Pictorial Composition In Photography Classic Reprint
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Pictorial Composition in Photography (Classic Reprint) by Arthur Hammond Pdf
Excerpt from Pictorial Composition in Photography So in pictorial photography, some principles of composition can be acquired from books, but the most important element of success the personal ity and soul of the artist must be implanted in the individual and must grow with his experience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Effect in Photography by Henry Peach Robinson Pdf
Pictorial Effect in Photography. Being Hints on Composition and Chiaro-Oscuro for Photographers by Henry Peach Robinson, first published in 1881, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The Fine Art of Photography (Classic Reprint) by Paul L. Anderson Pdf
Excerpt from The Fine Art of Photography The author's thanks are due to Mr. Henry R. Poore, for permission to make use of the conclusions set forth by him in his exceedingly valuable work, Pictorial Composition and the Critical Judgment of Pictures to Mr. Bertrand H. Wentworth for the admirable discussion of marine photography given in Chapter IX; and to the photographers who have so kindly furnished the prints which have been used to illustrate the text and to embel lish the book, but especially to Mr. Eilers, whose Summer Landscape has been used without permission, the author having been unable to get in touch with this artist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Composition and the Critical Judgment of Pictures by Henry Rankin Poore Pdf
Excerpt from Pictorial Composition and the Critical Judgment of Pictures: A Handbook for Students and Lovers of Art The revision which the text of this book has undergone has clarified certain parts of it and simplified the original argument by a complete sequence of page references and an index. The appendix reduces the contents to a working for mula with the purpose of rendering practical the suggestions of the text. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art in Photography: With Selected Examples of European and American Work Graphy, or the Art of the Camera, with some degree of exactness. Most, however, of these have been foredoomed to failure by reason of the rapid developments which not only the technical but also the art side have recently undergone. What is true of its general limitations today may not be nearly so true to - morrow, next week, next month, or a year hence. There are many who are of the opinion that Photography's claim to be an art is being most surely and steadily advanced along the lines of pictorial composition the elimination either by treatment of the negative or of the print of the superfluous and the crude; and the more subtle and artistic methods of printing which have during the last decade, and even during the last five years, come into general favour with its best exponents, and have at the same time brought about so distinct and advantageous a change. But, as has been so often said, it is the spirit at the back of all photographic work, in a word the mind behind the focussing screen, and in the dark room, and the sentiment which is brought to bear when the actual print is about to be produced or the initial experiment in printing made, which may or may not go far to support the claim that the results attained are artistic. Many workers are given to take themselves - not their work - too seriously, and are prone to relegate the negative to an altogether subsidiary position as regards the picture. It is little use to adopt this course unless there be something in the training or tempera ment of the individual capable of producing that too frequently rare result, a photographic picture in which real sentiment and personal expression is evident. It is pretty safe to assert that where such results are attained they are more often than not brought about by either the trained or innate artistic perception of the worker rather than by the adoption of any of the canons which are held by some to govern the production of prints laying claim to be pictorial. Without the natural gift of artistic expression, all the art knowledge in the world will, in nine cases out of ten, when applied to photo graphy prove futile. The elements of composition which go to the making of painted pictures may be acquired, but with the camera one is confronted by a medium of expression far more uncompromising than that afforded by a colour box. It is the knowledge and intuition which brings about the softening and modifying of the uncompromising character of the results usually obtained by the camera; the power of elimination of the crude or superfluous (so far as possible) on the actual negative, and afterwards on the print itself; and the introduction of atmosphere and G B 2. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Photography in America, 1920 (Classic Reprint) by Pictorial Photographers of America Pdf
Excerpt from Pictorial Photography in America, 1920 Some Of the advantages which photography ohers are worth restating. It helps to draw one closer to nature and to seek fresh air. Through the exercise and culti vation Of Choice, it teaches how to decorate? The home, to dress with taste, and to keep an alert eye and mind on the passing events Of the world. Because the Associa tion knows that photography is able to teach these things, it sought the aid of art museums and public libraries to conduct photographic exhibitions so that children and adults may not only see fine examples of the work Of the camera in the hands Of artists, but be led thereby to appreciate more fully the value Of photography as an aid to interesting composition and a quickening of the eye in realizing the beauty Of sunlight and shadows which flit around us much unrecognized at times. Succeed ing in gaining the sympathetic co-operation Of seventeen museums, in the winter of 1917-18 the Association collected, from many of the most important workers in this country, more than two hundred prints, which were divided into two groups and exhibited as follows: Minneapolis Institute Of Arts, Milwaukee Art Institute, Art Institute Of Chicago, City Art Museum (st. Louis), Toledo Museum Of Art, Detroit Museum of Art, Cleveland Art Museum, Cincinnati Museum Of Art, Morristown Library, Newark Museum Association, New Britain (conn.) Institute, Worcester Art Museum, Syracuse Museum of Fine Arts, Guild Of Allied Arts Grand Rapids Art Association, University Of Oklahoma, New Orleans Art Association. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Elements of a Pictorial Photograph (Classic Reprint) by Henry Peach Robinson Pdf
