The Selection Of Subject In Pictorial Photography Classic Reprint
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The Selection of Subject in Pictorial Photography (Classic Reprint) by W. E. Tindall Pdf
Excerpt from The Selection of Subject in Pictorial Photography If any apology be required for putting forward the hints contained in this book, that apology is to be found on the walls of the photographic exhibitions. The writer freely admits that the majority of the works there to be seen are of a high technical quality; yet in many cases they are such that they could be considerably improved were more attention given to the subjects of point of view, the value of lines, and the meaning of tone values and their reproduction by photography. It is with a view to the improvement of photographic work in these directions that the following pages were written; but it is the wish of the author that they shall be. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Composition in Photography (Classic Reprint) by Arthur Hammond Pdf
Excerpt from Pictorial Composition in Photography So in pictorial photography, some principles of composition can be acquired from books, but the most important element of success the personal ity and soul of the artist must be implanted in the individual and must grow with his experience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Elements of a Pictorial Photograph (Classic Reprint) by Henry Peach Robinson Pdf
Excerpt from The Elements of a Pictorial Photograph But although the average photographer comes to a dead-lock when he gets to the end of technical excellence as generally understood, there are still left some most fascinating technical difficulties to get over of which he at present knows nothing, merely because he has not yet acquired the eyes to see the use of them. These will certainly enchant him if he ever get so far on his second journey as to be privileged to know them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from In Nature's Image: Chapters on Pictorial Photography The reception of my preceding book, entitled "Sunlight and Shadow," was so cordial - a second edition being called for within two months of the publication of the first - I have ventured to think that, perhaps, another volume, similar to it but supplementing its predecessor by leading the reader a little farther along the pleasant paths of pictorial photography, might not be unwelcomed. I have been the more induced to undertake the preparation of the present book by the recollection that its companion was principally written and illustrated from the standpoint of the landscape or out-of-door subject, and thereby rather subordinated the more difficult, perhaps, but also more interesting as well as more advanced work of figure composition, portraiture, and kindred subjects. I have therefore endeavored, in the chapters which follow, and by the photographs which I have selected to illustrate them, to supplement the instruction of the previous book, and to complete the collection of pictorial examples which were chosen to illustrate it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Effect in Photography by Henry Peach Robinson Pdf
Excerpt from Pictorial Effect in Photography: Being Hints on Composition and Chiaro-Oscuro for Photographers In the choice of illustrations, I have selected, chiefly from copies of familiar pictures, those by which I could best elucidate a principle or assist in the description of a process, rather than those which may be regarded as Simply pretty pictures. In the photographic illustrations by various processes, I have endeavoured to show that the principles laid down could be embodied by means of photography. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Photography in America, 1922 (Classic Reprint) by Pictorial Photographers of America Pdf
Excerpt from Pictorial Photography in America, 1922 RT that endures is sincere. It is universal in its appeal though it may have been produced in a remote corner of the world by one who was unacquainted with the work of artists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Pictorial Photography in America, 1921 (Classic Reprint) by Pictorial Photographers of America Pdf
Excerpt from Pictorial Photography in America, 1921 I am happy to say that we have received from the United States and Canada a collection of pictorial photographs of such outstanding interest that the task of discrimination became one of great difficulty. Those selected by the judges have been placed in the exhibition, but the Coun cil of the Society feel that it would be most unfortunate if the collection generally could not be viewed by the English public, and it is proposed that the bulk of the American and Canadian pictures, including those Shown at the Annual Exhibition, should form one of our house exhibitions and be open to the public during the last part of January and the beginning of February, 1921. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art in Photography: With Selected Examples of European and American Work Graphy, or the Art of the Camera, with some degree of exactness. Most, however, of these have been foredoomed to failure by reason of the rapid developments which not only the technical but also the art side have recently undergone. What is true of its general limitations today may not be nearly so true to - morrow, next week, next month, or a year hence. There are many who are of the opinion that Photography's claim to be an art is being most surely and steadily advanced along the lines of pictorial composition the elimination either by treatment of the negative or of the print of the superfluous and the crude; and the more subtle and artistic methods of printing which have during the last decade, and even during the last five years, come into general favour with its best exponents, and have at the same time brought about so distinct and advantageous a change. But, as has been so often said, it is the spirit at the back of all photographic work, in a word the mind behind the focussing screen, and in the dark room, and the sentiment which is brought to bear when the actual print is about to be produced or the initial experiment in