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Author : Jane D. Hatter
Publisher : Cambridge University Press
Page : 301 pages
File Size : 42,7 Mb
Release : 2019-05-02
Category : Art
ISBN : 9781108474917
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author : Catherine A. Bradley
Publisher : Cambridge University Press
Page : 301 pages
File Size : 53,9 Mb
Release : 2018-08-09
Category : History
ISBN : 9781108418584
Redefines musical analysis for a period that marks the beginnings of composition as we know it now.
Author : Stanley Boorman
Publisher : Cambridge University Press
Page : 328 pages
File Size : 46,7 Mb
Release : 2008-10-30
Category : Music
ISBN : 0521088313
This volume presents a series of important essays on some of the problems involved in attempting to perform music of the late Middle Ages.
Author : Cristle Collins Judd
Publisher : Cambridge University Press
Page : 370 pages
File Size : 43,5 Mb
Release : 2000-11-30
Category : Music
ISBN : 0521771447
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Author : Mark Everist,Thomas Forrest Kelly
Publisher : Cambridge University Press
Page : 128 pages
File Size : 45,9 Mb
Release : 2018-08-09
Category : Music
ISBN : 9781108577076
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author : Emily Zazulia
Publisher : Unknown
Page : 308 pages
File Size : 43,9 Mb
Release : 2021
Category : Musical notation
ISBN : 0197551920
Late-medieval composers delighted in complicating the relationship between their music's written and sung forms, often tasking singers with reading their music in unusual ways-from slowing down a melodic line, to turning it backwards or upside down, even omitting certain notes or rests. These manipulations increasingly yielded music that was aurally all but unrecognizable as a derivative of the notated original. This book uses these unorthodox applications of notation to understand how late-medieval composers thought about the tool of musical notation. It argues that these compositions foregro.
Author : Katelijne Schiltz,Bonnie J. Blackburn
Publisher : Cambridge University Press
Page : 545 pages
File Size : 46,6 Mb
Release : 2015-04-23
Category : Art
ISBN : 9781107082298
The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Author : Anna Maria Busse Berger,Jesse Rodin
Publisher : Cambridge University Press
Page : 1427 pages
File Size : 44,8 Mb
Release : 2015-07-16
Category : Music
ISBN : 9781316298299
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Author : Matthew Gardner,Alison DeSimone
Publisher : Cambridge University Press
Page : 303 pages
File Size : 42,5 Mb
Release : 2019-10-31
Category : Music
ISBN : 9781108492935
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Author : Jared C. Hartt
Publisher : Boydell & Brewer
Page : 422 pages
File Size : 49,6 Mb
Release : 2018
Category : BUSINESS & ECONOMICS
ISBN : 9781783273072
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Author : Andrew James Hicks
Publisher : Oxford University Press
Page : 345 pages
File Size : 52,5 Mb
Release : 2017
Category : Music
ISBN : 9780190658205
Taking in hand the current ""discovery"" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.
Author : Reinhard Strohm
Publisher : Oxford : Clarendon Press
Page : 302 pages
File Size : 40,5 Mb
Release : 1985
Category : Computers
ISBN : MINN:31951001414783T
Although the musical achievements of the Franco-Flemish school have attracted many writers, this book is the first to show how the artists and composers of Bruges worked side by side to shape their acoustic and visual environment and to express their fellow citizens' spiritual needs in art. By combining the methods of modern musicology and those of local historiography, Strohm vividly recreates the music of fourteenth- and fifteenth-century Flanders in its socio-economic context, from the pageants and minstrelsy of the court to popular entertainments and the earliest public concerts.
Author : Reinhard Strohm,Bonnie J. Blackburn
Publisher : Unknown
Page : 522 pages
File Size : 44,6 Mb
Release : 2001
Category : Music
ISBN : 0198162057
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author : Timothy James McGee
Publisher : Unknown
Page : 273 pages
File Size : 55,9 Mb
Release : 1988
Category : Music
ISBN : 0802067298
Over the past twenty-five years Europe and North America have witnessed an enormous revival of interest in early music. Since the late 1950s numerous professional and amateur ensembles have delighted audiences with the vocal and instrumental music of the twelffth to the sixteenth centuries, while scholars have addressed themselves to the many problems involved in its authentic re-creation. This book unites the two fields; it is both a summary of the most recent scholarly investigations into the subject and a practical guide to the performance of early music based on the experience of the author and others who have performed a sizable portion of the early repertory. McGee lays out clearly the foundation and background of each of the performance problems, presenting the most recent research and pointing out areas of incomplete knowledge and controversy, and then introduces practical solutions based on the scholarship. All the topics necessary for a historical performance of early music are discussed: tempo, rhythmic flow, instrumentation, ornamentation, articulation, improvisation, style, and singing technique, along with some practical hints for selecting a program and shoosing substitute instruments. The final chapters is a reference guide to modern editions of the music and an introduction to the scholarly literature on early music performances. At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student.
Author : Ruth I. DeFord
Publisher : Cambridge University Press
Page : 517 pages
File Size : 55,6 Mb
Release : 2015-04-23
Category : Music
ISBN : 9781107064720
Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.