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Even celebrities die--and author Allan Abbott was the man who picked up the bodies! He ran the leading hearse, mortuary, and funeral services company in Hollywood and got an unprecedented glimpse of how celebrities really live and die. The Forrest Gump of the funeral industry, Abbott was everywhere celebrities died, from helping to prepare Marilyn Monroe's body for burial to standing next to Christopher Walken at Natalie Wood's funeral. Now in his memoir Pardon My Hearse, Abbott tells the rags-to-shroud story of how we went from a young man with a hearse to the funeral driver to the stars--a rollicking, unexpectedly hilarious story of glamorous funerals, mishaps with corpses, and true-life glimpses of celebrities at their most revealing moments. Pardon My Hearse is an eye-opening look at secret Hollywood from the man who literally knows where the bodies are buried.
Literally the last word for Hollywood trivia buffs, a celebrity death certificate is also strangely compelling. Its matter-of-fact reportage makes the famous ordinary, illuminating previously well-lit profiles with the unfiltered light of the everyday. A death certificate may also reveal information that stars assiduously concealed, such as actual birthdates. In California, home to many of Hollywood's brightest stars, death certificates are a matter of public record--and consequently an untapped mine of information. This follow-up to M.F. Steen's previous collection (2003) reproduces in full 169 of the death certificates of the entertainment industry's dearly departed. Brief biographical notes are included, listing birth and professional name as well as notable film, TV and entertainment credits. Mel Blanc, Lorne Greene, John Ritter, Gregory Peck, and Ronald Reagan are just a few of Hollywood's notables whose death certificates are collected here.
That evening I took my usual walk in Washington Park, pondering over the occurrences of the day. I was thoroughly committed. There was no back out now, and I stared the future straight in the face. I was not good, not even scrupulous, but I had no idea of deceiving either myself or Tessie. The one passion of my life lay buried in the sunlit forests of Brittany. Was it buried forever? Hope cried “No!” For three years I had been listening to the voice of Hope, and for three years I had waited for a footstep on my threshold. Had Sylvia forgotten? “No!” cried Hope. I said that I was not good. That is true, but still I was not exactly a comic opera villain. I had led an easy-going reckless life, taking what invited me of pleasure, deploring and sometimes bitterly regretting consequences. In one thing alone, except my painting, was I serious, and that was something which lay hidden if not lost in the Breton forests. It was too late now for me to regret what had occurred during the day. Whatever it had been, pity, a sudden tenderness for sorrow, or the more brutal instinct of gratified vanity, it was all the same now, and unless I wished to bruise an innocent heart my path lay marked before me. The fire and strength, the depth of passion of a love which I had never even suspected, with all my imagined experience in the world, left me no alternative but to respond or send her away. Whether because I am so cowardly about giving pain to others, or whether it was that I have little of the gloomy Puritan in me, I do not know, but I shrank from disclaiming responsibility for that thoughtless kiss, and in fact had no time to do so before the gates of her heart opened and the flood poured forth. Others who habitually do their duty and find a sullen satisfaction in making themselves and everybody else unhappy, might have withstood it. I did not. I dared not. After the storm had abated I did tell her that she might better have loved Ed Burke and worn a plain gold ring, but she would not hear of it, and I thought perhaps that as long as she had decided to love.somebody she could not marry, it had better be me. I, at least, could treat her with an intelligent affection, and whenever she became tired of her infatuation she could go none the worse for it. For I was decided on that point although I knew how hard it would be. I remembered the usual termination of Platonic liaisons and thought how disgusted I had been whenever I heard of one. I knew I was undertaking a great deal for so unscrupulous a man as I was, and I dreaded the future, but never for one moment did I doubt that she was safe with me. Had it been anybody but Tessie I should not have bothered my head about scruples. For it did not occur to me to sacrifice Tessie as I would have sacrificed a woman of the world. I looked the future squarely in the face and saw the several probable endings to the affair. She would either tire of the whole thing, or become so unhappy that I should have either to marry her or go away. If I married her we would be unhappy. I with a wife unsuited to me, and she with a husband unsuitable for any woman. For my past life could scarcely entitle me to marry. If I went away she might either fall ill, recover, and marry some Eddie Burke, or she might recklessly or deliberately go and do something foolish. On the other hand if she tired of me, then her whole life would be before her with beautiful vistas of Eddie Burkes and marriage rings and twins and Harlem flats and Heaven knows what. As I strolled along through the trees by the Washington Arch, I decided that she should find a substantial friend in me anyway and the future could take care of itself. Then I went into the house and put on my evening dress for the little faintly perfumed note on my dresser said, “Have a cab at the stage door at eleven,” and the note was signed “Edith Carmichael, Metropolitan Theater, June 19th, 189—.”
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Comforting words and practical ideas for living with loss. Everyone experiences grief differently after the loss of a loved one. Some people find solace in comforting quotes and warm words, while others feel a need to take action—to do something to memorialize their loss. And some benefit from both approaches. Here’s a path forward for you, no matter how you process your grief. Your Grief, Your Way features: · Multiple ways to process grief: Find relief through short meditations, mindful reframings, journaling prompts, concrete actions, and more. · A year of daily messages of comfort: Each page includes a quote and a short paragraph about grief along with a practical tip—something you can do to tend to your grief. · Comfort and practicality in short spurts: Discover strength and support in these bite-size nuggets, since grief reduces the ability to focus. · Quotes from a wide range of grievers: Take courage from the thoughtful words of people who have been in your shoes. Whether you’re looking for inspiration, a practical way to honor your loved one, or both, Your Grief, Your Way helps you navigate life after loss.
