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Painting Music in the Sixteenth Century by Harry Colin Slim Pdf
This text examines the role that music can play in the artworks of the Renaissance, in particular, Italian painting of the 16th century. It aims to demonstrate that identifying a musical composition, especially if it has a text, can augment interpretations of the artwork.
A Companion to Music in Sixteenth-Century Venice by Anonim Pdf
Covering all facets of musical life in sixteenth-century Venice, the Companion addresses the city’s institutions (churches, confraternities, and academies), public and private occasions of music making, musicians and instrument makers, and the rich variety of musical genres.
Aesthetics of Music in Sixteenth Century Italy, France, and Spain by David Whitwell Pdf
For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume gives the reader a comprehensive view of the aesthetics of music in sixteenth-century Italy, France and Spain. Included here are some of the greatest writers and artists of the High Renaissance, including Castiglione, Cardano, Michelangelo and Montaigne. Since the sixteenth century represents the final chapter in the long Church philosophy of Scholasticism in music, the reader will find particular interest in separate chapters on the Theory of Music versus the Practice of Music in Italy.
Composing Community in Late Medieval Music by Jane D. Hatter Pdf
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author : Frank A. D’Accone Publisher : Taylor & Francis Page : 322 pages File Size : 41,6 Mb Release : 2023-05-31 Category : Music ISBN : 9781000938708
Music and Musicians in 16th-Century Florence by Frank A. D’Accone Pdf
This second selection of studies by Frank D’Accone, again based principally on the documentary evidence, follows the development through the mid 16th century of musical chapels at the Cathedral and the Baptistery of Florence and of musical establishments at the Santissima Annunziata and San Lorenzo. The lives, careers and works of composers associated with these churches are illustrated and their works analyzed, particularly the theoretical treatise by Fra Mauro, the madrigals of Mauro Matti and the ambitiously conceived canzone cycle of Mattia Rampollini. The final studies, moving into the 17th century, look at the music for Holy Week, and the unprecedented programme of performances at Santa Maria Novella.
Europe in the Sixteenth Century by H.G. Koenigsberger,George L. Mosse,G.Q. Bowler Pdf
This bestselling, seminal book - a general survey of Europe in the era of `Rennaisance and Reformation' - was originally published in Denys Hay's famous Series, `A General History of Europe'. It looks at sixteenth-century Europe as a complex but interconnected whole, rather than as a mosaic of separate states. The authors explore its different aspects through the various political structures of the age - empires, monarchies, city-republics - and how they functioned and related to one another. A strength of the book remains the space it devotes to the growing importance of town-life in the sixteenth century, and to the economic background of political change.
Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product. Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture.
16th Century Paintings by Rose-Marie Hagen,Rainer Hagen Pdf
The authors analyze eighteen important 16th century paintings, while providing background information on their painters and history. Includes dozens of full color reproductions.
Forms of Faith in Sixteenth-century Italy by Abigail Brundin,Matthew Treherne Pdf
This interdisciplinary volume gathers essays by leading international scholars in the fields of Italian Renaissance literature, music, history and history of art to address the fertile question of the relationship between religious change and shifting cultural forms in sixteenth-century Italy. Each contribution examines the effects of the profound religious changes that took place in the period on cultural forms, seeking to establish an 'aesthetics of reform' for the sixteenth century.
The Recorder by Richard W. Griscom,David Lasocki Pdf
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The Science and Art of Renaissance Music by James Haar Pdf
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
