written, it is an account of the 1852 coup d'état that brought Napoleon into power and forced Hugo into an exile of eighteen years. The work covers those momentous early days of Napoleon rule that changed the course of French history. The deepest feelings and patriotic emotions of the author are reflected in these pages that chronicle the rise of Napoleon.
Since the nineteenth century, the development of international humanitarian law has been marked by complex entanglements of legal theory, historical trauma, criminal prosecution, historiography, and politics. All of these factors have played a role in changing views on the applicability of international law and human-rights ideas to state-organized violence, which in turn have been largely driven by transnational responses to German state crimes. Here, Annette Weinke gives a groundbreaking long-term history of the political, legal and academic debates concerning German state and mass violence in the First World War, during the National Socialist era and the Holocaust, and under the GDR.
