Poetry And The Thought Of Song In Nineteenth Century Britain

Author : Elizabeth K. Helsinger
Publisher : University of Virginia Press
Page : 256 pages
File Size : 53,9 Mb
Release : 2015-09-09
Category : Literary Criticism
ISBN : 9780813938011

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Poetry and the Thought of Song in Nineteenth-Century Britain by Elizabeth K. Helsinger Pdf

In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"—Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne—Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song’s forms and sound textures through lyric’s rhythm, rhyme, and repetition, these poets were pursuing song’s "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.

Author : Phyllis Weliver
Publisher : Routledge
Page : 311 pages
File Size : 41,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351544535

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.

Author : Phyllis Weliver
Publisher : Unknown
Page : 288 pages
File Size : 47,8 Mb
Release : 2017
Category : Electronic
ISBN : 1315086581

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

"How was music depicted in and mediated through Romantic and Victorian poetry' This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson."--Provided by publisher.

Author : D.B. Ruderman
Publisher : Routledge
Page : 288 pages
File Size : 43,7 Mb
Release : 2016-04-28
Category : Literary Criticism
ISBN : 9781317276494

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The Idea of Infancy in Nineteenth-Century British Poetry by D.B. Ruderman Pdf

This book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. ...a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)

Author : Beverley Park Rilett
Publisher : Lulu.com
Page : 460 pages
File Size : 42,5 Mb
Release : 2017-04-29
Category : Education
ISBN : 9781365925825

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British Poetry of the Long Nineteenth Century by Beverley Park Rilett Pdf

This anthology surveys Britain's golden years of poetry--the "long" nineteenth century. College students are introduced to the most frequently studied poems of eighteen poets, each afforded roughly equal space. Neither too condensed nor too comprehensive, this 436-page collection is designed specifically for six to eight weeks of poetry study in a British literature course.

Author : Stephen Gurney
Publisher : Macmillan Reference USA
Page : 376 pages
File Size : 53,5 Mb
Release : 1993
Category : English poetry
ISBN : UCAL:B4282037

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British Poetry of the Nineteenth Century by Stephen Gurney Pdf

The critical assumption of British Poetry of the Nineteenth Century is that, while the history of English letters constantly expands and changes, the study of the past has an intrinsic value inasmuch as it enables us to rise above the often restrictive or reductive vantage point of our present moment. Gurney is articulate and convincing when, for example, he argues that Milton is not only of historical value insofar as some knowledge of his works is necessary to understand the reactions he engendered in romantic poets like Blake, Shelley, and the Brontes, but also for the foothold that he gives us outside the constricting circle of our age. For the themes he explores and the sensitivities he fosters are precisely those that our age may have forgotten - and that, therefore, we have the greatest need to hear and consider.

Author : Sarah Parker
Publisher : Taylor & Francis
Page : 241 pages
File Size : 53,6 Mb
Release : 2024-02-29
Category : Literary Criticism
ISBN : 9781003853640

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Form and Modernity in Women’s Poetry, 1895–1922 by Sarah Parker Pdf

While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.

Author : Marion Thain
Publisher : Edinburgh University Press
Page : 280 pages
File Size : 48,5 Mb
Release : 2016-08-16
Category : Literary Criticism
ISBN : 9781474415675

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Lyric Poem and Aestheticism by Marion Thain Pdf

This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).

Author : Rufus Wilmot Griswold
Publisher : Unknown
Page : 644 pages
File Size : 52,8 Mb
Release : 1875
Category : Authors, English
ISBN : PRNC:32101072858689

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The Poets and Poetry of England by Rufus Wilmot Griswold Pdf

Author : Julia F. Saville
Publisher : Springer
Page : 307 pages
File Size : 46,9 Mb
Release : 2017-05-19
Category : Literary Criticism
ISBN : 9783319525068

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Victorian Soul-Talk by Julia F. Saville Pdf

This book explores the decades between the Reform Acts of 1832 and 1884 when British poets such as Elizabeth Barrett Browning, Arthur Hugh Clough, Robert Browning, and Algernon Charles Swinburne, along with their transatlantic contemporary Walt Whitman, defended the civil rights of disenfranchised souls as Western nations slowly evolved toward modern democracies with shared transnational connections. For in the decades before the new science of psychology transformed the soul into the psyche, poets claimed the spiritual well-being of the body politic as their special moral responsibility. Exploiting the rich aesthetic potential of language, they created poetry with striking sensory appeal to make their readers experience the complex effects of political decisions on public spirit. Within contexts such as Risorgimento Italy, Civil War America, and Second Empire France, these poets spoke from their souls to the souls of their readers to reveal insights that eluded the prosaic forms of fiction, essay, and journalism.

Author : Adela Pinch
Publisher : Cambridge University Press
Page : 128 pages
File Size : 53,7 Mb
Release : 2010-07-08
Category : Literary Criticism
ISBN : 9781139489089

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Thinking about Other People in Nineteenth-Century British Writing by Adela Pinch Pdf

Nineteenth-century life and literature are full of strange accounts that describe the act of one person thinking about another as an ethically problematic, sometimes even a dangerously powerful thing to do. In this book, Adela Pinch explains why, when, and under what conditions it is possible, or desirable, to believe that thinking about another person could affect them. She explains why nineteenth-century British writers - poets, novelists, philosophers, psychologists, devotees of the occult - were both attracted to and repulsed by radical or substantial notions of purely mental relations between persons, and why they moralized about the practice of thinking about other people in interesting ways. Working at the intersection of literary studies and philosophy, this book both sheds new light on a neglected aspect of Victorian literature and thought, and explores the consequences of, and the value placed on, this strand of thinking about thinking.

Author : Joanne Parker,Corinna Wagner
Publisher : Oxford University Press
Page : 709 pages
File Size : 45,5 Mb
Release : 2020-09-15
Category : Literary Criticism
ISBN : 9780191648274

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The Oxford Handbook of Victorian Medievalism by Joanne Parker,Corinna Wagner Pdf

In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

Author : Sarah Cash
Publisher : Rowman & Littlefield
Page : 193 pages
File Size : 48,7 Mb
Release : 2023-04-15
Category : Electronic
ISBN : 9781666903508

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Reading Time in Music by Sarah Cash Pdf

This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.

Author : Bennett Zon
Publisher : Routledge
Page : 365 pages
File Size : 43,7 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092384

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Music and Performance Culture in Nineteenth-Century Britain by Bennett Zon Pdf

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Author : Joseph Phelan
Publisher : Springer
Page : 225 pages
File Size : 45,6 Mb
Release : 2012-01-06
Category : Literary Criticism
ISBN : 9780230359253

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The Music of Verse by Joseph Phelan Pdf

Through its recovery of the metrical principles underlying the work of some of the century's major poets, this study highlights the intricacy of the relation between the 'music' of verse and its meaning, and helping us to understand the way in which the ferment of metrical experiment eventually led to the emergence of free verse.