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Pirates in History and Popular Culture by Antonio Sanna Pdf
This collection of new essays covers the myriad portrayals of the figure of the pirate in historical records, literary narratives, films, television series, opera, anime and games. Contributors explore the nuances of both real and fictional pirates, giving attention to renowned works such as Robert Louis Stevenson’s Treasure Island, J.M. Barrie’s Peter Pan, the Pirates of the Caribbean saga, and the anime One Piece, as well as less well known works such as pirate romances, William Clarke Russell’s The Frozen Pirate, Lionel Lindsay’s artworks, Steven Speilberg’s The Adventures of Tintin, and Pastafarian texts.
Pirates in History and Popular Culture by Antonio Sanna Pdf
This collection of new essays covers the myriad portrayals of the figure of the pirate in historical records, literary narratives, films, television series, opera, anime and games. Contributors explore the nuances of both real and fictional pirates, giving attention to renowned works such as Robert Louis Stevenson's Treasure Island, J.M. Barrie's Peter Pan, the Pirates of the Caribbean saga, and the anime One Piece, as well as less well known works such as pirate romances, William Clarke Russell's The Frozen Pirate, Lionel Lindsay's artworks, Steven Speilberg's The Adventures of Tintin, and Pastafarian texts.
Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story. Using landmarks in copyright history as a backdrop, Pirating Fictions argues that popular nineteenth-century pirate fiction mischievously resists the creation of intellectual property in copyright legislation and law. Drawing on classic pirate stories by such writers as Walter Scott, James Fenimore Cooper, Robert Louis Stevenson, and J. M. Barrie, this wide-ranging account demonstrates, in raucous tales and telling asides, how literary appropriation was celebrated at the very moment when the forces of possessive individualism began to enshrine the language of personal ownership in Anglo-American views of creative work.
Popular Culture, Piracy, and Outlaw Pedagogy by Elizabeth Alford Pollock Pdf
Popular Culture, Piracy, and Outlaw Pedagogy explores the relationship between power and resistance by critiquing the popular cultural image of the pirate represented in Pirates of the Caribbean. Of particular interest is the reliance on modernism’s binary good/evil, Sparrow/Jones, how the films’ distinguish the two concepts/characters via corruption, and what we may learn from this structure which I argue supports neoliberal ideologies of indifference towards the piratical Other. What became evident in my research is how the erasure of corruption via imperial and colonial codifications within seventeenth century systems of culture, class hierarchies, and language succeeded in its re-presentation of the pirate and members of a colonized India as corrupt individuals with empire emerging from the struggle as exempt from that corruption. This erasure is evidenced in Western portrayals of Somali pirates as corrupt Beings without any acknowledgement of transnational corporations’ role in provoking pirate resurgence in that region. This forces one to re-examine who the pirate is in this situation. Erasure is also evidenced in current interpretations of both Bush’s No Child Left Behind and Obama’s Race to the Top initiative. While NCLB created conditions through which corruption occurred, I demonstrate how Race to the Top erases that corruption from the institution of education by placing it solely into the hands of teachers, thus providing the institution a “free pass” to engage in any behavior it deems fit. What pirates teach us, then, are potential ways to thwart the erasure process by engaging a pedagogy of passion, purpose, radical love and loyalty to the people involved in the educational process.
Author : David Head Publisher : University of Georgia Press Page : 265 pages File Size : 40,8 Mb Release : 2018-06-15 Category : History ISBN : 9780820353272
Twelve authors shed new light on the true history and enduring mythology of seventeenth– and eighteenth–century pirates in this anthology of scholarly essays. The twelve entries in The Golden Age of Piracy discuss why pirates thrived in the seas of the New World, how pirates operated their plundering ventures, how governments battled piracy, and when and why piracy declined. Separating Hollywood myth from historical fact, these essays bring the real pirates of the Caribbean to life with a level of rigor and insight rarely applied to the subject. The Golden Age of Piracy also delves into the enduring status of pirates as pop culture icons. Audiences have devoured stories about cutthroats such as Blackbeard and Henry Morgan since before Robert Louis Stevenson wrote Treasure Island. By looking at the ideas of gender and sexuality surrounding pirate stories, the renewed interest in hunting for pirate treasure, and the construction of pirate myths, the contributing authors tell a new story about the dangerous men, and a few dangerous women, who terrorized the high seas. Contributors: Douglas R. Burgess, Guy Chet, John A. Coakley, Carolyn Eastman, Adam Jortner, Peter T. Leeson, Margarette Lincoln, Virginia W. Lunsford, Kevin P. McDonald, Carla Gardina Pestana, Matthew Taylor Raffety, and David Wilson.
The Palgrave Handbook of Popular Culture as Philosophy by Dean A. Kowalski,Chris Lay,Kimberly S. Engels Pdf
Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field.
