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Author : Arthur Hammond
Publisher : Unknown
Page : 230 pages
File Size : 49,7 Mb
Release : 1946
Category : Photography, Artistic
ISBN : MINN:31951D01599743B
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 44,9 Mb
Release : 1920
Category : Electronic
ISBN : OCLC:1415040175
Author : H. P. Robinson
Publisher : Unknown
Page : 240 pages
File Size : 44,9 Mb
Release : 1869
Category : Composition (Photography)
ISBN : BML:37001101427917
Author : Arthur Hammond
Publisher : Forgotten Books
Page : 338 pages
File Size : 48,5 Mb
Release : 2017-11-21
Category : Photography
ISBN : 0331556413
Excerpt from Pictorial Composition in Photography So in pictorial photography, some principles of composition can be acquired from books, but the most important element of success the personal ity and soul of the artist must be implanted in the individual and must grow with his experience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Henri Cartier-Bresson
Publisher : Unknown
Page : 160 pages
File Size : 40,9 Mb
Release : 2014
Category : Photography
ISBN : 3869307889
One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Author : Peter Ward
Publisher : Taylor & Francis
Page : 282 pages
File Size : 52,7 Mb
Release : 2002-11-12
Category : Performing Arts
ISBN : 9781136045059
Behind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work. Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as: Does the shot composition accurately reflect the idea that initiated the shot? Will the content and method of presenting the subject accurately convey the idea? Major innovations in television and film production since the previous edition have affected the styles of composition, such as wide-screen and the use of mini DV cameras. These new technologies and their implications for picture composition are addressed in this new edition. A new colour plate section is also being included to update the section on colour. If you are a practising camera operator, trainee camera operator, student or lecturer on a television or film production course, or simply a video enthusiast wishing to progress to a more professional standard you will find this book essential in enhancing the quality of your work.
Author : Marc Silber
Publisher : Mango Media Inc.
Page : 134 pages
File Size : 46,7 Mb
Release : 2018-05-15
Category : Photography
ISBN : 9781633537675
“This friendly book leads us clearly and gracefully from the basics to advanced techniques in photography composition . . . highly recommended.” —Brian Taylor, executive director, Center for Photographic Arts There’s a common misconception that composition is mysterious and that only certain people have that natural gift for the techniques involved. The truth is that composition involves a set of skills that you can master. Just as you can use cookbook recipes to make your favorite meal—you don’t have to be a famous French chef—you also can take amazing photos by just following a recipe! Marc Silber has spent years studying the works of masters and interviewing some of the biggest names in photography. The Secrets to Creating Amazing Photos puts at your fingertips ideas for improving your skills by giving you easy-to-follow “recipes” that will improve your photography right now! Composition is one of the biggest keys to creating photos that others will love. No matter what kind of camera or smartphone you’re using, you can take your photography to the next level and beyond by learning composition tools and secrets known to the masters of the art. With this handy guide, you can flip to the look you want on the spot and follow the recipe for creating an image that inspires you. Use it when you’re out photographing to get new ideas and inspiration. “Buy it, read it and then apply what you have learnt from this superb new book . . . This is a complete must-have, a veritable cornucopia of wisdom gained over decades of experience.” —Gray Levett, editor of Nikon Owner magazine
Author : Henry Peach Robinson
Publisher : Unknown
Page : 214 pages
File Size : 44,9 Mb
Release : 1893
Category : Composition (Photography)
ISBN : CHI:65446186
Author : David duChemin
Publisher : New Riders
Page : 375 pages
File Size : 40,7 Mb
Release : 2011-10-11
Category : Photography
ISBN : 9780132733236
When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Author : Annie Griffiths
Publisher : National Geographic Books
Page : 508 pages
File Size : 48,6 Mb
Release : 2016
Category : Photography
ISBN : 9781426217265
Includes photographs by Annie Griffiths and other National Geographic photographers.
Author : Jay Hambidge
Publisher : Legare Street Press
Page : 0 pages
File Size : 51,8 Mb
Release : 2022-10-27
Category : Art
ISBN : 1015651046
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Henry Peach Robinson
Publisher : Forgotten Books
Page : 197 pages
File Size : 52,9 Mb
Release : 2015-06-24
Category : Photography
ISBN : 1330123778
Excerpt from Pictorial Effect in Photography: Being Hints on Composition and Chiaro-Oscuro for Photographers One of the greatest difficulties in writing a book for beginners in any art is to make it simple enough. Nine out of ten photographers are, unfortunately, quite ignorant of art; some think manipulation all-sufficient, others are too much absorbed in the scientific principles involved to think of making pictures; while comparatively a few only have regarded the science as a means of giving pictorial embodiment to their ideas. It is for the first-mentioned that I have dwelt so long, in Chapters III, IV, and V, on what may be termed the initial idea of composition - Balance and Contrast. It is denied by some that art and photography can be combined, and these ridicule the idea that a knowledge of the principles of art can be of use to the photographer. It is to counteract these erroneous notions that I have insisted so strongly on the legitimacy and necessity of understanding those guiding laws in composition and chiaro-oscuro which must, in all forms of art, be the basis of pictorial effect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Henry Peach Robinson
Publisher : Unknown
Page : 224 pages
File Size : 51,7 Mb
Release : 1869
Category : Composition (Photography)
ISBN : UCD:31175003649459
Author : Richard Neville Haile
Publisher : Unknown
Page : 88 pages
File Size : 40,9 Mb
Release : 1939
Category : Composition (Art)
ISBN : PSU:000004348368
Author : Henry Peach Robinson
Publisher : Nabu Press
Page : 216 pages
File Size : 50,6 Mb
Release : 2014-03
Category : Electronic
ISBN : 1294817493
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pictorial Effect In Photography: Being Hints On Composition And Chiaroscuro For Photographers 4 Henry Peach Robinson Piper & Carter, 1893 Photography; General; Composition (Photography); Photography / General; Photography / Individual Photographer; Photography, Artistic
