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Poems of Life and Death by Arcturus Publishing,Daniel Conway Pdf
This collection contains poetic reflections on life and death from some of the world's best-loved poets, including Wordsworth, Tennyson, Dickinson, Rossetti, Keats, Brontë, and many more. Ranging from wisdoms on youth and age to heart-wrenching elegies of bereavement and profound meditations on the nature of human mortality, these are poems that explore our precious time on earth and perhaps offer some comfort for those seeking consolation.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
“A breezy, inviting collection of love poems that celebrates the divine as much as it does the natural world or human relationships . . . An eloquent celebration of simple joy from one of America’s most beloved poets.” —The Washington Post “Oliver’s poems are thoroughly convincing—as genuine, moving, and implausible as the first caressing breeze of spring.” —New York Times Book Review Mary Oliver, winner of the Pulitzer Prize, celebrates love in this collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.
Pretty much every poet in every age has written about death and dying. Along with love, it might be the most popular subject in poetry. Yet, until now, no anthology has gathered the best and most famous of these verses in one place. This collection ranges dramatically. With more than 320 poems, it goes across all of history, from the ancients straight through to today. Across countries and languages, across schools of poetry. You’ll find a plethora of approaches—witty, humorous, deadly serious, tear-jerking, wise, profound, angry, spiritual, atheistic, uncertain, highly personal, political, mythic, earthy, and only occasionally morbid. Every angle you can think of is covered—the deaths of children, lost loves, funeral rites, close calls, eating meat, serial killers, the death penalty, roadkill, the Underworld, reincarnation, elegies for famous people, death as an equalizer, death as a junk man, death as a child, the death of God, the death of death . . . . You’ll find death poetry’s greatest hits, including: “Because I Could Not Stop for Death” by Emily Dickinson “To an Athlete Dying Young” by A.E. Housman “Do not go gentle into that good night” by Dylan Thomas “When Lilacs Last in the Dooryard Bloom’d” by Walt Whitman “Annabel Lee” by Edgar Allan Poe The rest of the band includes . . .Jane Austen, Mary Jo Bang, Willis Barnstone, Charles Baudelaire, William Blake, Charlotte Brontë, Lord Byron, Lucille Clifton, Andrei Codrescu, Wanda Coleman, Billy Collins, Ralph Waldo Emerson, T.S. Eliot, Nick Flynn, Benjamin Franklin, Robert Frost, Kimiko Hahn, Homer, Victor Hugo, Langston Hughes, James Joyce, C.S. Lewis, Amy Lowell, W.S. Merwin, Edna St. Vincent Millay, Pablo Neruda, Thich Nhat Hanh, Friedrich Nietzsche, Wilfred Owen, Rainer Maria Rilke, Christina Rossetti, Rumi, Sappho, Shakespeare, Wallace Stevens, Ruth Stone, Wislawa Szymborska, W.B. Yeats, and a few hundred more.
When Shawn Levy had the notion to write a poem each day for a year, inspired by the obituary pages of The New York Times, he had no way of knowing that the year in question, 2016, would claim so many of the world's most iconic figures. His project became, in effect, a vehicle for surveying the breadth of the twentieth century: Titans from all fields of endeavor, lives that contained one quirky but insoluble achievement, and people who had special significance in his own life. From Nancy Reagan to Muhammad Ali, David Bowie to Arnold Palmer, Prince to Janet Reno, Antonin Scalia to Mary Tyler Moore, and including a Black Miss America, an obsessive weather reporter, the nurse famously kissed by a sailor on VJ Day, the man who put the “@” in your email address, and the last man to walk on the moon, the lives recollected in these one hundred poems provoke compassion, sorrow, outrage, surprise, nostalgia, even laughter. “This book is a wailing song, with side eye when and where you need it. These poems are a resuscitation of art and heart.” —Lidia Yuknavitch, author of Verge “... a staggering symphony of lives, with parallels to Michael Lesy's Wisconsin Death Trip and Jim Carroll's 'People Who Died,' ...” —Ed Skoog, author of Run the Red Lights “I'm grateful to Shawn Levy for reminding me what a generous, evocative exchange the newspaper obituary can be.” —Elena Passarello, author of Animals Strike Curious Poses “With his gimlet eye and big heart, Levy takes us on a backstage tour of our own popular culture.” —Dobby Gibson, author of Little Glass Planet “... moving and insightful ... a striking montage ...” —Juan Delgado, author of Vital Signs
Inspired by his time living on a First Nations reserve in Northern Alberta, Tallas Munro's first collection of poetry explores bereavement, introspection, and healing.
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
This enigmatic collection of poems explores and equates the boundless possibilities of life and death and delves into each intricate inexplicability of survival. Parekh's roving philosophical eye brings the unconquerable richness of life to the fore and yet at the same time explicitly highlights the veracity of 'death' as the absolute certainty of every existence. The poet joyously celebrates the occasions of both life and death with equal panache in each poetic stanza sewn with the uncanny mysteries of this Universe. The poems within immortalize both life and death as the ultimate victories and the two most contrastingly amazing and divine sides of creation. Catapulting the reader to the threshold of ultimate ecstasy; they bring about an impromptu twist with the closure of breath and what lies beyond. This charismatically woven collection of poetic verse would equally enamor the narcissist as well as the simple humanitarian to the core.
The poems in this book have rhyme and meter. The themes are timeless: love, death, freedom, longing, nature, war, optimism, science and history. The poems are beautifully crafted and many are truly inspirational.
Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish — the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different? As Winnipeg is threatened by the flood of the century, Georgia Lee’s brutal murder sparks a tense cultural clash. Two families wish to claim her for burial. But Georgia Lee never figured out where she belonged, and now other people have to decide for her.
This collection of poems by Mary Oliver once again invites the reader to step across the threshold of ordinary life into a world of natural and spiritual luminosity. Tell me, what is it you plan to do with your one wild and precious life? —Mary Oliver, "The Summer Day" (one of the poems in this volume) Winner of a 1991 Christopher Award Winner of the 1991 Boston Globe Lawrence L. Winship Book Award