Excerpt from The Elements of a Pictorial Photograph But although the average photographer comes to a dead-lock when he gets to the end of technical excellence as generally understood, there are still left some most fascinating technical difficulties to get over of which he at present knows nothing, merely because he has not yet acquired the eyes to see the use of them. These will certainly enchant him if he ever get so far on his second journey as to be privileged to know them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Selection of Subject in Pictorial Photography (Classic Reprint) by W. E. Tindall Pdf
Excerpt from The Selection of Subject in Pictorial Photography If any apology be required for putting forward the hints contained in this book, that apology is to be found on the walls of the photographic exhibitions. The writer freely admits that the majority of the works there to be seen are of a high technical quality; yet in many cases they are such that they could be considerably improved were more attention given to the subjects of point of view, the value of lines, and the meaning of tone values and their reproduction by photography. It is with a view to the improvement of photographic work in these directions that the following pages were written; but it is the wish of the author that they shall be. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Effect in Photography by Henry Peach Robinson Pdf
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pictorial Effect In Photography: Being Hints On Composition And Chiaroscuro For Photographers 4 Henry Peach Robinson Piper & Carter, 1893 Photography; General; Composition (Photography); Photography / General; Photography / Individual Photographer; Photography, Artistic
Pictorial Effect in Photography by Henry Peach Robinson Pdf
Excerpt from Pictorial Effect in Photography: Being Hints on Composition and Chiaro-Oscuro for Photographers One of the greatest difficulties in writing a book for beginners in any art is to make it simple enough. Nine out of ten photographers are, unfortunately, quite ignorant of art; some think manipulation all-sufficient, others are too much absorbed in the scientific principles involved to think of making pictures; while comparatively a few only have regarded the science as a means of giving pictorial embodiment to their ideas. It is for the first-mentioned that I have dwelt so long, in Chapters III, IV, and V, on what may be termed the initial idea of composition - Balance and Contrast. It is denied by some that art and photography can be combined, and these ridicule the idea that a knowledge of the principles of art can be of use to the photographer. It is to counteract these erroneous notions that I have insisted so strongly on the legitimacy and necessity of understanding those guiding laws in composition and chiaro-oscuro which must, in all forms of art, be the basis of pictorial effect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Effect in Photography; Being Hints on Composition and Chiaroscuro for Photographers by Henry Peach Robinson Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1893 edition. Excerpt: ... CHAPTER XIX. PORTRAITURE--GEOUPS--PROPORTION. The composition of a poitrait group depends very much upon the character of its constituents. Two or three children, if they are not excessively stupid samples, are very easy to group together, and, -when -well done, make the most agreeable and natural pictures; while two adults, especially of the male kind, although easier to photograph, seldom make an effective composition. The great art in the composition of a group is in so arranging -the figures that they shall have some relation to each other, as well as the ordinary elements of pictorial construction. There should be some bond of union between those who compose the group; some incident should be represented in which they are mutually interested; or something must be imagined out of the picture to attract the attention of both if only two are represented, or of many of them if there is a number. The figures should be massed together, and not scattered over the space so as to make it necessary to examine each portrait in detail, until it has been seen, and the effect agreeably felt, as a whole. Nothing has a more disagreeable effect than two figures in one picture which may be cut in two without much injury to either half--two figures, like Enid and Geraint in the wild land-- "Apart by all the chamber's width, and mute As creatures voiceless, through the fault of birth. Or two wild men supporters of a shield, Painted, who stare at open space, nor glance The one at other, parted by the shield." It is not necessary, in representing two persons in conversation, that they should be looking at each other; the effect of listeningcan be rendered without putting them to that trying ordeal. It constantly happens that in conversations even on the...
Excerpt from In Nature's Image: Chapters on Pictorial Photography The reception of my preceding book, entitled "Sunlight and Shadow," was so cordial - a second edition being called for within two months of the publication of the first - I have ventured to think that, perhaps, another volume, similar to it but supplementing its predecessor by leading the reader a little farther along the pleasant paths of pictorial photography, might not be unwelcomed. I have been the more induced to undertake the preparation of the present book by the recollection that its companion was principally written and illustrated from the standpoint of the landscape or out-of-door subject, and thereby rather subordinated the more difficult, perhaps, but also more interesting as well as more advanced work of figure composition, portraiture, and kindred subjects. I have therefore endeavored, in the chapters which follow, and by the photographs which I have selected to illustrate them, to supplement the instruction of the previous book, and to complete the collection of pictorial examples which were chosen to illustrate it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In Nature's Image by Washington Irving Lincoln Adams Pdf
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
