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During Shakespeare's lifetime, Henry IV was his most popular play. Today, Sir John Falstaff still towers above Shakespeare's other comic inventions. This edition considers the play in the context of various critical approaches, offers a history of the play in performance from Shakespeare's time to ours, and provides useful information on its historical background. Readers will also find detailed commentary on individual words and phrases, and selections from Shakespeare's sources.
Ovid devoted about half of his poetic career to the production of several collections of amatory verse, all composed in elegiac couplets. Indeed, his irrepressible interest in love, sex and elegiac poetry is one of the defining features of his entire output. Here Rebecca Armstrong offers a thematic examination of some important aspects of the Amores, Ars Amatoria and Remedia Amoris. Starting from an investigation of the narrator's self-creation and presentation of other characters within his amatory verse, she assesses the importance of mythical and contemporary reference, as well as the influence of the erotic on Ovid's later works. By looking at the Ars and Remedia alongside the Amores, the continuities and contradictions in the poet's elegiac outlook are revealed, and a complex picture is formed of the Ovidian world of love. Ovid's erotic works present the reader with a glimpse inside the minds of both poets and lovers, mediated through eyes which are frequently inclined to comedy and even cynicism, but always sharp, perceptive and above all fascinated by human behaviour.
" . . . Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." —Virginia Quarterly Review
Ovid: Ars Amatoria, Book III by Ovid,Publius Ovidius Naso Pdf
This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
Propertius, Tibullus and Ovid: A Selection of Love Poetry by Anita Nikkanen Pdf
This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Ovid's Amores 1.1 and 2.5, Propertius 1.1 and Tibullus 1.1 with the A-Level (Group 4) prescription of Ovid's Amores 2.7 and 2.8, Propertius 1.3 and 2.14 and Tibullus 1.3, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Propertius, Tibullus and Ovid are our three main writers of Latin love elegy. The selected poems depict the bitter-sweet love affairs of the poet-lovers and their mistresses, from the heartbreak of rejection to the elation at love reciprocated. While Propertius's and Ovid's setting is the city and their poems show us such details of urbane Roman life as drinking parties and elaborate hair-dressing, Tibullus introduces the idyll of the countryside to the genre. Their sophisticated poems combine intense emotion with wit and irony, and celebrate the life of love and their mistresses, Propertius's Cynthia, Tibullus's Delia and Nemesis, and Ovid's Corinna.
The Love Books of Ovid (The Loves, The Art of Love, Love's Cure, and The Art of Beauty) by Ovid,J. Lewis May Pdf
'The Love Books of Ovid' is a combination of four books of the Roman poet's verse translated into prose. This volume includes 'Amores' or 'The Loves', 'Ars Amatoria' or 'The Art of Love', 'Remedia Amoris' or 'Love's Cure', and 'Medicamina Faciei Feminae' or 'The Art of Beauty'. Considered to be a master of the elegy form of poetry, Ovid, is faithfully represented here in this English prose translation. Students of classical literature and fans of romantic poetry will both delight in this volume of works by Ovid.
In the first century a.d., Ovid, author of the groundbreaking epic poem Metamorphoses, came under severe criticism for The Art of Love, which playfully instructed women in the art of seduction and men in the skills essential for mastering the art of romantic conquest. In this remarkable translation, James Michie breathes new life into the notorious Roman’s mock-didactic elegy. In lyrical, irreverent English, he reveals love’s timeless dilemmas and Ovid’s enduring brilliance as both poet and cultural critic.
The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention.
Ovid devoted about half of his poetic career to the production of several collections of amatory verse, all composed in elegiac couplets. Indeed, his irrepressible interest in love, sex and elegiac poetry is one of the defining features of his entire output. Here Rebecca Armstrong offers a thematic examination of some important aspects of the Amores, Ars Amatoria and Remedia Amoris. Starting from an investigation of the narrator's self-creation and presentation of other characters within his amatory verse, she assesses the importance of mythical and contemporary reference, as well as the influence of the erotic on Ovid's later works. By looking at the Ars and Remedia alongside the Amores, the continuities and contradictions in the poet's elegiac outlook are revealed, and a complex picture is formed of the Ovidian world of love. Ovid's erotic works present the reader with a glimpse inside the minds of both poets and lovers, mediated through eyes which are frequently inclined to comedy and even cynicism, but always sharp, perceptive and above all fascinated by human behaviour.
The five chapters that make up this short book examine the love elegies of the Roman poets Tibullus, Propertius and Ovid from the point of view of the way the meanings attributed to the poems arise out of the interests and preoccupations of the cultural situation in which they are read. Each study is centred around a reading of a poem or poems together with a discussion of a variety of sophisticated theoretical approaches drawn from modern scholars and theorists such as Paul Veyne, Roland Barthes an Michel Foucault. In each case, the modes of analysis involved are pressed hard to see where they may lead, and, equally, where they may show signs of strain. All Latin texts and terms are translated or closely paraphrased.
The Love Books Ovid - The Love Books of Ovid is a collection of four works of Roman poet Ovids verses on love in English prose translation. Ovid, born in 43 B.C., a contemporary of Virgil and Horace, lived during the reign of Augustus and is perhaps best remembered today for his work on Roman mythology entitled The Metamorphoses. This volume collects the poets following works: The Loves, The Art of Love, Loves Cure, and The Art of Beauty. Ovid was an innovator in the writing of love poetry in that he changed the focus of the poem from the poet to love itself and examined the effect of love on people. These works were considered controversial in their time and many scholars believe that Ovids The Art of Love was the cause of his life-long banishment by Augustus to a remote province on the Black Sea. Considered to be a master of the elegy form of poetry, which are poems of lamentation and mourning, and the last of the Latin love elegists, Ovid is faithfully represented here in this English prose translation. Students of classical literature and fans of romantic poetry will both delight in this volume of works by a poetic master. This edition is follows the translation of J. Lewis May.
"The Love Books of Ovid" is a collection of four works of Roman poet Ovid's verses on love in English prose translation. Ovid, born in 43 B.C., a contemporary of Virgil and Horace, lived during the reign of Augustus and is perhaps best remembered today for his work on Roman mythology entitled "The Metamorphoses". This volume collects the poet's following works: "The Loves", "The Art of Love", "Love's Cure", and "The Art of Beauty". Ovid was an innovator in the writing of love poetry in that he changed the focus of the poem from the poet to love itself and examined the effect of love on people. These works were considered controversial in their time and many scholars believe that Ovid's "The Art of Love" was the cause of his life-long banishment by Augustus to a remote province on the Black Sea. Considered to be a master of the elegy form of poetry, which are poems of lamentation and mourning, and the last of the Latin love elegists, Ovid is faithfully represented here in this English prose translation. Students of classical literature and fans of romantic poetry will both delight in this volume of works by a poetic master. This edition is printed on premium acid-free paper and follows the translation of J. Lewis May.
The Cambridge Companion to Latin Love Elegy by Thea S. Thorsen Pdf
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.