A historian presents “an excellent guide to how pirates became the outlaw celebrities of the high seas” (Greg Jenner, host of the You’re Dead to Me podcast). During his life and even after his death, Captain William Kidd’s name was well known in England and the American colonies. He was infamous for the very crime for which he was hanged, piracy. In this book, historian Rebecca Simon dives into the details of the two-year manhunt for Captain Kidd and the events that ensued. Captain Kidd was hanged in 1701, followed by a massive British-led hunt for all pirates during a period known as the Golden Age of Piracy. Ironically, public executions only increased the popularity of pirates. And, because the American colonies relied on pirates for smuggled goods such as spices, wines, and silks, pirates tended to be protected from capture. This is the story of how pirates became popularly viewed as “Robin Hoods of the Sea”—and how these historical events were pivotal in creating the portrayal of pirates as we know them today. “Only someone who has lived in the shadows chasing faded pirates for an age, and is blessed with creativity, can pull off a book of this high caliber.” —Wreck Watch Magazine
An inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century. The most powerful pirate in history was a woman who was born into poverty in Guangzhou, China, in the late 1700s. When pirates attacked her town and the captain took a liking to her, she saw a way out. Zheng Yi Sao agreed to marry him only if she got an equal share of his business. When her husband died six years later, she took command of the fleet. Over the next decade, the pirate queen built a fleet of over 1,800 ships and 70,000 men. On land and sea, Zheng Yi Sao’s power rivaled the emperor himself. Time and again, her ships triumphed over the emperor’s ships. When she was ready to retire, Zheng Yi Sao surrendered — on her own terms, of course. Even though there was a price on her head, she was able to negotiate her freedom, living in peace and prosperity for the rest of her days. Zheng Yi Sao’s powerful story is told in lyrical prose by award-winning author Helaine Becker. Liz Wong’s colorful, engaging illustrations illuminate this inspiring woman in history. An author’s note provides historical context and outlines the challenges of researching a figure about whom little is known. Key Text Features author’s note historical context sources Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).
History of Piracy in the Caribbean by Daniel Defoe,Charles Ellms,Captain Charles Johnson Pdf
This edition present the history of the "Golden Age" of piracy. In this period the entire regions and islands in the Caribbean Sea were under their control and rule, at the extent that they subsequently proclaimed Nassau as the seat of the pirate republic. Authors' goal was to show the democracy pirates established, the rules by which they lived and died, their courage and ruthlessness, their most extraordinary exploits and battles. The lives of the most famous pirates of this era are depicted in the book: Charles Vane, Thomas Barrow (who declared himself "Governor of New Providence"), Benjamin Hornigold, Calico Jack Rackham, Anne Bonny, Mary Read, and the infamous Edward Teach, better known as "Blackbeard". Contents: Contents: The King of Pirates: Of Captain Avery, And his Crew Of Captain Martel, And his Crew Of Captain Teach, alias Black-beard Of Major Stede Bonnet, And his Crew Of Captain Edward England, And his Crew Of Captain Charles Vane, And his Crew Of Captain John Rackam, And his Crew The Life of Mary Read, And Anne Bonny Of Captain Howel Davis, And his Crew Of Captain Bartho. Roberts, And his Crew Of Captain Anstis, And his Crew Of Captain Worley, And his Crew Of Captain George Lowther, And his Crew Of Captain Edward Low, And his Crew Of Captain John Evans, And his Crew Of Captain John Phillips, And his Crew Of Captain Spriggs, And his Crew An Account of the Pyracies and Murders committed by Philip Roche, &c. An Abstract of the Civil Law and Statute Law now in Force, in Relation to Pyracy Of Captain Misson Of Captain John Bowen Of Captain William Kid Of Captain Tew, And his Crew Of Captain Halsey, And his Crew Of Captain Thomas White, And his Crew Of Captain Condent, And his Crew A Description of Magadoxa Of Captain Bellamy Of Captain William Fly, And his Crew Of Captain Thomas Howard, And his Crew Of Captain Lewis. And his Crew Of Captain Cornelius, And his Crew Of Captain David Williams, And his Crew Of Captain Samuel Burgess, And his Crew Of Captain Nathaniel North, And his Crew The Trial of the Pirates at Providence The Pirate Gow The Life of Lafitte, the Famous Pirate of the Gulf of Mexico The Life of Charles Gibbs History of the Adventures, Capture and Execution of the Spanish Pirates The Bloody Career and Execution of Vincent Benavides a Pirate on the West Coast of South America The West India Pirates The Pirates of Panama (A True Account by a Pirate)
The True Life Stories of the Most Notorious Pirates (Vol. 1&2) by Captain Charles Johnson Pdf
