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Author : Paul G. Bahn
Publisher : Cambridge University Press
Page : 239 pages
File Size : 43,6 Mb
Release : 2010-06-21
Category : Art
ISBN : 9780521140874
Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world.
Author : Paul G. Bahn (archaeologist)
Publisher : Cambridge University Press
Page : 239 pages
File Size : 45,9 Mb
Release : 2010-06-21
Category : Art
ISBN : 9780521192781
Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006.
Author : Irina Aleksandrovna Ponomareva
Publisher : Unknown
Page : 201 pages
File Size : 46,9 Mb
Release : 2021
Category : Petroglyphs
ISBN : 1407358774
This title covers an extensive region of East Siberia, considering prehistoric ethno-cultural and social processes through the development of rock art styles and traditions. It addresses the questions of why rock art is created, why specific styles and traditions emerge and why changes in rock art occur. These questions are explored through anthropological perspectives on ethnicity, identity, and symbolism. A reader will find a comprehensive overview of the developments of rock art research in Siberia as well as detailed accounts of the regional archaeology in the Bronze/Iron ages, the Neolithic, and partially the Late Paleolithic. Importantly, this study is primarily fieldwork-based, presenting information on 108 rock art sites in Yakutia and Trans-Baikal. It is a major contribution to Siberian and global rock art research and suggests new directions for future rock art research.
Author : Susan Searight
Publisher : British Archaeological Reports Oxford Limited
Page : 262 pages
File Size : 45,9 Mb
Release : 2004
Category : Art
ISBN : UOM:39015060540872
This study analyses almost 300 known prehistoric rock art sites dating from c.2500 BC set within their environmental context. Susan Searight discusses the themes and motifs represented, comprising anthropomorphs, human hands and feet, weapons, agricultural tools, chariots and geometric forms, and their distribution.
Author : Francis Audrey Barnes
Publisher : Unknown
Page : 318 pages
File Size : 45,7 Mb
Release : 1982
Category : Art
ISBN : WISC:89060389285
Includes information on protected rock art sites in Arizona, Colorado, Nevada, New Mexico, and Utah. Gives information on these special rock art areas: Albuquerque and Santa Fe Area; Arches National Park; Bandelier National Monument Area; Canyon de Chelly National Monument; Canyonlands National Park--Maze Area; Canyonlands National Park--Needles Area; Capitol Reef National Park;Central Utah Area; Chaco Canyon Area; Desolation-Gray Canyon of the Green River; Grand Canyon National Park; Grand Gulch Primitive Area;Hovenweep National Monument; Indian Creek Canyon; Moab Area; Petrified Forest National Park; San Juan River Gorge; Three Rivers Area; Uintah Basin Area; West-Central Colorado Area; Zuñi-Cibola Area; miscellaneous areas; and Anasazi celestial rock art.
Author : Christopher Chippindale,Paul S. C. Taçon
Publisher : Cambridge University Press
Page : 398 pages
File Size : 43,5 Mb
Release : 1998
Category : Art
ISBN : 0521576199
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Author : Mr Richard Bradley,Richard Bradley
Publisher : Routledge
Page : 300 pages
File Size : 46,9 Mb
Release : 2002-11-01
Category : Social Science
ISBN : 9781134708925
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Author : Kay Sanger,Clement Woodward Meighan
Publisher : Unknown
Page : 248 pages
File Size : 42,7 Mb
Release : 1990
Category : Art
ISBN : UOM:39015032985262
Author : Martin Walker
Publisher : Simon and Schuster
Page : 386 pages
File Size : 43,6 Mb
Release : 2002-04-10
Category : Fiction
ISBN : 9780743227681
In a brilliant and ambitious thriller that combines elements of Jean Auel’s The Clan of the Cave Bear and Ken Follett’s The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time. Martin Walker’s richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero. The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else... As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting’s origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer’s father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery—and cover-up—of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators. Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present.
Author : Paul G. Bahn
Publisher : Unknown
Page : 222 pages
File Size : 54,7 Mb
Release : 2010
Category : Art, Prehistoric
ISBN : 3224301007
"Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006"--
Author : Courtney Nimura
Publisher : Oxbow Books
Page : 160 pages
File Size : 47,6 Mb
Release : 2015-11-30
Category : Art
ISBN : 9781785701221
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
Author : Paul G. Bahn
Publisher : Unknown
Page : 240 pages
File Size : 52,9 Mb
Release : 2014-05-14
Category : Art, Prehistoric
ISBN : 0511932545
Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world.
Author : Yashodhar Mathpal
Publisher : Abhinav Publications
Page : 322 pages
File Size : 45,8 Mb
Release : 1984
Category : Electronic
ISBN : 8170171938
Prehistoric Rock Paintings Of Bhimbetka By Dr. Yashodhar Mathpal Is The First Exhaustive Study Of A Single Rock Art Site In India. It Covers The Entire Art Activity In The Form Of Paintings Found In 133 Caves At Bhimbetka, Central India, The Largest Concentration Of Rock Paintings In The Country. For The First Time Copies Of Prehistoric Cave Paintings Have Been Made On The Spot, In Original Colour, To Scale And With Original Background. All The Superimpositions Of Figures Have Been Copied. For The First Time Indian Rock Paintings Are Dated 10,000 Years Back On The Firm Ground Of The Archaeological Findings From The Excavations Of Painted Caves. For The First Time Indian Rock Paintings Have Been Studied In Their Historical Perspective. For Example, The First Discovery Of Rock Paintings Was Made In India 12 Years Before Their Discovery Of Altamira In Spain. India Is Also The First Country To Recognize The Antiquity Of Rock Paintings. For The First Time Too The Maximum Literary, Ethnologic And Archaeological Evidences Have Been Researched For Evidence Of Drawing Material, Motivation And The Antiquity Of Rock Paintings. In His Foreword To This Monumental Work Professor H.D. Sankalia Says: This Work Is Unique Because For The First Time Prehistoric Indian Paintings Are Evaluated By A Scholar Who Is Artist By Nature And Training And A Trained Prehistorian, And Thus Eminently Qualified To Write On The Subject.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 40,7 Mb
Release : 1995
Category : Electronic
ISBN : OCLC:1017296255
Author : Stan Beckensall
Publisher : Amberley Publishing Limited
Page : 271 pages
File Size : 44,5 Mb
Release : 2009-10-15
Category : Social Science
ISBN : 9781445619965
In this latest book the prolific Stan Beckensall returns to his principal specialism, Britains prehistoric rock art.
