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A black preacher returns home to rural Georgia to claim an inheritance and bring down the ruthless plantation owner that he once served. He finds a surprise ally in the plantation owner's son.
African American Scenebook by Kathryn Ervin,Ethel P. Walker Pdf
Kathryn Ervin and Ethel Pitts Walker have compiled a delicately balanced and impeccably coherent anthology of some of the best scenes from the past sixty years of African American theatre. Each scene subtly articulates African American culture in a Western frame and explores universal themes embedded in unique characters, stories, languages, and time periods. Theatrically appropriate for secondary students, African American Scenebook also provides unique opportunities for classroom discussion about the difficult issues relating to race in America.
American Guy by Saul Levmore,Martha C. Nussbaum Pdf
American Guy examines American norms of masculinity and their role in the law, bringing a range of methodological and disciplinary perspectives to the intersection of American gender, legal, and literary issues. The collection opens with a set of papers investigating "American Guys" -- the heroic nonconformists and rugged individualists that populate much of American fiction. Diverse essays examine the manly men of Hemingway, Dreiser, and others, in their relation to the law, while also highlighting the underlying tensions that complicate this version of masculinity. A second set of papers examines "Outsiders" -- men on the periphery of the American Guys who proclaim a different way of being male. These essays take up counter-traditions of masculinity ranging from gay male culture to Philip Roth's portrait of the Jewish lawyer. American Guy, a follow-up to Subversion and Sympathy, edited by Alison L. LaCroix and Martha Nussbaum, aims at reinvigorating the law-and-literature movement through original, cross-disciplinary insights. It embraces a variety of voices from both within and outside the academy, including several contributions from prominent judges. These contributions are particularly significant, not only as features unique to the field, but also for the light they throw on the federal bench. In the face of a large body of work studying judicial conduct as a function of rigid commitment to ideology, American Guy shows a side of the judiciary that is imaginatively engaged, aware of cultural trends, and reflective about the wider world and the role of the of law in it.
A passionate ode to an American mecca, Beloved Harlem is a literary look into the vibrant African-American haven, edited by one of its celebrated native sons. William H. Banks, Jr., combines the classics with the contemporary as he showcases some of the best essays, short stories, and novel excerpts inspired by the diversity of Harlem life, from the early twentieth century to the new millennium. The days and nights of black Manhattan come alive in the words of historically famous writers like W.E.B. Dubois, Zora Neale Hurston, Langston Hughes, Dorothy West, Ossie Davis, and Toni Morrison, along with the works of brilliant newcomers to the neighborhood, including Brian Keith Jackson’s witty examination of identity politics in The Queen of Harlem and Rosemarie Robatham’s “Dreaming in Harlem,” a moving tale about a woman at the edge of society who finds sanctuary with a stranger. From renaissance through tough times to revitalization, this triumphant homage gives Harlem the historical perspective it so rightly deserves. Beloved Harlem is a welcome addition to the libraries of readers who are either already in love with Harlem or ready to take the fall.
The World of Musicals [2 volumes] by Mark A. Robinson Pdf
This wide-ranging, two-volume encyclopedia of musicals old and new will captivate young fans—and prove invaluable to those contemplating staging a musical production. Written with high school students in mind, The World of Musicals: An Encyclopedia of Stage, Screen, and Song encompasses not only Broadway and film musicals, but also made-for-television musicals, a genre that has been largely ignored. The two volumes cover significant musicals in easily accessible entries that offer both useful information and fun facts. Each entry lists the work's writers, composers, directors, choreographers, and cast, and includes a song list, a synopsis, and descriptions of the original production and important revivals or remakes. Biographical entries share the stories of some of the brightest and most celebrated talents in the business. The encyclopedia will undoubtedly ignite and feed student interest in musical theatre. At the same time, it will prove a wonderful resource for teachers or community theatre directors charged with selecting and producing shows. In fact, anyone interested in theatre, film, television, or music will be fascinated by the work's tantalizing bits of historical and theatre trivia.