printing made, which may or may not go far to support the claim that the results attained are artistic. Many workers are given to take themselves - not their work - too seriously, and are prone to relegate the negative to an altogether subsidiary position as regards the picture. It is little use to adopt this course unless there be something in the training or tempera ment of the individual capable of producing that too frequently rare result, a photographic picture in which real sentiment and personal expression is evident. It is pretty safe to assert that where such results are attained they are more often than not brought about by either the trained or innate artistic perception of the worker rather than by the adoption of any of the canons which are held by some to govern the production of prints laying claim to be pictorial. Without the natural gift of artistic expression, all the art knowledge in the world will, in nine cases out of ten, when applied to photo graphy prove futile. The elements of composition which go to the making of painted pictures may be acquired, but with the camera one is confronted by a medium of expression far more uncompromising than that afforded by a colour box. It is the knowledge and intuition which brings about the softening and modifying of the uncompromising character of the results usually obtained by the camera; the power of elimination of the crude or superfluous (so far as possible) on the actual negative, and afterwards on the print itself; and the introduction of atmosphere and G B 2. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Picture Making in the Studio by Photography by Henry Peach Robinson Pdf
Excerpt from Picture Making in the Studio by Photography: With Supplementary Chapters on the Business of Portrait Photography and Individuality in Photography The following chapters on picture-making IN the studio and the one entitled-the business/of portrait photography originally appeared in the pages of me P/zotograp/zz'c T {77155 (the latter, under a different t1tle), for which magazine they were expressly written by their emi nent author; The supplementary chapter on individual/ity IN photography was first given to the public as a lecture, and was read before the Photographic Convention Of the United Kingdom of great'britain in the summer of 1892. It also was published in 2726 P/zofograp/zz'c Times, and -is reprinted here with the other Chapters, as its Subject-matter is of an appropriate nature. The proofs have been revised. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Correspondence of Henrik Ibsen by Henrik Ibsen Pdf
Excerpt from The Correspondence of Henrik Ibsen ON the 3lst of May 1880, Henrik Ibsen wrote to his publisher, Frederik Hegel, that he had begun a little book in which he intended to give some account of the outward and inward conditions under which each one of his works had come into being (letter It was to be called From Simian, to Rome, and was to give descriptions of his life at Skien and Grimstad, Bergen and Christiania, Dresden, Munich, and Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Photograms of the Year 1915: The Annual Review of the World's Pictorial Photographic Work At the time when the last volume of "Photograms of the Year" was issued it was difficult to suggest the course that any one of the arts of peace would take in the future. The first shock of warfare, by its stern reality, tended to stifle imagination in these matters. Yet the dominant characteristics of the British people have been reflected in the tributary of activity that photography represents, and that the habit of picture-making, so strongly fostered by the camera, would survive, we were convinced. The present volume of "Photograms of the Year" demonstrates the correctness of this assumption and indicates the position at the end of the year 1915. The war has indeed proved photography's right to be considered a national pastime apart from its claims as an art, as a science, and a profession. Where other forms of art have languished, and sports and hobbies of all kinds have met with the frown of disapproval, the only bar to the full employment of the camera by those who have been able, has been the official one - exercised vicariously. There has been no falling off therefore in the quantity of pictures submitted to us for inclusion in this Annual, and the quality has been as high as ever. Exigencies of space alone have prevented the inclusion of more examples from the great number submitted from all parts of the world. We have therefore to express regret to those workers whose pictures have been omitted, but our thanks to them are just as sincere as to the authors of the pictures we have been able to reproduce. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Make Your Pictures Sing: How to Perfect Your Technique About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Fine Art of Photography (Classic Reprint) by Paul L. Anderson Pdf
Excerpt from The Fine Art of Photography The author's thanks are due to Mr. Henry R. Poore, for permission to make use of the conclusions set forth by him in his exceedingly valuable work, Pictorial Composition and the Critical Judgment of Pictures to Mr. Bertrand H. Wentworth for the admirable discussion of marine photography given in Chapter IX; and to the photographers who have so kindly furnished the prints which have been used to illustrate the text and to embel lish the book, but especially to Mr. Eilers, whose Summer Landscape has been used without permission, the author having been unable to get in touch with this artist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Letters on Landscape Photography (Classic Reprint) by H. P. Robinson Pdf
Excerpt from Letters on Landscape Photography The following letters were written to a friend whose study of photography enabled him to produce a technically perfect negative, but who did not know how to put his knowledge to pictorial use. They were not intended to point out a royal road to art, but rather to act as a stimulus to activity in the search for subjects for the camera. And to teach how readiness of resource may help good. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