The Casque's Lark; or, Victoria, the Mother of the Camps by Eugène Sue Pdf
DigiCat Publishing presents to you this special edition of "The Casque's Lark; or, Victoria, the Mother of the Camps" by Eugène Sue. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Delphi Collected Works of Eugène Sue (Illustrated) by Eugène Sue Pdf
Described by Victor Hugo as ‘The Dickens of Paris’, Eugène Sue was a prolific author that popularised the genre of the serial novel in France. Sue wrote the much-admired and widely imitated ‘The Mysteries of Paris’, as well as many other sensational novels, exploring the seamy side of urban life. Though known for their melodramatic quality, Sue’s novels were the first to tackle the social ills that accompanied the Industrial Revolution in France. This comprehensive eBook presents Sue’s collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sue’s life and works * Informative introductions to the novels * 31 novels, with individual contents tables * The complete text of the 1845 anonymous translation of ‘The Mysteries of Paris’ * The complete saga of novels ‘The Mysteries of the People’, translated by Daniel de Leon * The complete novels of ‘The Seven Cardinal Sins’, anonymous 1899 translation, published by Francis A. Niccolls * Features rare novels appearing for the first time in digital publishing, including ‘Arthur’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as ‘The Mysteries of Paris’ and ‘The Wandering Jew’ are fully illustrated with their original artwork * Scholarly ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Mysteries of Paris The Mysteries of the People The Gold Sickle The Brass Bell The Iron Collar The Silver Cross The Casque’s Lark The Poniard’s Hilt The Branding Needle The Abbatial Crosier The Carlovingian Coins The Iron Arrow-Head The Infant’s Skull The Pilgrim’s Shell The Iron Pincers The Iron Trevet The Executioner’s Knife The Pocket Bible The Blacksmith’s Hammer The Sword of Honor The Galley Slave’s Ring The Seven Cardinal Sins Pride Luxury Gluttony Envy Indolence Avarice Anger Other Novels Arthur The Knight of Malta The Wandering Jew A Romance of the West Indies Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
A collection of the finest stories from the Irish author of The Dirty Dust, published fifty years after his death "Every sentence is packed with explosive power, not a word wasted, and the whole is almost unbearably moving."--Hilary Mantel These colorful tales from renowned Irish author Máirtín Ó Cadhain (1906-1970) whisk readers to the salty western shores of Ireland, where close-knit farming communities follow the harsh rhythms of custom, family, and land, even as they dream together of a kinder world. In this collection, the resilient women and men of the Gaeltacht regions struggle toward self-realization against the brutal pressures of rural poverty, and later, the hollowing demands of modern city life. Weaving together tradition and modernity, and preserving the earthy cadence of the original language, this rich and heart-rending collection by one of Ireland's most acclaimed fiction writers is a composite portrait of a country poised at the edge of irreversible transformation.
A Holocaust survivor's surprising and thought-provoking study of forgiveness, justice, compassion, and human responsibility, featuring contributions from the Dalai Lama, Harry Wu, Cynthia Ozick, Primo Levi, and more. You are a prisoner in a concentration camp. A dying Nazi soldier asks for your forgiveness. What would you do? While imprisoned in a Nazi concentration camp, Simon Wiesenthal was taken one day from his work detail to the bedside of a dying member of the SS. Haunted by the crimes in which he had participated, the soldier wanted to confess to--and obtain absolution from--a Jew. Faced with the choice between compassion and justice, silence and truth, Wiesenthal said nothing. But even years after the way had ended, he wondered: Had he done the right thing? What would you have done in his place? In this important book, fifty-three distinguished men and women respond to Wiesenthal's questions. They are theologians, political leaders, writers, jurists, psychiatrists, human rights activists, Holocaust survivors, and victims of attempted genocides in Bosnia, Cambodia, China and Tibet. Their responses, as varied as their experiences of the world, remind us that Wiesenthal's questions are not limited to events of the past.
In the wake of a humbling incident aboard a canal boat in the Cotswolds, young Captain Horatio Hornblower arrives in London to take command of the Atropos, a 22-gun sloop barely large enough to require a captain. Her first assignment under Hornblower's command is as flagship for the funeral procession of Lord Nelson. Soon Atropos is part of the Mediterranean Fleet's harassment of Napoleon, recovering treasure that lies deep in Turkish waters and boldly challenging a Spanish frigate several times her size. At the center of each adventure is Hornblower, Forester's most inspired creation, whose blend of cautious preparation and spirited execution dazzles friend and foe alike.
The Barking Ghost (Goosebumps #32) by R. L. Stine Pdf
Cooper, a nervous newcomer to the town, and his friend Margaret are targeted by two evil dogs who cast a spell to switch bodies with the children as a way of wreaking further havoc.