This world famous book tells biographies of the greatest pirates who ruled the seas in 18th century. The author, Captain Charles Johnson, was crucially influential in shaping popular conceptions of pirates and more importantly he inspired the classics such as Treasure Island, Peter Pan, On Stranger Tides...; and more recently the movie saga Pirates of the Caribbean and the series Black Sails. This history introduced many features which later became common in pirate literature, such as pirates with missing legs or eyes, the notion of pirates burying treasure, and the name of the pirate flag the Jolly Roger. The book covers the lives and incredible exploits of the following pirates and their crew: Captain Avery Captain Martel Captain Teach, alias Blackbeard Major Stede Bonnet Edward England Charles Vane Captain John Rackam Captain John Phillips The Life of Mary Read & Anne Bonny Captain Howel Davis Captain Bartho Roberts Captain Anstis Worley George Lowther Edward Low John Evans Captain Spriggs An Account of the Pyracies and Murders committed by Philip Roche, &c. The Trial of the Pirates at Providence An Abstract of the Civil Law and Statute Law now in Force, in Relation to Pyracy Captain Misson John Bowen William Kid Captain Tew Halsey Thomas White Captain Condent A Description of Magadoxa Captain Bellamy Captain William Fly Of Capt. Thomas Howard Of Captain Lewis Of Captain Cornelius Of Capt. David Williams Of Capt. Samuel Burgess Of Capt. Nathaniel North Of Captain Teach Of Major Bonnet Of Captain Worley Of Captain Martel Of Captain Vane Of Captain Bowen Captain Charles Johnson is the British author whose real identity remains a mystery but the manner in which he demonstrates a knowledge of the sailor's speech and life, suggests that he could have been an actual sea captain or a professional writer using a pseudonym who was well versed in the sea.
A General History of the Pyrates by Daniel Defoe Pdf
Considered the major source of information about piracy in the early 18th century, this fascinating history by the author of Robinson Crusoe profiles the deeds of Edward (Blackbeard) Teach, Captain Kidd, Anne Bonny, others.
"This wide-ranging book looks at the reality of pirates’ honor among thieves, from the ancient world right up to the pirates of today’s cargo ships or luxury yachts in the Indian Ocean and the South China Sea. "The History of Pirates" also examines the actions and pirate ethics of less famous pirates and their eras, such as the Japanese pirates of the 13th-16th centuries and Zheng Yi and his wife’s pirate alliance in 19th century China. With features on particular pirates such as Blackbeard and William Kidd and how the pirate code evolved into today’s merchant shipping contracts, "The History of Pirates" illuminates the broader historical and geographical scope of piracy and provides a fascinating introduction to the reality of life on board a buccaneer ship." --Publisher description.
The Routledge Companion to Latina/o Popular Culture by Frederick Luis Aldama Pdf
Latina/o popular culture has experienced major growth and change with the expanding demographic of Latina/os in mainstream media. In The Routledge Companion to Latina/o Pop Culture, contributors pay serious critical attention to all facets of Latina/o popular culture including TV, films, performance art, food, lowrider culture, theatre, photography, dance, pulp fiction, music, comic books, video games, news, web, and digital media, healing rituals, quinceñeras, and much more. Features include: consideration of differences between pop culture made by and about Latina/os; comprehensive and critical analyses of various pop cultural forms; concrete and detailed treatments of major primary works from children’s television to representations of dia de los muertos; new perspectives on the political, social, and historical dynamic of Latina/o pop culture; Chapters select, summarize, explain, contextualize and assess key critical interpretations, perspectives, developments and debates in Latina/o popular cultural studies. A vitally engaging and informative volume, this compliation of wide-ranging case studies in Latina/o pop culture phenomena encourages scholars and students to view Latina/o pop culture within the broader study of global popular culture. Contributors: Stacey Alex, Cecilia Aragon, Mary Beltrán, William A. Calvo-Quirós, Melissa Castillo-Garsow, Nicholas Centino, Ben Chappell, Fabio Chee, Osvaldo Cleger, David A. Colón, Marivel T. Danielson, Laura Fernández, Camilla Fojas, Kathryn M. Frank, Enrique García, Christopher González, Rachel González-Martin, Matthew David Goodwin, Ellie D. Hernandez, Jorge Iber, Guisela Latorre, Stephanie Lewthwaite, Richard Alexander Lou, Stacy I. Macías, Desirée Martin, Paloma Martínez-Cruz, Pancho McFarland, Cruz Medina, Isabel Millán, Amelia María de la Luz Montes, William Anthony Nericcio, William Orchard, Rocío Isabel Prado, Ryan Rashotte, Cristina Rivera, Gabriella Sanchez, Ilan Stavans Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English and University Distinguished Scholar at the Ohio State University where he is also founder and director of LASER and the Humanities & Cognitive Sciences High School Summer Institute. He is author, co-author, and editor of over 24 books, including the Routledge Concise History of Latino/a Literature and Latino/a Literature in the Classroom.