"This book argues that, since transatlantic slavery, patience has been used as a tool of anti-black violence and political exclusion, but shows how during the Civil Rights Movement black artists and activists used theatre to demand "freedom now," staging a radical challenge to this deferral of black freedom and citizenship"--
Broadway Musical MVPs: 1960-2010 by Peter Filichia Pdf
(Applause Books). Every year, Major League Baseball, the National Football League, the National Basketball Association, and the National Hockey League name a Most Valuable Player an MVP. The Broadway musical community doesn't. Oh, there are the Tony Awards, the Drama Desk Awards, and the Theatre World Awards. But what if Broadway selected a MVP each season? In Broadway Musical MVPs: 1960-2010, The Most Valuable Players of the Past 50 Seasons , Peter Filichia names his choices for the MVPs of each of the past 50 Broadway seasons they might be performers, producers, directors, or choreographers. Not surprisingly, many of the featured MVPs are multitaskers, such as directors who also choreographed, or wrote the book, or even designed the costumes! Also included are awards in categories such as Comeback Player of the Year, Reliever of the Year, Rookie of the Year, and Led League in Errors. From Tammy Grimes, MVP of the 1960-61 season for The Unsinkable Molly Brown , to Joe DiPietro, MVP of the 2009-10 season for Memphis , Filichia recognizes the best and the brightest that have appeared on Broadway.
Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.
The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kennedy, Sidney Poitier, and August Wilson. Of particular note is the manner in which black theory collides or intersects with canonical theorists, including Aristotle, Keats, Ibsen, Nietzsche, Shaw, and O'Neill.
Historical Dictionary of African American Theater by Anthony D. Hill Pdf
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.
Show Tunes, the most comprehensive musical theatre reference book ever, chronicles the work of Broadway's greatest composers, from 1904 through 2009. Almost 1,000 shows and 10,000 show tunes are included, with additional musicals and composers added to the fourth edition. This fact-packed volume is informative, insightful, provocative, and entertaining: the definitive survey of a fascinating field. It is a must for musical theatre enthusiasts, performers, students, collectors, and anyone who enjoys Show Tunes.
Ossie Davis, the celebrated civil rights activist, actor, writer, and director, is remembered for a film, television, and stage career of more than half a century. His awards include an Emmy Award, an NAACP Image Award for his work in the Spike Lee film Do the Right Thing, a Lifetime Achievement Award from the Screen Actors Guild, and a Kennedy Center Honor. The last two honors, like so many of his accomplishments, were shared with his wife and partner (in life and in work), Ruby Dee. Ossie Davis is also revered for his lifelong commitment to those social and political causes about which he was so passionate. Of all the gifts he possessed, perhaps none was greater than his ability to articulate the important issues of the day. He used his brilliant mind and his oratory skills to give voice to his concerns as a black man, an American, and a human being in the world, as well as to the individuals and communities whose concerns he made his own. This monumental book brings together many of the moving speeches, essays, and other writings as an ultimate gift to posterity. Life Lit by Some Large Vision includes some humor, some history, and some surprises: moving tributes to such luminaries as Malcolm X and Louis Armstrong; thought-provoking speeches on the treachery of the English language and the challenge of breaking through the "niggerization" process; letters to friends and fellow thinkers; essays that span decades of social thought and revolutionary positions; and the closing monologue from his groundbreaking 1961 play, Purlie Victorious. The unforgettable sound of Ossie Davis's voice is well documented in his work on film and television, but the words on these pages offer his heart and mind, and will be the next best thing to witnessing him speak in person. Ruby Dee contributes a foreword to the collection and introductory notes to the individual pieces, many of which were written and delivered with her at his side. The result is a comprehensive celebration of one man's extraordinary wisdom and generosity. This is a book that will enrich countless readers -- as a gift, an educational resource, a volume to be read aloud on special occasions, and much more.