The Figure Of Music In Nineteenth Century British Poetry

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The Figure of Music in Nineteenth-Century British Poetry

Phyllis Weliver
The Figure of Music in Nineteenth Century British Poetry Book PDF

Author : Phyllis Weliver
Publisher : Routledge
Page : 281 pages
File Size : 41,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351544542

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.

The Figure of Music in Nineteenth-Century British Poetry

Phyllis Weliver
The Figure of Music in Nineteenth Century British Poetry Book PDF

Author : Phyllis Weliver
Publisher : Unknown
Page : 288 pages
File Size : 45,6 Mb
Release : 2017
Category : Electronic
ISBN : 1315086581

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

"How was music depicted in and mediated through Romantic and Victorian poetry' This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson."--Provided by publisher.

The Figure of Music in Nineteenth-Century British Poetry

Phyllis Weliver
The Figure of Music in Nineteenth Century British Poetry Book PDF

Author : Phyllis Weliver
Publisher : Routledge
Page : 311 pages
File Size : 47,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351544535

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.

The Idea of Music in Victorian Fiction

Nicky Losseff
The Idea of Music in Victorian Fiction Book PDF

Author : Nicky Losseff
Publisher : Routledge
Page : 320 pages
File Size : 49,8 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317028055

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The Idea of Music in Victorian Fiction by Nicky Losseff Pdf

The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

Words and Notes in the Long Nineteenth Century

Phyllis Weliver,Katharine Ellis
Words and Notes in the Long Nineteenth Century Book PDF

Author : Phyllis Weliver,Katharine Ellis
Publisher : Boydell & Brewer Ltd
Page : 270 pages
File Size : 51,5 Mb
Release : 2013
Category : Literary Criticism
ISBN : 9781843838111

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Words and Notes in the Long Nineteenth Century by Phyllis Weliver,Katharine Ellis Pdf

A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.

Poetry and the Thought of Song in Nineteenth-Century Britain

Elizabeth K. Helsinger
Poetry and the Thought of Song in Nineteenth Century Britain Book PDF

Author : Elizabeth K. Helsinger
Publisher : University of Virginia Press
Page : 256 pages
File Size : 49,9 Mb
Release : 2015-09-09
Category : Literary Criticism
ISBN : 9780813938011

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Poetry and the Thought of Song in Nineteenth-Century Britain by Elizabeth K. Helsinger Pdf

In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"—Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne—Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song’s forms and sound textures through lyric’s rhythm, rhyme, and repetition, these poets were pursuing song’s "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.

Music and Institutions in Nineteenth-Century Britain

Paul Rodmell
Music and Institutions in Nineteenth Century Britain Book PDF

Author : Paul Rodmell
Publisher : Routledge
Page : 316 pages
File Size : 44,5 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092469

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Music and Institutions in Nineteenth-Century Britain by Paul Rodmell Pdf

In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.

British Literature and Classical Music

David Deutsch
British Literature and Classical Music Book PDF

Author : David Deutsch
Publisher : Bloomsbury Publishing
Page : 390 pages
File Size : 42,8 Mb
Release : 2015-09-24
Category : Literary Criticism
ISBN : 9781474235822

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British Literature and Classical Music by David Deutsch Pdf

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.

Scripture and Song in Nineteenth-Century Britain

James Grande,Brian H. Murray
Scripture and Song in Nineteenth Century Britain Book PDF

Author : James Grande,Brian H. Murray
Publisher : Bloomsbury Publishing USA
Page : 247 pages
File Size : 46,9 Mb
Release : 2023-11-16
Category : Music
ISBN : 9781501376399

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Scripture and Song in Nineteenth-Century Britain by James Grande,Brian H. Murray Pdf

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Figures of the Imagination

Roger Hansford
Figures of the Imagination Book PDF

Author : Roger Hansford
Publisher : Routledge
Page : 340 pages
File Size : 45,5 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781317135302

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Figures of the Imagination by Roger Hansford Pdf

This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.

Opera and British Print Culture in the Long Nineteenth Century

Christina Fuhrmann
Opera and British Print Culture in the Long Nineteenth Century Book PDF

Author : Christina Fuhrmann
Publisher : Liverpool University Press
Page : 392 pages
File Size : 41,9 Mb
Release : 2023-02-16
Category : Music
ISBN : 9781638040439

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Opera and British Print Culture in the Long Nineteenth Century by Christina Fuhrmann Pdf

Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

PhilipRoss Bullock
Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth Century England Book PDF

Author : PhilipRoss Bullock
Publisher : Routledge
Page : 222 pages
File Size : 55,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351550505

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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England by PhilipRoss Bullock Pdf

Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan?k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

Romanticism/Judaica

Sheila A. Spector
Romanticism Judaica Book PDF

Author : Sheila A. Spector
Publisher : Routledge
Page : 242 pages
File Size : 42,9 Mb
Release : 2016-04-08
Category : Social Science
ISBN : 9781317061298

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Romanticism/Judaica by Sheila A. Spector Pdf

The twelve essays in Romanticism/Judaica explore the four major cultural strands that have converged from the French Revolution to the present. The first section, Nationalism and Diasporeanism, contains essays on the diasporean mentality of the Romantics, Byron's attitude towards nationalism, and Polish immigrant Hyman Hurwitz's attempt to gain acceptance among the British by having Coleridge translate his Hebrew elegy for Princess Charlotte. Essays of the second section, Religion and Anti-Semitism, deal with the complexities of Jewish/Christian relations in the Romantic Period. Specifically, they discuss philosopher Solomon Maimon's lack of response to Kant's anti-Semitism, novelist Maria Polack's use of Christian subject matter to combat anti-Semitism, and short-story writer Grace Aguilar's incorporation of the British Bible-centered Evangelical culture, along with various strands of British Romanticism. In the third section, Individualism and Assimilationism, essays consider different ways the Jews were assimilated into the dominant culture, specifically through the theater, sports and and post-Enlightenment philosophy. Finally, the volume concludes with Criticism and Reflection: a revaluation of earlier scholarship on Anglo-Jewish literature; the establishment of Harold Fisch's covenantal hermeneutics as a model for reading Keats; and an analysis of Lionel Trilling, M. H. Abrams, Harold Bloom and Geoffrey Hartman in terms of their Jewish origins, suggesting the further implications for Romanticism as a field.

The Ashgate Research Companion to Thomas Hardy

Dr Rosemarie Morgan
The Ashgate Research Companion to Thomas Hardy Book PDF

Author : Dr Rosemarie Morgan
Publisher : Ashgate Publishing, Ltd.
Page : 632 pages
File Size : 41,9 Mb
Release : 2013-04-28
Category : Literary Criticism
ISBN : 9781409476306

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The Ashgate Research Companion to Thomas Hardy by Dr Rosemarie Morgan Pdf

Bringing together eminent Hardy scholars, The Ashgate Research Companion to Thomas Hardy offers an overview of Hardy scholarship and suggests new directions in Hardy studies. While several collections have surveyed the Hardy landscape, no previous volume has been composed specifically for scholars and advanced graduate students. This companion is specially designed to aid original research on Hardy and serve as the critical basis for Hardy studies in the new millennium.

The Idea of Music in Victorian Fiction

Nicky Losseff
The Idea of Music in Victorian Fiction Book PDF

Author : Nicky Losseff
Publisher : Routledge
Page : 320 pages
File Size : 41,6 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317028062

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The Idea of Music in Victorian Fiction by Nicky Losseff Pdf

The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.